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Sarcasm – Mourninghoul (Hammerheart Records)

…, thoughtful notes against the savage doom/death riffs and occasional blackened whirlwind movements. Most of the songs clock in at a respectable four to five-minute timeframe, while the lone epic “No Solace From Above” at almost nine-minutes illustrates the band’s expansive outlook, featuring piano and distant talk-oriented vocal parts next to some penetrating doom riffs that pick up momentum to crush souls, the deathly lacerations of singer Heval…

Ghost Kill – Ghost Kill (Self-Released)

…l about as well. Opener “Heartbreak” has that djent-y/modern groove with plenty of bottom end to it and opens with an effective, crunchy appeal. Veering into more melodic territory, the vocals stick to clean territory and mount towards a blurring of hypnotic riffs and a soaring chorus. Of course, things get heavier and some later growls give the guitars some added oomph and fit nicely with the feel of the song. “The Missing Parts” has an intriguin…

Ingested – The Tide of Death and Fractured Dreams (Metal Blade)

…elodic vocals add a bit to that track. Unfortunately, the one faltering moment is that of instrumental “Numinous.” While the point to diversity is good in theory, it’s a bit of a shift here and just feels kind of ‘there,’ in that it’s not particularly interesting as it meanders through some proggy instrumental melodies and minimal heaviness. Thankfully the follow-up “In Nothingness,” is likely one of the strongest cuts on the album to bring it all…

Leaves’ Eyes – Of Myths and Legends

…her golden apples and giving youth. Its fascinating what people believed even then – they wanted this eternal youth and vitality…so nothing has really changed. Then there is the last song, “Sail with the Dead” and all kinds of stuff. It’s really cool! Dead Rhetoric: You mentioned the videos, there’s been some pretty impressive videos so far for the new album. What are some of your memories surrounding some of the videos this time around? Siirala:…

Attacker – The God Particle (Cruz del Sur Music)

…ient 33 minutes and change, Attacker continually prove their viable execution record after record – delivering in The God Particle another benchmark album all followers of the genre need to hear. https://www.youtube.com/watch?v=bMNG5QPFmek https://www.youtube.com/watch?v=cVpamPWzZg8 Attacker on Facebook…

ALMONDot – 鋼鉄 – Koutetsu (Sony)

…d of literal teenagers, the guitar and vocal combination of Sorai (18) and Ensen (17), respectively, is one that frequently merges sounds that one might not expect, especially given the self-diagnosed ‘industrial metal’ tag. There’s a massive range of sonic landscapes explored here, from the aforementioned industrial angle, to groovy modern metal and hints of even power/prog, to more melodic jpop, rap, funk, and rock to be found. In short, 鋼鉄 – Ko…

Imminence – The Black (Believe)

…k captures, between thunderous riffing and screamed vocals delivering a potent energetic mix, but the chorus escalates it into something more sorrowful without losing that sheer power that the band has built up. “Death By a Thousand Cuts” incorporates a more electronic side to things, giving it a more melodic and almost poppy feeling at times though aided by some heavier moments to ratchet up the energy while the guitars swirl around it. “The Call…

Disbelief – War of the Mind

…re are many, many. The beginning, the first big festivals in 1998 with Wacken Open Air, and especially the Dynamo Open Air in Holland. Then all the tours, the tour with Death Angel, that was cool to hang around with them and share the same night liner with them. It was a cool experience to meet these guys, especially Mark the singer. He is such an optimistic guy, celebrating everything. It would be the first day, this is the first drink of the day…

Spider Kickers – Necrosupper (Sleaszy Rider Records)

…the underground thrash/death movement, Greek quartet Spider Kickers have been ‘kicking’ (pun intended) around since 1986 – releasing a series of demos before The Northwest Emperor their first full-length came out in 1997. They signed with Sleaszy Rider for the third record VIII Division which came out in 2007 – now hitting the streets with this seventh album in Necrosupper. With minor changes afoot (new bassist Chris Zois entering the mix, Varathr…

Extinct – Incitement of Violence (MDD Records)

…ly something for Extinct to temper a little bit on the next record. It’s been eleven years between albums for the group (although the three-song Downward Spiral EP hit the streets in 2021), and for Extinct it seems like all ships sail to port in a similar, competent thrash manner for Incitement of Violence. An ideal record for those who love neck whipping riffs, Gus Chambers-like vocals, and a sense of authenticity when it comes to passionate thra…

