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…ane: It was definitely daunting. I feel like it would be with any band – taking over the frontman position is never an easy task. There’s always going to be a margin of people who aren’t really feeling it. It’s a change. But my goal has been to gain more fans than fans that are lost. I tried to not stray too far from the Allegaeon style, while still adding in my own flavor to the mix. It was daunting at first, but I feel that now that a year has g…
…ering to Dark Tranquillity, Nightwish to In Flames, and even a little Elvenking can appreciate where Virus of Ideals takes the listener. Handling these questions is keyboardist/male growler Sean ‘Orc’ Adams, and you’ll learn more about the ambitious lyrical content for the band, the importance of strong art and imagery to their style, as well as some special Omnium Gatherum concert memories beyond learning a little bit more behind this outstanding…
…iest, Nevermore, and Soilwork come to mind on this six-song recording. Stacking up well on all fronts from professional cover art to killer production values, the low-tuned guitar/double bass barrage that sets off “Above the Vaulted Sky” suck you in from the start, all the way to the fading guitar chords and piano ending of closer “And Hell That Followed with Me”. Calling up Marc Lopes one recent afternoon, we spent over an hour discussing the art…
…nd Andrea Ferro almost constantly interacting with those in the front – shaking hands, high-fives, getting right in fans’ faces during vocal lines, and singing directly into a phone that was taking a photo. This sort of thing lasted from beginning to end, and it was a true testament to the sheer fun that the band was having at the venue. The band and fans just had an incredible energy that lasted the entire set. The beginning of the band’s set lea…
…n of clean vocals for the first time as well as a full on concept record taking inspiration from old school hallmarks Rush. Intricate and intoxicating, well on its way to being this scribe’s record of the year- especially after taking a couple of the songs in live early this winter prior to their trek with Voivod. Reason enough for me to seek out vocalist/ guitarist David DiSanto and learn more about the five year lapse between records, future pla…
…rt to date. There’s so much that the band gets right here, particularly in their writing of the multiple 10-minute plus tracks, that so many other bands in this style completely botch. Those seeking an album with triumphant riffs and resonating melodies will find much to celebrate. Why aren’t more people a-buzz about this album? Oak Pantheon on Facebook…
…opriately and deliver a sense of urgency to them. Lionheart takes the usual melodic metalcore playbook and turns it into something that has some solid legs to stand on. It’s not completely revolutionary, but the tweaking present, such as the strong clean vocals, emphasis on outside the box melodies, and occasional deluge of heaviness give more than enough reason for genre fans to check it out. Hollow Bones on Facebook…
…l scene. A lot of shows have been cancelled lately because of the church taking over the power. Stuff like Mexico, that was something where I thought about maybe I should stop doing this. That was scary, stuff being stolen is something that you can’t avoid. People are stealing everywhere, we’ve had guitars stolen before. It sucks to steal from bands because bands are usually not rich, but what can you do? Dead Rhetoric: You changed up the studio r…
…p, as Blood Ceremony’s trademark mysticism remains intact during the rollicking “The Rogue’s Lot” and boogie-down of “Half Moon Street.” Vocalist/organist/flutist Alia O’Brien keeps it witchy (of course), proving her mettle on the very-‘60s “Flower Phantoms,” a number that vacuums the band’s mainline dark angle. But O’Brien’s worth extends beyond her vocals, with her flute action remaining the most obvious sonic identifier. On a slippery slope Blo…
…eed to play catch up in terms of their discography, this scribe suggests taking in a healthy dose of Iron Will, Hammer of the North, and the new record to get the best Grand Magus fix. Dead Rhetoric: Sword Songs is the new album – how do you balance the band’s desire to come up with fresh material in a creative manner while also keeping in mind the expectations that the long-term fans of Grand Magus have? JB: Hmmm…. well I think that first and for…
…rney of Aborted from their humble beginnings in the late ‘90s as simply picking up the Carcass torch to being a death metal juggernaut over the past 20 years has been an uphill battle. Plagued by line-up changes, it hasn’t been until their last few releases that the band has finally achieved some level of consistency with members. Coincidentally, it has also been the time that Aborted has really peaked, creatively-speaking. Celebrating the band’s…
…r played. Now it seems because it’s got such good reviews and people are asking to hear the songs, we’ll probably do a set that leans on Lightning to the Nations, but also the self-titled album. Dead Rhetoric: Plus, a lot of these songs feel like they’d fit well with Lightning to the Nations. Tatler: I think a lot of them will work well live. They sounded great in rehearsal. That was one of the plans—to write the record, rehearse it in a room with…
…y where streaming services, downloading, and who has the most financial backing matters more than talent and quality control. Winter is their second album, a stunner in the sense that you will get everything from doom and atmosphere to extreme screams, blast beats, and blackened riffing at times- while never giving up the melodies and harmonic hooks necessary to keep the material in your brain and body. It’s difficult to pin down one particular ba…
…he necessary ammo to further enhance the brutality. What’s particularly striking about the track is the balance between the industrial sounds and the downright malevolent death metal backbone, with both getting plenty of opportunity to shine without overshadowing the other. Check it out for yourself at the bottom of the page! Here’s the official track listing for As Dystopia Beckons: 1. Rotting Domain (Feat. Sven Gross of Fleshcrawl) 2. The Machin…
…t’s all there, other than the super-fast blastbeats. It may sound like a critique, but it’s not really. Few could replicate that sound in such a manner without coming off as cheap or gimmicky. Not many bands veer into this direction, and it was actually refreshing to hear a band moving back towards this sound. And some tracks go a bit farther with the atmospheric elements, such as the almost dreamy sounding “The Infernos Son.” They also keep thing…
…not the seemingly tech death cover art (which is admittedly rather cool looking), Karybdis aren’t here to melt your brain with dizzying guitar acrobatics. The melodic death metal act have returned from their slumber (it’s been three years since their debut From the Depths) to hit hard with Samsara. But this heavy-hitting comes from songwriting above all else. Mostly operating well within the melodic death metal framework, Samsara may not be the fa…
…of a winter’s evening. And hey, they are from Canada so geographically speaking, they’ve got the cold thing down on that front too. Surprisingly, the self-description of the material works pretty well. There’s progressive elements in the mix, alongside the blackened atmosphere (there’s only a little bit of blasting to be had on that front thankfully) with contrast with some occasional bits of almost uptempo melodies that never come across as cheap…
…s met. From there on they wrote some material and sent it to me, Le Fou, asking if I wanted to play drums in a new band they were starting. We’ve been through many events with many different people, but this overload of chocolate obsession was the key to making this band actually start in the first place. I guess she was worth mentioning hahaha. Dead Rhetoric: Based on that biography, it seems safe to say that the band has a sense of humor intact….
