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…or a groovy thrash ending. Although the original plan was to release a full-length in 2021, we all know that the pandemic slowed things for many musicians to a halt. Blood on Canvas nonetheless achieves its intended target for those who love aggressive thrash captured in a potent manner. Maybe Darkness still has some vitality left in that tank – the proof is in this record. https://www.youtube.com/watch?v=xKq5ZdD3vw8 https://www.youtube.com/watch?…
…singles pretty early, I think the first one “Reflections” came out in July 2022, so almost two years ago. A lot of time passed to get all of the singles out for the record, but it felt cool, for us, to know that they would all be on our third album. Dead Rhetoric: So was everything all recorded at that point and you had to wait for it all to be released or no? Gruber: No, I think we went to the studio three times. The first and second time we rec…
…os, so the excitement was palpable for the announcement of their third full-length The Apophatic Wilderness. Winding long form songs that weave an intricately bleak tale is the norm for Verberis, and The Apophatic Wilderness dishes out three cuts of sinister, twisted aural punishment. That said, the band’s sound continues to morph in an unpredictable fashion, of which we gleefully expect from a project that doesn’t make the same album twice. Where…
…ext to dramatic keyboard parts from Xavier to bring home a soaring, harmony-fueled chorus that could be the album’s highlight. A quality ballad or two also feels like a given on this type of record – fortunately “Alone With My Shadow” has that next level theatrical quality featuring some fluid, classical-like piano passages as well as a slow building circular instrumental sequence that brings the subsequent chorus to an uplifting conclusion. Altho…
…of stuff in the middle there for everyone. But reemerging is so great! But yeah, we are trying to get things going, so there’s lots on the horizon. https://www.youtube.com/watch?v=V97-IxNPaoM&pp=ygUHc3VsZHVzaw%3D%3D https://www.youtube.com/watch?v=Z-uw2lFaMek&pp=ygUHc3VsZHVzaw%3D%3D Suldusk on Facebook Suldusk on Instagram…
…jagged interaction between some fluid modern groove to thrash squeals, semi-djent / progressive stairstep sequences, and a calmer 8-bit keyboard / computerized vocal angle that cements the ‘kitchen sink wins’ approach. Aspects of 80s synth pop/new wave come across in heavy doses next to the crunchy guitars, carrying “Just Like That” into a second half highlight, Jonas Radehorn showcasing a theatrical nature to his melody choices that make ears per…
…g or stinky or something. Dead Rhetoric: Could you also talk about the pink-theme for the “Best of Me” video? Was there any sort of intent to it, since it’s not something you regularly see in heavier music? Mitch: The intention with “Best of Me” was to represent being a depressed person and not feeling comfortable with how the world appears sometimes. We thought of Instagram and all the fake shit there. Wouldn’t it be cool to represent this fake w…
…e what their sound is all about as well. Opener “Heartbreak” has that djent-y/modern groove with plenty of bottom end to it and opens with an effective, crunchy appeal. Veering into more melodic territory, the vocals stick to clean territory and mount towards a blurring of hypnotic riffs and a soaring chorus. Of course, things get heavier and some later growls give the guitars some added oomph and fit nicely with the feel of the song. “The Missing…
…rend for Ingested, though in ways that won’t be too surprising for any long-time fans. The modern, explosive approach that Ingested have fine-tuned continues to power the way forward. Opening cut “Paragon of Purity” embodies that groove-friendly spirit, with pulverizing riffs and subtle melodies elevating the band’s sound into one that can hit like a sledgehammer yet still leave you aware of all of the details inside it. It’s a fantastic opener, a…
…ect to push Disbelief through the best possibly channels, handling the ever-changing music industry as best as possible? Jäger: I think they work very professionally, and they work very fast. I’m satisfied with their work. I hope they do a lot of promotion for the new album; they give all kinds of possibilities. It’s the last album on the contract, it was a three-album contract. I hope we can go on with the label in the future, but I won’t make a…
