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Powerwolf/Seven Kingdoms – February 23, 2023 – Palladium Times Square, New York, NY

…ican tour and first shows in the US and Canada. Before the concert doors even opened, it was obvious fans had been more than ready for this. Jumping all the way back to October 4th, 2022, when the New York and Montreal dates were announced with an on sale date just 3 short days away, the high level of anticipation had already set in. Clearly the rest of the US felt similar, as New York sold out by October 12th, 2022 (Montreal sold out 2 days later…

Dreams of Gray – Intertwining Sadness and Hope

…s easier for people to get their music out there, but it is a little different for sales. I do miss the day of being able to go to a record store and get hard copies of things. People would value having the records, cassettes, CD’s, looking through the artwork and liner notes. It seems like now a lot of people are just as happy having a digital version, without having something tangible. Dead Rhetoric: Who would you say are three of the most impor…

Xandria – Behold the Wonders

…t for all the little details. It’s worth giving that a listen, each time when he sent something he did, I just wanted to have the Xandria fans have that experience too. A lot of the details get lost when you mix them with the band. For example, Almut ‘Ally’ Storch-Hukriede, who I got to know through our new guitar player Rob Klawonn, he plays in a solo band Ally the Fiddle – but I think she’s more known for her playing violins in Subway to Sally….

Twilight Force – Instill the Adventure

…of my favorite bands at the moment is Wilderun. Absolutely fantastic and phenomenal music. I feel like it’s thriving, it’s not stagnant. A bunch of new fresh ideas coming about. Wilderun for example – take the best parts of Opeth and adding orchestrations, basically is how I would describe it. Really brilliant songwriting and arranging. It’s really funny that they use Swedish mixers like Jens Bogren and Dan Swanö, across the pond collaborations to…

Dark Sarah – Heroes and Villains

…through Zoom to discuss the changes behind the new material, working independently again, securing a new artist for this cover, the state of older versus newer acts in symphonic metal, what she’s learned most from Amberian Dawn that applies now to Dark Sarah for the better, plus hopes for more shows/touring in the pipeline. Dead Rhetoric: Attack of Orym is the fifth studio album for Dark Sarah – and the second conceptual record for the latest Gri…

Elusion – Shifting in Paradox

…so Evy decided to do all the vocals by herself going forward. Not to be dependent upon anybody else. Dead Rhetoric: What can you tell us regarding the cover art designed by Jan Yrlund of Dark Grove Design – and how the process works between the band and the artist to reach the final output and what we see? Van Mieghem: Domingo knows Jan from playing together – we were familiar with his artwork. We decided to contact him, and we told him the concep…

Screamer – All Hail the Kingmaker

…e, there needs to be younger blood willing to create material for this current generation to savor. Enter Swedish act Screamer as one of those reliable bands since arriving on the scene in 2009 that deliver hymns of steel, anthems sure to go down a storm across stages small or large. Moving up the ranks to SPV/Steamhammer for this fifth studio album Kingmaker, the record contains all the requisite catchy melodies, headbanging riffs, and pocket rhy…

Krilloan – Uplifting Energy and Power

…does not go unnoticed. We reached out to main songwriter/guitarist Klas Holmgren who was happy to bring us up to speed on the project’s inception, signing with Scarlet Records, the Michael Moorcock/Michael Whelan connection to the cover for Emperor Rising, special guest choices, thoughts on the power metal movement currently, and what the future holds for these musicians. Dead Rhetoric: What are some of your earliest memories surrounding music gro…

Serenity – Elevate Memoria

…We met and we were arranging and writing songs there. Nowadays, we do this 100% online. I send him the idea, and he builds up an arrangement and then we finish everything. This is new, that’s the only big difference. Dead Rhetoric: Do you believe those early rehearsals helps for the comfort of now recording separately? Neuhauser: There are always pros and cons. The pros of rehearsals, you have this spontaneous possibility to feel something togeth…

November 2022 Rapid Fires

…sive riffing and stellar transitions, bringing to mind Agent Steel, Forbidden, and Sentinel Beast. “Nobody’s Business” from the self-titled Billy Idol album of 1982 gives the record a punk/new wave ending in heavier form, the emotive lead break spine-tingling. The diehards into the aforementioned acts will find favor most with Downfall. -Matt Coe Triskelyon on Facebook U.D.O. – The Legacy [Best Of] (AFM Records) 35 years since founding the band fo…

