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…c: What’s on the agenda for anything related to Archon Angel or Zak Stevens-related musical activities that we can expect over the next twelve months or so? And would there be a possibility of a new Savatage record or maybe some live video footage/documentary coming out down the line? Stevens: Savatage – we played Wacken back in 2015 with TSO. We were getting there to build things back, then Paul passed away. We needed to make sure TSO was stable,…
…ack Revenant”, while the Maiden-esque driving ethos charges in a Heavy Load-ish context through the follow-up “Sinister Star”. Versatile in dynamic contrasts song to song, Century knows when to ride that mid-tempo classic metal riff parade, where Staffan can shine in his mid-range to higher vocal note proficiencies, the dual axe harmony accents building momentum as “Victim in Chains” becomes a mid-album highlight. Subtle progressive movements appe…
…cial. Look no further than last year’s Final Light (one of my top albums of 2022); a work from darksynth master Perturbator and Cult of Luna’s Johannes Persson that bred from a Roadburn 2019 collaboration, ultimately leading to recording the project as an album that was an engulfing cloud of sonic mayhem. This all brings us to the Sól án varma project, which has even deeper seeded roots. Sól án varma (Icelandic for Sun without radiance) formed…
…their EP Prologue, followed by the single for “Triumph and Tragedy” in May 2022. Now in March 2023, the full-length debut has come to fruition. Enough history though, let’s talk about this album. As a Trekkie and overall sci-fi fan myself, there’s great appreciation for any music themed around space. The only thing that could have made the theme better is if it had been released exactly 2 weeks later on First Contact Day (we are 40 years away, by…
…fferent way of touring when you are an underground band, in a van with less-than-ideal conditions, no accommodations. We were able to play in Indonesia in 2013, that was the biggest crowd we were able to play for. About 16,000 people, it felt like a sea of people, this is really something. You are so far away from home, a different culture, this is also the first time I saw women headbanging, throwing the horns. We are not used to that. It was suc…
…ckly. This is the longest track on the release; clocking in at just over 12-1/2 minutes, and they use every second to really show off how talented they are. While there are other bands that have done the progressive middle eastern folk sound such as Orphaned Land and Myrath, Riverwood absolutely has a sound all of their own. With this being their second full-length, this is a band to really keep an eye on. 14. A Devil’s Daydream – Misfortune of Su…
…he poignantly intense “Sacandaga,” and the two sounded just as perfect back-to-back live as they do on album. Closing the band’s performance was personal favorite “Barefoot Ghost Dance on Bloodsoaked Soil,” serving as an emotional and sonic crescendo that was played to pinpoint accuracy and overflowing with emotional resonance. Aggressive and brimming with passion, the band blasted through their 45-minute set in seemingly an instant. Blackbraid ha…
…o avoid the inevitable squish, especially since my friends brought their 10-year-old son (how awesome to get Powerwolf as your first concert). Having now over an hour to kill, I was able to get to know the folks around me a bit. Fans came from all over for this; Washington, Alabama, Connecticut, Maryland, Indiana, Illinois, Colorado, and Pennsylvania were just some of the locations, along with myself (and husband) hailing from Florida. Folks not o…
…band — they’re outsiders in their aesthetic and delivery, preferring a down-to-earn touch that made successive LPs Dis Manibvs, When We Are Forgotten and their newest, Into Sorrow Evermore, triumphs of melody, might and melancholy. With that in mind, Horaz fielded some of our questions on Into Sorrow Evermore and the band’s thought process toward making albums. Here’s a hint: The duo is all about quality over quantity. Dead Rhetoric: You don’t rel…
…loping riffs. “Superhero” lately channels that same feeling with a more mid-tempo track as the playful riffs dance around your ear. “Rising Up for Gloria” ends things with a full-on blaze of power metal ethos as the driving tempo never relents, giving MIZUKI her most furious performance on the drums atop Narumi’s energetic riffs. But it’d be a ‘by the numbers’ album if it was just full of power metal fury. Instead, the band veers into different av…
…interim, the group released “Left to Rot” as a single tribute to the late L-G Petrov in 2022 to whet the appetite of listeners for the debut album Fumes of Funeral Pyres. The gritty nature to these riffs, the natural speedy fills against the steady supply of heads down pounding drum mechanics, beyond the discernible roars and left field narrative sequences on vocals – everything about these eleven tracks screams early 90’s European-style death. Th…
…t two tracks do not prepare one for (this is not a complaint). Keeping a 15-minute song interesting the whole time is no small feat, but it’s pulled off masterfully, with ever-changing riffs, pounding drums, melancholic vocal growls and of course more of that eerie violin. “Sadness Is Like Snow” ironically melts into “Water” with somehow even more bewailment, along with that somber organ. It feels like they are building to something dreadful. Ever…
…should be. And it looks great, I think. They shot some things from a first-person perspective with VR-equipment. I wasn’t there for those scenes; I was only there when we did the live performance. Dead Rhetoric: What makes an ideal, great song for Infinite & Divine? Are there certain qualities that need to be present from that initial spark that carry through to the final product – and do certain songs come easy to you versus others that just hav…
…or 20 years now and recently released their eighth studio album, за волгой для нас земли нет on July 17. Today, “Winter Is Coming” is available for streaming and may be heard below along with another song from the record titled, “Shame”. The album is available in a limited-edition six-panel digipak, and digitally via Nomadic Fortress and Mutants of the Monster. A vinyl version of the record and North American retail CDs will be unleashed in Octobe…