…er. The diversity of attack between straight ahead fast bashers and the mid-tempo machine gun-like precision present in the riff styles of the Dennis/Leda tandem keeps the head whirling action on point. Many will be hard pressed not to lose their collective minds to the triplet chugging in “Mental Disorder” which has that Grip Inc. meets Bay Area charm, while youthful angst fuels “Ilwast”. Small interludes of gunfire/bombing and military soundtrac…
…cts. “A Reason for Treason” essentially rolls it’s way through massive, ear-worming grooves amid some speed runs, and acts as one of the most destructive songs in that regard. “Le Vice des Entrailles” feels like it ups the epic quotient, with the buzzsaw guitar and melodies chewing up scenery until a strong build up at the chorus, which takes its swings with grooves and later digs into more atmospheric moments. “Metastasis” also carries plenty of…
…more intense side of things is “Higher,” which begins with some adrenaline-pumping grooves and metalcore-esque riffing and screams, but then it flips the script to fully dive into a huge melody complete with soaring guitars and catchy vocals. But it isn’t done yet, with a punishing breakdown and guttural roars – all while maintaining a bit more of an accessible edge to it. It’s visceral and aggressive, yet it never strays so far that it feels out…
…eyes and ears as they continue forward from this point. https://www.youtube.com/watch?v=pk4MoWFp2dc https://www.youtube.com/watch?v=g_WPRT3-ui8 Boundaries on Facebook Boundaries on Instagram…
…adrenaline, much like Nightfall‘s “Fckoff,” “T.F.M.F.” oozes abrasive punk-meets-rock energy and ramps up the intensity. The more melodic chorus works as an impressive contrast and jumping point before the energy returns at full-force. Later cut “Dangerous” all but swaggers with groovy stadium rock energy, with fuzzy riffs and electronics playfully rolling around Jules Mitch’s emotive yet assertive shouts and singing. For all of the energetic bra…
…e a busy life; Vicinity is both a social outlet and a reprieve from the day-to-day life. Dead Rhetoric: What’s on the horizon for Vicinity over the next year or so to support the new album? Are there any other side bands/projects that you’d also like to mention here? Kim-Marius: We started rehearsing to a release gig, May 24th here in Trondheim. We will play the entire album and some older songs as well; it will be an undertaking. Hopefully we wil…
…l of death metal maniacs. Even throwing a nod to punk/grindcore for the one-minute barrage of “Endarkened Species”, the record ends in a trippy fashion for the title track – measured distant vocals in the opening, cultural lead twists, beyond the heavy mid-tempo transition that’s a nod to old school Death makes this a finale worth remembering. Favored cover artist Matt Stikker as well producer Evan Mersky continue to be a part of the well-oiled te…
…st be how they follow up what was one of the standout black metal albums of 2022. Space is an unforgiving void, and Beyond the Palest Star represents these German’s attempt to further expand their presence within it. Harkening back to Striving Toward Oblivion, the immediate tone set by the biting “Starless Sky” was that of frenetic velocity and cold black metal terror. From there, nary a letup was detectable. On Vorga’s new venture, we launch on t…
…forming thing – we want to be active musicians and probably not make another album until 2025, let’s see what happens. https://www.youtube.com/watch?v=0-w-hbeDD1Y https://www.youtube.com/watch?v=rh1tQeDubYU Hammer King on Facebook…
…ns likam further ingrained them in the metal lexicon, and it would be a six-year wait for their return. During said time, three of the members dropped an EP for their death metal project Goresquad, and lead singer Jón Aldará was part of one of the very best albums of 2021 via Iotunn’s Across All Worlds. Nevertheless, we’re glad Hamferð have returned with Men Guðs hond er sterk. Conceptually, the album tells the story of a famous whaling catastro…
