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…ay because you’ll make good art. Having this podcast, opening myself to one-on-one feedback, has just been incredible. I’m fortunate to be able to make music that resonates with people – that’s the whole point. It’s a game changer for me. People from the outside will think – oh they played Download, they played Hellfest. A lot of that stuff, it’s just gradual steps and seems like another day. Being able to talk to fans one on one and hear how this…
…eing it in movies again. In the early 2000’s I remember you had a lot of nu-metal and metalcore on movie soundtracks, and that was lost for a while. Video games like Doom – huge for metal. It’s the first time I bet a lot of people have heard a low-tuned, eight string guitar and death metal drums. That lends itself to our music being able to expand and do different things. Maybe five years ago we would never make a record like this record. It would…
…ll 4. Bloody Satisfied 5. Uncontrollable 6. The Sewer Lords 7. Life Goes By 8. Nightshift 9. Tearing Down the Walls 10. Abyss of Fear Ignited on Facebook Ignited on Instagram Official Website Clawhammer PR on Facebook Clawhammer PR on Instagram Clawhammer PR on YouTube…
…ess do you try to map out who will handle what parts vocally? Is it a trial-and-error basis, or do you know who will do what part? Ekberg: We never know. When we get to the point where vocals come in, we find that this needs this or that. Clean or growl. Sometimes we feel that maybe I should do this part, and I’ll try it out – it sounds like crap, so Madeliene you do it (laughs). Liljestam: And we’ve had it the other way around. There is like grow…
…pta on Shades of Sorrow. Another winner sure to squeeze every last bead of sweat pouring from your body. https://www.youtube.com/watch?v=WESOssx4e-k https://www.youtube.com/watch?v=xqRfV-mMyUo Crypta on Facebook…
…, if Blackbraid wasn’t to one’s liking previously, there’s definitely more to digest on their sophomore effort that’s worth a second chance, but the core elements are unchanged. That’s a positive for yours truly, as their debut was one of the best and most out of nowhere releases of 2022 (#5 on my end of year list). Blackbraid no longer has the element of newness and surprise, and to them that’s no matter. Blackbraid II is an exquisite composition…
…ead Rhetoric: Shades of Sorrow is the second Crypta album – a strong follow-up to your debut from 2021 Echoes of the Soul. How do you see the evolution of the band in terms of the songwriting and performances between the two records? Luana Dametto: Well, I think on the first record we were very much breaking the ice amongst each other. Fernanda and I of course had played together before in Nervosa, but we didn’t really know Taina and Sonia at the…
…austed. The Omnium Gatherum guitarist is on tour with his other but equally-as-important band, Insomnium, trekking across the States in support of Enslaved after wrapping an OG Stateside tour with Eluveitie. Vanhala admits to rarely knowing what city he is in but having a good handle on “where to find all the good Wal-Marts. They’re great a place to park and sleep.” But this is the chosen path for Vanhala. While Insomnium had a slight leg up on OG…
…you approach the art of producing, do you try to think of things on a case-by-case basis depending on the skill levels of the artists on hand? Mary: As a producer, I will take on projects for various reasons. One time I had a band that was really not good, and I took it on just to see how much I could improve upon the marker and make them sound better. You can do quite a bit with Pro Tools these days, if you are skilled, you can do a tremendous a…
…a ballad-oriented state the front half only to switch gears into a more mid-tempo, power / progressive-like movement for the longer instrumental sequence where tons of shredding frenzied notes set the aural landscape ablaze. Laser-oriented effects add some 80’s-like video game intrigue to “Hold My Heart”, where Nicholas Allaire uses more of a low range, Alice Cooper-ish raspy voice during the verses/chorus to add more spine-tingling atmosphere tha…
…ng melodies of Craig Cairns (also a part of Induction). Whether it’s at mid-tempo anthem pacing for “Revolution Scream” or slightly faster in Riot/Enforcer-ish atmosphere with “Warhead”, the layers of hooks come at you fast, furious, with no surrender. Many will think of classic late 80’s Iron Maiden during some of the more advanced instrumental passages of “Crashdive”, where bassist Thomas Hewson forms a triad harmony prism with the twin axe atta…
…dragons, warriors, and lands far away. From Celtic folk elements or Sabaton-esque key orchestration diversity should win over long-timers while inviting newcomers to join in the festivities. We reached out to vocalist Patrik Selleby to discuss the consistent effort behind their studio records, steady songwriting craftsmanship, how he was able to join Bloodbound, initial fears being on stage performing after Gamma Ray, thoughts on streaming service…
…nkings in major domestic metal magazines. Now the highly anticipated follow-up Fatale arrives, another hypnotic, catchy affair for those who love a mix of 70’s/80’s guitar-driven heaviness along with gothic/haunting vocal melodies that conjure up a wide array of darker, thoughtful influences. The mesmerizing riffs swirl around equally intoxicating rhythm section passages that contain a driving force at varying paces – easily able to gallop in a cu…
…How do you feel about being a part of the Limb Music roster – a label well-suited to the style of music you’ve developed? Can you also discuss the importance of being on the right record label even in today’s ever-evolving music industry? Lunesu: I think we are on the best label in the world. There are many labels in the music industry, but Wonders is on the absolute best label. Dead Rhetoric: What would you say are some of the biggest challenges…
…rant about this for hours, but that would be my top thing. No more ‘female-fronted’ – it’s just a vocalist, and a metal band. End of discussion. Dead Rhetoric: I have to be honest, all I want to do right now, is go take that snippet of ‘music is nonbinary’ and make a bunch of stickers and t-shirts [laughs]! Targett: [Laughs] Oh please do! Who the fuck decided that music should have a gender? It’s just absolute bullshit. Dead Rhetoric: Like you we…