Benighted – Ekbom (Season of Mist)

…the audial pounding that Benighted is capable of…all while keeping the listener engaged instead of dulling the senses. “Morgue” continues to wield the same level of intensity to it, weaving in some frantic yet hooky melodies into the track as it rages on. It’s about what you would expect from the veteran act, and they continue to jackhammer along through the album, but with some tracks digging further into different aspects. “A Reason for Treason”…

Týr – Prepare for the Next Battle

…them special since the start. We reached out to vocalist/guitarist Heri Joensen who brought us up to speed to the many moving parts that took place behind the scenes for this new record, what the title means to him versus possible 80s glam metal reference thoughts, why videos are important to the band, the importance of Jacob Hansen in their career, how he became a musician by following his heart, North American tour hopes, fan interaction storie…

Avralize – Freaks (Arising Empire)

…their debut, Freaks. Incorporating a myriad of modern elements from different genres and sounds, Avralize takes little bits and pieces and turns them into this incredibly fun, intriguing, and cohesive sound that manages to pull everything from incredibly heavy to gloriously catchy, all while keeping a vibe that feels more like an engaging party than a stale bout of anger. Electronic infusions, djent-y progressive noodling, soaring melodies, death…

Boundaries – Death is Little More (3DOT Recordings)

…osive screaming) in the track’s second half. “Scars on a Soul” hit with a genuine unhinged urgency to the guitarwork, and Matt McDougal’s menacing screams/roars it with a massive bout of despair and desperation – even as the track moves into some more melodic moments. “Blood Soaked Salvation” swirls in chaos and screams, pulsating between blasting drums, eerie riffs, and hulking grooves. Moving from these explosive moments into something equally b…

SETYØURSAILS – Bad Blood (Napalm)

…the wind out of the verses energy. Instead the hooks elevate the energy, even when things drop into some hip-hop elements before exploding into a fierce breakdown. An impressive start indeed. Speaking of adrenaline, much like Nightfall‘s “Fckoff,” “T.F.M.F.” oozes abrasive punk-meets-rock energy and ramps up the intensity. The more melodic chorus works as an impressive contrast and jumping point before the energy returns at full-force. Later cut “…

Vicinity – Passengers in Life

…e for the band that may differ or potentially allow Vicinity to take different avenues stylistically through his range or abilities? Is there a specific song or two on the new record where he really surprised the band with his approach / abilities? Kim-Marius: The second answer first. If you listen to “The Singularity”, that’s where he started really displaying what he could do. That song is so full of time changes, and the verses are totally unsi…

Protosequence – Bestiary (Lacerated Enemy Records)

…Hahn (supplemented by guitarist Dylan) and its readily apparent how these gentlemen straddle the lines between technical prowess and slamming, groove-accented death metal that possesses modern deathcore/djent elements within the mix. The ethereal cover art provides contrast to what Protosequence exemplify in Bestiary – which in turn should hopefully gain a lot of fringe followers who choose to understand that there’s strong possibilities for memor…

Witch Vomit – Funeral Sanctum (20 Buck Spin)

…ible rhythm section passages keep the hook/groove factor always in mind, even when drummer Filth throws in that fluid drum roll or shapeshifting snare/double kick twist during “Decaying Angelic Flesh”, the swirling growls and tremolo runs provide additional terror to the arrangement. Pulling from everything like Incantation and Grave to aspects of Tomb Mold or Frozen Soul, these songs move along briskly – the vocals from Tempter low but intelligib…

Hammer King – Carry the Torch

…riest at all. Dead Rhetoric: In our last interview you mention that you often enjoy listening to progressive rock, pop, and outside genres of music to help keep your musical approach fresh. How do you believe those left-field influences improve or shape your songwriting technique for the band? Titan Fox V: When you listen to music outside the box, it doesn’t necessarily have an influence, but you can’t make out what it is. It gives you something t…

Lost In Grey – Odyssey Into the Grey (El Puerto Records)

…s full lengths since their inception a decade ago. After being with Reaper Entertainment for two albums, Odyssey Into the Grey as the fourth studio record sees the group move to El Puerto Records – continuing the path of pulling influences across multiple sources in the hopes of listeners transporting themselves on this fine journey of adventure to glory. Grandiose movements are a staple of the sound – larger than life theatrical elements to creat…