…retch his technique into extreme pastures) and the subsequent crunchy, half-time pit moving Nevermore-ish angle, and you have the makings of a certain Dialith staple for years to come. Returning to Andy LaRocque (King Diamond) for mixing/mastering duties as well as a continuance on the art front for Marta Sokolowska (together since their 2019 Extinction Six record), Dialith excels in providing the greatest value for final product even as a self-re…
…ter route, as they followed up their 2020 album Keepers of the Flame with a 2022 Call of the Hawk EP – which sets the table for this second full-length Thunderheart. The combination of classic heavy/power metal elements next to some modern, shred, or melodic hard rock accents keeps these nine tracks moving along at ideal paces – assuring memorable sequences across the board for listeners to walk away satisfied. Pulling from numerous 70s and 80s in…
…the songs. They really came to life when we finally recorded them in April 2022. The initial ideas were all written in only about 2-3 weeks, so it’s almost a time capsule for the ideas and energy that we wanted to put forward at that time. Dead Rhetoric: Is there a specific lyrical theme present for Cerebral Purgatory? Budge: Yeah man, it’s essentially about how fragile life is. Every song is about someone who has met their demise at the hands of…
…side trappings such as synths, but Venues comes out swinging with melodeath-levels of ear-catching melodies. Just the first two songs alone, “Godspeed, Goodbye” and “Haunted House” should provide ample evidence that despite the modern push, there’s plenty of fiery musicianship going on. Couple that with powerful riffing and being unafraid of pulling the trigger on some earned breakdowns (“Oblivion”) and you can further notice the more abrasive str…
…h a mix of Blind Guardian/Rage-like energy next to comfortable early Maiden-ish charm. At other times the heavier down-picking nature along with progressive twists in unexpected places reaches into the back catalog of Iced Earth (circa Night of the Stormrider) or even Bay Area thrash – allowing singer Svenja Rohmann to stretch her sultry voice into various rock/metal tones. Her bluesy touch intensifies the groove-laden “Crossroads” while additiona…
…from Rosellini, bombastic and fantasy-driven atmosphere, and plenty of fist-to-the-sky riffing that is sure to rally fans of the genre. We took a few minutes to talk to Rosellini to see what defines this fresh act, as well as a broad discussion of nerd culture items such as video games, cosplay, and fantasy itself. Dead Rhetoric: You are in Alterium with some members of Kalidia, do you feel like you are continuing the essence of that band, in some…
…or this latest record Shadow Soul. The follow-up to a quite sterling, speed-driven outing for 2022’s Slave Driver, the eight tracks showcase more of their versatility in terms of additional classic heavy metal or death angles, yet never wavering in the commitment to the thrash purity that has been everlasting since day one for the group. Veterans at this style, the necessary diversity when it comes to various tempo shifts track to track maintains…
…. Returning to the new record is “Veil of Penitence” and all of its tremolo-laden sword-clashing glory. “Vessel of Suffering” serves as a tornado of riffs and atmospheric fervor to close the main portion of Hulder’s set. An encore follows with a cover of Absu’s “Descent to Acheron (Evolving Into the Progression of Woe)” that more than gives proper tribute to the original, as well as giving a fitting sendoff to what was a performance for the ages….
…melody into an immersive atmosphere. Triumphant, almost melodic death metal-esque folky romps such as “Sons of Triglav” and “Sail With the Dead” carry some potent synthwork that brings you to the battlefield so to speak, while rumbling guitars and Alex Krull’s roars augment with thunderous energy. It’s the soothing yet soaring clean vocals of Elina Siirala and melodic disbursements that seal the deal with these songs, providing a fitting yet catch…
…me and again. The main vocal presence from Frank Urschler has more of a mid-range folk-ish nature to his verses, the unison choirs keep the choruses easily attainable for even the most fearful audience singers of the world. Most will be hard pressed not to be screaming / vocalizing to the key hooks for “Altar of Illusions” or the Blind Guardian-esque “Empty Shell” (think Tales from the Twilight World-era here), the former alluring musically on its…
