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…hm template gives Chase the chance to channel all aspects of his John Tardy-esque meets Dan Swano-ish delivery with some sadistic growls and spacious screams to full effect, the circular cultural instrumental segments heightening the slower headbang factor to make this a future Gatecreeper classic. Recording the album at God City Studios in Salem, Massachusetts with Kurt Ballou (Converge), he also would mix the record to ensure this bold, sonic as…
…hat feel like a genuine upgrade from last time all come together for a bone-shattering track. Follow-up song “Ivory Tower” is less experimental in tone but makes up for it in it’s sheer battering ability. A cut that showcases the frenetic energy of the band at it’s finest, it doesn’t have to perpetually go at 300bpm but instead showcases the group’s ability to bring in pulverizing aggression that doesn’t stick to the usual tempo flavors, even addi…
…ce diverse aspects this time around a bit better, with stronger melodic/emo-oriented vocals sitting well next to the normal growls/screams, along with a bevy of mid-tempo circular twin guitar harmonies sitting side by side to the heavy rhythmic framework. It’s the finer details that really showcase the band’s desire to expand into fresh territory – be it a killer, progressive meets groove drum performance for “Say Goodbye” or the alternative / got…
…start recording another record, going back to that Deliver Us style, three-to-four-minute songs, forget the orchestras, let’s just go old school. Bill would send me stuff; I had stuff on the computer. Months would go by, he was sick. He didn’t all of sudden pass away. When we were recording Rising Out of the Ashes, that was 2001-ish, he was having gastro issues, and he was taking all kinds of medication for it. He would be weak at times; a stomac…
…er appeasing Andrei Bouzikov cover piece (Municipal Waste, Dust Bolt) puts the cherry on top of Belushi Speed Ball’s ideal crossover thrash approach. Stellkira may seem like it’s over before it begins in 26 minutes, but there are so many adrenaline-fueled, high-octane songs to appreciate, it’ll leave you excited for what comes next as this band’s buzz factor rises. https://www.youtube.com/watch?v=eXmrk2914xw https://www.youtube.com/watch?v=kUTgUIP…
…iverse elements coming to a boil in the instrumental sections. Add in a pro-social justice, anti-authoritarian lyrical stance, solid production work from the band and Emma Newton, as well as intriguing cover art from Joanna Barnum and it’s clear that Ammonoid possess a solid style to build upon this early in the game for Pierce the Veil. A hidden gem that could be mined into bigger things down the line, especially if the progressive side of Opeth…
…bangers roster for their debut album Wings of Chains and the 2019 EP follow-up Axestasy, they’ve joined the Nuclear Blast roster for the second full-length Under the Crooked Claw. Listeners will enjoy a whirlwind effort that captures influences from the US/European movement of the 80’s to bring them to a newer generation with the same spirit, passion, and angst that put this style on the map. We reached out to bassist/vocalist Ryan Waste on a busy…
…most gentle of the cuts, “Piercing the Dawn of Time,” has a nice slow build-up to it and really does a great job of emphasizing the melodies, both instrumentally and Rina’s vocal prowess. Many like-minded acts, going in for the merch angle of an anime, just don’t have the same attention to detail and wildly impressive musicianship that Togenashi Togeari utilize. The vocals usually take over center stage in these sort of acts, and while Rina posses…
…ense of satisfaction as the song nails the melodic side of things, with ear-catching melodies and gentle cleans. Then there’s the trippy, Pink Floyd-esque sounds of “Sun and Moon,” which features some gorgeous string work alongside a lush, warm backdrop of melodies and folk-ish hues. It’s a real impressive track to use in the halfway position, giving the listener plenty of time to absorb the feelings without ever feeling drawn out despite a massiv…