Edge of Haze – Validation in Diversity

…n that as well – the soundscapes and textures of the individual words and sentences. There are times on the record where we specifically looked into that. We’ve got the overall feeling, but now that we are starting with these really sparse vocals, we speak about the vastness of the deserted atmosphere, or scenery. Maijala: A big factor in the first place of choosing this subject was the anxiety the future brings now. It came up naturally, we had a…

Dragonland – A Celestial Journey

…hinking of having “A Light in the Dark” as one of the first singles, but then eventually we thought about the title track. It’s hard to make the final decision. They are not super representative of the album as a whole, because “Final Hour” for instance is more cinematic. In the end, we made the best decisions that we could. Dead Rhetoric: Do you believe the cinematic, electronic, and symphonic elements that developed this time around expand your…

Iron Allies – Union in Steel

…prepared. A couple of things that we changed in the studio. I used a different ending here and there, doubled choruses, something like that. Especially with the drums – Jovino didn’t send any demos. That was the hardest part to decide, to go for this and that, deciding where to have double bass patterns and where to just be more straightforward. We also recorded the bass in the studio and most of David’s vocals. Most of the guitars we kept from th…

Munroe’s Thunder – Darkness, Betrayal, and Bravery

…igital Dictator and Soldiers of the Night. Great guys, Geoff Thorpe is a phenomenal musician, and a great writer. He’s been going at this forever, and Larry on the drum kit – come on. He’s one of the best drummers in my opinion going. The songs – I used to sing those driving around all the time. It’s going to be really fun. After all this time off, I did take a few years off. I couldn’t even ask for a better start. It’s complete power metal, it’s…

After All – A New Beginning

…nged over the years. What we see now is, we have always been quite an independent band, we’ve always been the owners of our own work, and we’ve always worked with licensing contracts. We were never really tied very closely to a record label, always keeping our independence. That’s proven to be a good strategy for us, and that’s how we continue to work with Metalville as well. We will see where things will take us after licensing this record with t…

Kill Division – Peace in the Court of Public Opinion

…ealthy. There are tons of bands. It’s endearing to go to a show and see seventeen-year-old kids with the jean jackets, back patches, big sneakers. These kids have the internet, they can go online and see pictures and see things of our time growing up. The cycle continues, it will never die. When I was on the Left to Die tour, to be hanging out with Rick and Terry, I asked them if they thought they would ever be playing these Death songs 34 years l…

Splintered Throne – Beware of the Reaper

…a full-time musician, plus key insights into pushing your music as an independent artist, the burgeoning Pacific Northwest metal scene, and future hopes to take this show on the road here and abroad. Dead Rhetoric: You came into Splintered Throne in 2020 – already establishing yourself in other bands and projects over the years. How did you end up joining the band – and did you have any concerns regarding your approach that obviously differs from…

Rage – Back to Life

…ery fruitful when we write together. It’s a lot of fun. This is a very convenient situation to do a band like this. Dead Rhetoric: Do you enjoy the fact that with every release the labels now put out multiple versions, and special perks for limited edition releases beyond the normal physical and digital media? Wagner: This is a sign of the times. Physical products are getting harder and harder to sell, that’s why the record companies bring out all…

Meridian – Entering the Next Dimension

…s demos where he put other instruments as well, and Marco did the same – even then we could hear that these were great songs. I couldn’t wait to meet up with the guys and start jamming on these songs and record them. Another thing that was different. In the past, Lars our singer lived in Copenhagen which is quite a bit of distance from where we are in the other part of Denmark. Many of the songs were jammed and rehearsed by us, and then we would s…

Purpendicular – Stepping Out of the Shadows

…hat would be my three. The guitar playing on the final one is absolutely phenomenal. The simplicity and the feeling from guitar players like Carlos Santana and David Gilmour, you wish current guitarists would think about their playing. Really, really great. And Animals from Pink Floyd. I could say ten – three is very difficult. Deep Purple as well, there are so many records that shaped what I wanted to be later on down the road. Dead Rhetoric: Wha…