…d, Cianide, and classic Bolt Thrower. Tremolo runs give chase to a straight-forward d-beat groove to make “Crucifixion Shrine” an immediate standout, while “Electric Eye” has that thumping, swamp-like presence that took Obituary to the underground masses. These musicians smartly mix shorter songs with a couple of epic tracks where they can stretch boundaries for a deeper impact. “Land of Rot and Misfortune” features some sinister drum fills agains…
…e in the band yet. The same is true of Kathleen Cylkowski, who is my sister-in-law, she’s a very talented vocalist. The song she appears on “Starfall” was the first time we ever invited a female vocalist on, and our first real delving into mixing male and female vocals – which is sort of the signature sound within Omnibus One. Dead Rhetoric: When it comes to your videos, do you enjoy the creative aspect of that and how you are able to promote them…
…ate balance between keeping the faithful happy while also executing a cross-section of tracks that appease the musicians – favorites like “Warriors” and the Celtic-flavored “Far Away” staples that rock just as much today as they did when originally appearing on Eternity and Dimensions respectively. The triumphant keyboard strains against twin axe chords also seem irresistible to incessant hand claps, shouts, or unison choir support when called for…
…set of material – and where do you see the differences in this record style-wise or performance-wise versus your last effort? Krista Van Guilder: Let’s see. Obviously, we had a pandemic that happened, that kind of put our plans on hold. We were supposed to go into the studio in 2020, and the pandemic happened. We were in the process of writing for the album, and everything went on hold. We weren’t sure what was happening. It kept going longer and…
…rformances, and stylistic choices through these latest four songs. The four-piece has added rhythm guitarist Steve Nelson (ex-Grief/Dread) to the lineup to become a quintet, bolstering the axe capabilities as far as counterpoint movements or stronger instrumental sequences during the lead break passages. Channeling their inner “Children of the Grave” doom groove mannerisms for the early portions of “Upon the Altar”, you can expect an interesting p…
…wls low and nasty, with his cleans emotive and soulful. This is vintage mid-to-late 2000s Before the Dawn, with the melodies being the driving force, along with the intricately written compositions and soaring choruses. Tracks such as “Reveries” and “Chains” bring a sustained crunch and a clean/harsh layered vocal attack – a trait that is commonplace on Stormbringers. “Divided” changes the pace slightly by adding acoustic guitars and pianos to tem…
…with a theme-album type of thing. It was refreshing to go back to this song-by-song approach with the lyrics, not that everything needs to be connected to a whole big story. It narrows the options with the lyrics, you are very tied to the theme. Dead Rhetoric: You worked with Greek artist Nikos Stavridakis on the cover art for Stormbringers – who has worked as well with your other acts Wolfheart and Dawn of Solace in this capacity. What do you enj…
…at said, the album hits like a battering ram. But it’s far from being a one-note wonder. Between the djent-y grooves, playful guitar melodies, Targett’s diverse yet brutal vocal delivery, and the overall urgency of the music, the tracks feel more individualized than you might think. First single “Anti-Fetish” delivers big grooves and headbang-worthy riffing, but wows with it’s sheer adrenaline and overwhelming intensity. The sampling in “There’s N…
…your other symphonic metal-oriented international band who released a self-titled album in 2021. What was the response like for this record – and are there plans in the works for a follow-up effort down the line? Weingarten: Yeah, we got a good response to our debut album. We are in the process of working on our second album now, and the drum tracking starts in three weeks. Stylistically, I am taking more of a hand in the songwriting this time. I…
…ellow against some sinister lead break circular runs and bends. With twenty-five minutes of material, some would almost put this in the full-length category, so billing it as an EP should satiate followers who want maximum entertainment value at an affordable price. Recently playing a full Brazilian tour with a fall Baltic swing in the works, KHNVM possess all the key qualities to be another innovator in the semi-technical, old school progressive…
…d be gem oriented. Beyond the Mirage is the second studio album, the follow-up to 2021’s steady debut offering The Fragments of Wonder – pushing the tempos a bit more into classic European power metal molds while accentuating tremendous vocal-harmonies/choir possibilities. Bursting with energetic power chords and uplifting, heroic melodies, songs such as “One Million Miles” and “Coming Home” breathe comfortably in that spirit which pushed early So…
…ut album, it’s a much more serious thing working with the tracks. It’s well-balanced, very well-structured, I think the EP in 2021 was more of a trial thing. Our approach to this album has been much more serious, and I hope that people can hear this in the final product. Dead Rhetoric: Were you working on the album independently before signing with Uprising! Records? Rasmussen: We really wanted to keep this old school – we did record the album ind…
…Mental Cruelty really went into a stronger direction with their last album, 2021’s A Hill to Die Upon. It greatly improved their deathcore formula by adding in more black metal influences, allowing them to keep the brutal deathcore slamming in play but not be overly reliant up it. With symphonic black metal as well, there’s only so many ways you can play it, in keeping the album from being too synth-driven and losing that metallic component. As Me…
…By the fall of 2022 the tracks would be completed, and we now have the six-song debut EP Pray for the Flood ready for consumption. The five-piece pull from a host of styles across the decades of metal’s history – keeping the foundational elements rattling around the death/thrash landscape, injecting a bit of modern groove or rhythmic stomp from time to time. The gruff vocal stance Chad employs will keep this material a bit more at underground lev…
…melodic doom stalwarts Aeonian Sorrow, blackened death/crust act Dispyt, up-and-coming melodic death metallers Arctora (who released one of my best albums of 2022), and fellow black metal outfit Outlaw, there’s a variety of skills and pedigree at hand. Turning the focus back to Ondfødt – they’ve been churning out blisteringly sharp black metal for a decade now, with an EP and three full-lengths, culminating with 2021’s booming Norden. Showcasing t…