…essive grooves alongside it’s more melodic moments – offering a catchy sing-a-long while giving fans plenty to headbang over. It’s “Cityscapes” that arguably offers the greatest shift in the band’s sound, focusing on more on some almost atmospheric hookiness to the cut and melancholic tinge that gives it a more unique feel that the tracks that surround it. The final song, “Breathless” offers quite a bit of bang to it, while also ending on a hopefu…
…or Adamantis for their song “House Carpenter (The Daemon’s Lover)” on their 2022 EP release – we recorded that back in 2021. I did do vocals for a project on a song called “Shadowbound”, someone doing a solo project that reached out to me. That is on YouTube. If somebody wanted to reach out to me to do vocals, I would absolutely say yes. https://www.youtube.com/watch?v=0mu9ZDiDIFE https://www.youtube.com/watch?v=S3KrFTtrBME Dialith official websit…
…or a groovy thrash ending. Although the original plan was to release a full-length in 2021, we all know that the pandemic slowed things for many musicians to a halt. Blood on Canvas nonetheless achieves its intended target for those who love aggressive thrash captured in a potent manner. Maybe Darkness still has some vitality left in that tank – the proof is in this record. https://www.youtube.com/watch?v=xKq5ZdD3vw8 https://www.youtube.com/watch?…
…singles pretty early, I think the first one “Reflections” came out in July 2022, so almost two years ago. A lot of time passed to get all of the singles out for the record, but it felt cool, for us, to know that they would all be on our third album. Dead Rhetoric: So was everything all recorded at that point and you had to wait for it all to be released or no? Gruber: No, I think we went to the studio three times. The first and second time we rec…
…os, so the excitement was palpable for the announcement of their third full-length The Apophatic Wilderness. Winding long form songs that weave an intricately bleak tale is the norm for Verberis, and The Apophatic Wilderness dishes out three cuts of sinister, twisted aural punishment. That said, the band’s sound continues to morph in an unpredictable fashion, of which we gleefully expect from a project that doesn’t make the same album twice. Where…
…ext to dramatic keyboard parts from Xavier to bring home a soaring, harmony-fueled chorus that could be the album’s highlight. A quality ballad or two also feels like a given on this type of record – fortunately “Alone With My Shadow” has that next level theatrical quality featuring some fluid, classical-like piano passages as well as a slow building circular instrumental sequence that brings the subsequent chorus to an uplifting conclusion. Altho…
…of stuff in the middle there for everyone. But reemerging is so great! But yeah, we are trying to get things going, so there’s lots on the horizon. https://www.youtube.com/watch?v=V97-IxNPaoM&pp=ygUHc3VsZHVzaw%3D%3D https://www.youtube.com/watch?v=Z-uw2lFaMek&pp=ygUHc3VsZHVzaw%3D%3D Suldusk on Facebook Suldusk on Instagram…
…jagged interaction between some fluid modern groove to thrash squeals, semi-djent / progressive stairstep sequences, and a calmer 8-bit keyboard / computerized vocal angle that cements the ‘kitchen sink wins’ approach. Aspects of 80s synth pop/new wave come across in heavy doses next to the crunchy guitars, carrying “Just Like That” into a second half highlight, Jonas Radehorn showcasing a theatrical nature to his melody choices that make ears per…
…g or stinky or something. Dead Rhetoric: Could you also talk about the pink-theme for the “Best of Me” video? Was there any sort of intent to it, since it’s not something you regularly see in heavier music? Mitch: The intention with “Best of Me” was to represent being a depressed person and not feeling comfortable with how the world appears sometimes. We thought of Instagram and all the fake shit there. Wouldn’t it be cool to represent this fake w…
…e what their sound is all about as well. Opener “Heartbreak” has that djent-y/modern groove with plenty of bottom end to it and opens with an effective, crunchy appeal. Veering into more melodic territory, the vocals stick to clean territory and mount towards a blurring of hypnotic riffs and a soaring chorus. Of course, things get heavier and some later growls give the guitars some added oomph and fit nicely with the feel of the song. “The Missing…