Dialith – Alter (Self-Released)

…t – which speaks to the quality of what they stand behind. Alter is another small window into the glorious professionalism on hand – everyone into symphonic power metal with a wider lens of influences should scoop this up immediately. https://www.youtube.com/watch?v=0mu9ZDiDIFE Dialith official website Dialith on Facebook…

Kill the Lights – Melodies of Death

…upergroup’ status tend to release an album, see where it takes them, and then tend to vanish. Rare is an act that not only rises further into their own, but continues to raise the bar for themselves. Kill the Lights contain members from very large metalcore founders, but continue to craft a sound that is more their own, and energized by many sounds. We spoke with vocalist James Clark about the band’s step up with new album Death Melodies, the supe…

Rage – Afterlifelines (Steamhammer / SPV)

…rco Grasshoff. With plenty of songs to consume, has the band given the listener enough dynamic diversity for deep appreciation – or is it a case of ‘too much filler, not enough killer’ material? Properly placing three atmospheric tracks to start Afterlife for “In the Beginning” plus end Lifelines with the piano-driven “Interlude” going into this dramatic classically-textured “In the End” – the latter a showcase for Peavy to execute some of his mos…

Greyhawk – Thunderheart (Fighter Records)

…e light, seeking victory no matter what the cost. A nod to gone but never forgotten metal/hard rock legends appears in a talk sequence for “Rock & Roll City” – where Ronnie James Dio and Phil Lynott get name dropped during this sinister bass / guitar tradeoff as the drum tempo shuffle engages those devil horns salutes. What traditional outing wouldn’t be complete without the reflective, semi-acoustic to electric driven ballad – and that’s what you…

Catbreath – Slice ‘Em All (Iron Shield Records)

…Catbreath – an odd name indeed but do not let that fool you. These gentlemen rip out energetic tunes that feature the mandatory stomping to speedy riffs, gang-infused background vocals, as well as drum / bass parts that incorporate all sides of the punk, hardcore, and standard thrash base dimensions. From the first unbridled screams reigning down from the sky on through to the final, squeal-enhanced musical fadeout, Slice ‘Em All lives up to its…

Venues – Transience (Arising Empire)

…with them the same sonic intensity, but more emotional depth and some augmented genre-blending into something even more potent. One of the things that really stands out strongest on Transience, maybe because many bands in this field don’t emphasize it as much, is the guitar melodies. Many modern metal acts rely more on the vocals to push the melodies, alongside trappings such as synths, but Venues comes out swinging with melodeath-levels of ear-c…

Fatal Fire – Arson (MDD Records)

…few years on their songwriting plus playing about twenty shows/festivals when venues finally opened back up in 2022-23. Which makes this debut album Arson even more seasoned than most first full-lengths – road testing can tighten up parts, extend others, or just cause musicians to develop laser beam focus on what main components work best for their style. The energy is palpable throughout the eight tracks – sitting firmly in the classic power camp…

The Quill – Wheel of Illusion (Metalville)

…er muscular power. Be it Ozzy-period Black Sabbath-oriented along with key organ sequences for the opening title track or mystical in its psychedelic, outer realm charm for “Hawks & Hounds”, the quartet just embrace this proper songwriting mechanics no matter what idea they explore – intent in focus to let everything unfold as it should. Smaller details lead to bigger payoffs – bassist Roger Nilsson and drummer Jolle Atlagic creating this stoner g…

Alterium – The Power of Fantasy

…n my mind and it’s just something that opens my eyes. Like, a really cool sentence – so I see if it has some meaning in something I love and then I can construct a song around it. So that inspiration can help make a full song. But for “Crossroads Inn,” it was a medieval song, so I wrote lyrics about this tavern. It depends for me – I don’t have the same process for a song. Sometimes it’s already clear when I write the vocal line and sometimes I ha…

Meister Leonhardt – Thanatopoeia (Purity Through Fire)

…mpermanence” you can feel something in the air… Meanwhile “Defossion Transcendence” is a straight-up black metal anthem with a nod to The Sisters Of Mercy, so obviously this was a favorite track. On the next tunes “Malevolence Supreme” and “Quiescence In Throes” the band goes full on deep and dark which only drew me in further. “Fulcurm” features a nod to punk, which I usually hate, but here it works. “Tomb Ore” is very much a dirty number, and yo…