Asylum – Eliminate the Tyrant

…e being on a label, or is the band content to continue going down the independent, DIY route for the foreseeable future? Armstrong: We want to play shows anywhere and everywhere we can. However, we are on the search for a new bass player to become the equal fourth quarter of Asylum. We are extremely interested in our next release being on a label. We’re competent in the studio to self-produce as we have proved on Concealed Death and Tyrannicide, b…

I AM – Eternal Steel (MNRK Heavy)

…ker with tasteful lead sequences like “The Iron Gate”, the versatility present ensures that boredom is not an option, organic tones another feather in the I AM camp to crank this for maximum sonic security. Choosing to push parameters while establishing a firm stance in their given niche, Eternal Steel shines as another record that has firm respect for metal’s past, yet unafraid to move forward in a vicious, aggressive, body slamming mode. Expect…

August 2022 Rapid Fires

…t there needs to be absolutely no let up in absolutely devastating the listener. END starts it off with two cuts that do their best to jostle you, with the scathing “Eden Will Drown” before going into more lumbering industrial and crust influence with “The Host Will Soon Decay.” Cult Leader wraps it up with monolith but short “Ataraxis” and similarly diving into slower yet still equally intense darkness with “Long Shadows.” A short but sweet one t…

Wolfheart – Gathering in the North

…d the crops would fail. People in the North coming up with explanations, phenomena in nature. The bear is a God like figure, when you wrestled a bear back in the day, you probably got fucked up. A feared creature that is a king of the forest, thus the king of the north. It was a lot of small bits and pieces that I had to fit together like building a puzzle. Dead Rhetoric: How did the special guest slots come about on “Ancestor” featuring Jesse Lea…

Aquila – Metal Is Metal

…tyles that seem to go over better than others? Arruda: In the beginning, when I went to Windsor, it was a very hardcore scene. There weren’t very many metal bands at the time. To play there, you had to get their respect, especially in the early 2000’s. Once we came around, other bands came around and started creating a metal scene. I don’t care where you come from, when I book shows, I will book any type of metal. Hardcore, death metal, thrash met…

Death Scythe – Killing for Pleasure Forever (Self-Released)

…Megadeth mold. By the time the Maiden-esque spider web-filled musical movements penetrate closer “The Death Scythe”, most listeners will leave battered and bruised at the vicious, aggressive nature that takes place next to these highly catchy riffs, swinging rhythm section mechanics, and impassioned scream/growl switch offs. Normally revisiting older material is seen as a cash grab – in the case of Death Scythe, it’s bringing to light songs that p…

Fallujah – Embracing Oblivion

…impact on people, metal music and have its own voice. Not having to be dependent on a specific scene, I want the band to bring its own sound, its own voice, and own thing to the metal scene. To stand on its own and take the band to develop in further markets in other places. We’ve never been to Japan, we’ve never been to South America, I love Canada, Europe and all those places, but I want to expand further in the world. Just get better and have…

Idol Throne – Attack the Raven’s Blade

…style, which has become boring. For me I wanted to keep things somewhat open-ended, but not let the imagination run too wild. We also tried knowing our musical personalities to keep things as focused as possible too. I would be the guy in the past that would write the fifteen-minute-long song, so it’s been refreshing to work with these guys and write shorter songs in a compact format. Dead Rhetoric: Where did you want to come across with the lyri…

Toxik – Heavier Yet Still Cynical

…earthing a lot of bands across metal’s history that at the time were long forgotten – or had broken up – Toxik would be one of those acts we covered, interviewing over a few issues drummer Tad Leger, singer Mike Sanders, and guitarist Josh Christian. Pioneers of a technical brand of speed/thrash metal through their first two albums World Circus and Think This, they would arise again in 2013, finally solidifying a killer lineup for their third full…

Farewell to Fear – Punching Through

…and and start performing your own original music? Craig: My personal experiences when I got into music, giving me the sign that I wanted to be a part of this community and want to create music I was maybe 12, maybe even younger. My uncle comes over for my birthday and brings me an album, and it was Kiss Alive II. I was blown away; this is absolutely insane, and this is what I want to do. That started me at a young age, and then things progress and…

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