…e from Hell. The Swedish rock-on-metal crew have always been a bit of a working-class, no frills entity, something routinely displayed across a discography that goes all the way back to 1995 with Stallion Showcase. Hard to believe that was 20 (!) years ago. But to that point, Transport League have always done the dirty, sung about it, and played like it, which makes Napalm Bats and Suicide Dogs yet another notch in what is a pretty dinged-up belt….
…cclaim and admiration from the growing legions. 4. Visigoth – The Revenant King (Metal Blade) Salt Lake City, Utah probably isn’t the burgeoning metropolis for heavy metal like New York City or Los Angeles- but this is to Visigoth’s benefit. An epic power sound that peers down from the heavens, those who love Falconer, Omen, and early Metal Church will lap up “Dungeon Master”, “Creature of Desire”, and freak out over their honorable take on Manill…
…s a breath of fresh air in a scene that frequently repeats itself. Breathtaking material from beginning to end. 4. Amiensus – Ascension (Self-Released) Melodic black/death/folk upstarts Amiensus have a rare talent for combining beauty with aggression. The band runs the gamut of emotions, with everything having a distinct presence and purpose (vocally and musically). Amiensus take familiar elements and shift them into something that feels new and e…
…on at his studio. When you spend time like that with people, you start thinking alike to a certain degree. Sometimes you know exactly what the other person is going to do even before they do it. Stylistically, David and myself were very complimentary of one another. As our time together grew, we had the ability to answer one another with our guitars. If one of us was stuck on a certain thing the other had the answer to it. Even to this day, some t…
…length, you just play and feel it. It’s very obvious if something isn’t working and you just tackle it head on when that comes up. We’ve been fortunate in the sense that James and myself when we play rhythm guitar together it seems to gel. We are not discussing whether someone is doing an upstroke or a down stroke or how you pick this or that, it’s based in a very spontaneous, feel basis. It seems to work thus far. With the harmony stuff, we sort…
…Dead. After witnessing a live assault in western MA one weekend night, picking up their latest EP “A Black Curse Comes” was a no brainer – as the band fuse together a killer brand of thrash/death metal with some technical and groove-oriented nuances that are sure to whip up your adrenaline and release some pent up feelings in a better way. Firing off a series of questions to guitarist Jody Roberts, you will learn more about the history of the ban…
Danish thrash kingpins HATESPHERE have announced a crowdfunding campaign in conjunction with their next album, which is due November 20, 2015 in European territories. The campaign can be entered at this location. A statement from the band regarding the campaign can be found below: As you all know Hatesphere is a hard-working band that never seems to settle down. 8 studio albums (#9 is in the making, as we speak), several EP’s and numerous tours w…
…l to downright brutal. Check out the instrumental “Santeria” if you are looking for a good place to start. But the way the violin is incorporated into the blend of tempos in a track like “The Everlasting” is the real treat. The transfer from sweeping black metal majesty in the guitars to intoxicating folky strings is something you simply don’t hear every day in this sort of music. Not to simply gush about the violin work, the band does show their…
…it their all on album number two to walk those same grounds. Only those looking for melodic death metal on the heavier end of the spectrum need apply here. The second that you hear the opening chords of “Arise from the Ashes,” you’ll know exactly what [Evertrapped] is going for. Plenty of Slaughter of the Soul and The Chainheart Machine running under the framework (in addition to the two bands listed in the opening paragraph), but with some more m…
…bama. Her cousins Ralph, Glendon, Kenneth, and Guy Davis were all house musicians at the Grand Ole Opry, and the summers of my youth were spent going around to most of the fiddler’s conventions throughout northern Alabama and southern Tennessee. I know this style of music and I know it well. So does Panopticon and the first thing that came to mind after hearing the music was “this is brilliant” followed by what could only be characterized as sligh…
…enre. How do you balance playing technical music, but manage to keep it fucking heavy. What we did this time around, we adopted a kind of anti-technique approach. My thoughts were, as I was writing the songs, that there was a criteria for which riffs, and what to go with – the riff doesn’t have to be technical. It doesn’t matter if it is impossible-hard and technical or if it was simple and catchy. What matters is does it have feeling, and is it h…
…8. Right Wing of the Garden Triptych 9. The Vampyre at My Side 10. Onward Christian Soldiers 11. Blooding the Hounds of Hell Bonus Tracks: 12. King of the Woods 13. Misericord https://youtu.be/BSMWrqZmZK8…