…rend for Ingested, though in ways that won’t be too surprising for any long-time fans. The modern, explosive approach that Ingested have fine-tuned continues to power the way forward. Opening cut “Paragon of Purity” embodies that groove-friendly spirit, with pulverizing riffs and subtle melodies elevating the band’s sound into one that can hit like a sledgehammer yet still leave you aware of all of the details inside it. It’s a fantastic opener, a…
…ect to push Disbelief through the best possibly channels, handling the ever-changing music industry as best as possible? Jäger: I think they work very professionally, and they work very fast. I’m satisfied with their work. I hope they do a lot of promotion for the new album; they give all kinds of possibilities. It’s the last album on the contract, it was a three-album contract. I hope we can go on with the label in the future, but I won’t make a…
…er. The diversity of attack between straight ahead fast bashers and the mid-tempo machine gun-like precision present in the riff styles of the Dennis/Leda tandem keeps the head whirling action on point. Many will be hard pressed not to lose their collective minds to the triplet chugging in “Mental Disorder” which has that Grip Inc. meets Bay Area charm, while youthful angst fuels “Ilwast”. Small interludes of gunfire/bombing and military soundtrac…
…cts. “A Reason for Treason” essentially rolls it’s way through massive, ear-worming grooves amid some speed runs, and acts as one of the most destructive songs in that regard. “Le Vice des Entrailles” feels like it ups the epic quotient, with the buzzsaw guitar and melodies chewing up scenery until a strong build up at the chorus, which takes its swings with grooves and later digs into more atmospheric moments. “Metastasis” also carries plenty of…
…more intense side of things is “Higher,” which begins with some adrenaline-pumping grooves and metalcore-esque riffing and screams, but then it flips the script to fully dive into a huge melody complete with soaring guitars and catchy vocals. But it isn’t done yet, with a punishing breakdown and guttural roars – all while maintaining a bit more of an accessible edge to it. It’s visceral and aggressive, yet it never strays so far that it feels out…
…eyes and ears as they continue forward from this point. https://www.youtube.com/watch?v=pk4MoWFp2dc https://www.youtube.com/watch?v=g_WPRT3-ui8 Boundaries on Facebook Boundaries on Instagram…
…adrenaline, much like Nightfall‘s “Fckoff,” “T.F.M.F.” oozes abrasive punk-meets-rock energy and ramps up the intensity. The more melodic chorus works as an impressive contrast and jumping point before the energy returns at full-force. Later cut “Dangerous” all but swaggers with groovy stadium rock energy, with fuzzy riffs and electronics playfully rolling around Jules Mitch’s emotive yet assertive shouts and singing. For all of the energetic bra…
…e a busy life; Vicinity is both a social outlet and a reprieve from the day-to-day life. Dead Rhetoric: What’s on the horizon for Vicinity over the next year or so to support the new album? Are there any other side bands/projects that you’d also like to mention here? Kim-Marius: We started rehearsing to a release gig, May 24th here in Trondheim. We will play the entire album and some older songs as well; it will be an undertaking. Hopefully we wil…
…l of death metal maniacs. Even throwing a nod to punk/grindcore for the one-minute barrage of “Endarkened Species”, the record ends in a trippy fashion for the title track – measured distant vocals in the opening, cultural lead twists, beyond the heavy mid-tempo transition that’s a nod to old school Death makes this a finale worth remembering. Favored cover artist Matt Stikker as well producer Evan Mersky continue to be a part of the well-oiled te…
…st be how they follow up what was one of the standout black metal albums of 2022. Space is an unforgiving void, and Beyond the Palest Star represents these German’s attempt to further expand their presence within it. Harkening back to Striving Toward Oblivion, the immediate tone set by the biting “Starless Sky” was that of frenetic velocity and cold black metal terror. From there, nary a letup was detectable. On Vorga’s new venture, we launch on t…
…forming thing – we want to be active musicians and probably not make another album until 2025, let’s see what happens. https://www.youtube.com/watch?v=0-w-hbeDD1Y https://www.youtube.com/watch?v=rh1tQeDubYU Hammer King on Facebook…
