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…nd beyond the records and live shows/touring? Joensen: Yeah, we do enjoy making videos and having videos. They add a completely different element to the whole thing. Unfortunately, our budget for videos is not great – we spend months and years on the music, and we spend one day on the video. There is kind of mismatch there – the music is much more thought through, more highly produced than the videos. Although the videos are decent for the time an…
…oint, alternating heavy riffing and groove and interspersing it with rollicking, party-esque melodies with a solid dose of electronic augmentation. The future seems incredibly bright for Avralize considering what they have done on their debut, Freaks. It’s a diverse album that never feels like it’s trying too hard or attempting to do too many different things. Instead it feels like a first rate amalgamation of varied aspects of the modern heavy mu…
…feels more rooted in grindcore with its intensity, if not for the earthshaking breakdown (amid corrosive screaming) in the track’s second half. “Scars on a Soul” hit with a genuine unhinged urgency to the guitarwork, and Matt McDougal’s menacing screams/roars it with a massive bout of despair and desperation – even as the track moves into some more melodic moments. “Blood Soaked Salvation” swirls in chaos and screams, pulsating between blasting d…
…before exploding into a fierce breakdown. An impressive start indeed. Speaking of adrenaline, much like Nightfall‘s “Fckoff,” “T.F.M.F.” oozes abrasive punk-meets-rock energy and ramps up the intensity. The more melodic chorus works as an impressive contrast and jumping point before the energy returns at full-force. Later cut “Dangerous” all but swaggers with groovy stadium rock energy, with fuzzy riffs and electronics playfully rolling around Ju…
…s, and interplay that developed from the 90’s forward. Their latest album VIII contains just over an hour plus of exciting material – delivered in a cohesive song first manner even through all of the subtle intricacies or shape shifting movements at play. We reached out to guitarist Kim-Marius H. Olsen and bassist Pierre Nicolai Schmidt-Melbye to get the scoop on the long-process between albums, what the singer change brings to the fold, how they…
…embraced more of the technical death metal side of things, while not forsaking the deathcore or twisted transitional sides that make these seven songs quite alluring. The combination of intense musically sophisticated passages next to sections that are relatively calm enhance the appeal for each individual track – as you never know what to expect next, while also not feeling too bogged down by the information that takes time to digest. Occasional…
…forefront of appeal – not just due to the consistent offerings from the originators of the movement, but a current crop of acts putting forth memorable records to the new generation. Put Portland, Oregon’s Witch Vomit in that conversation, hot on the heels of their last EP release Abhorrent Rapture from 2021 as we have the group’s third album in Funeral Sanctum ready to obliterate your senses through a tactical series of crushing tracks, mixing u…
Photo: Anne Swallow Hoisting the flag for heavy metal high, Hammer King continues to execute well-played anthems ready to appease followers that savor the classic elements of the style. König und Kaiser (rough English translation: worldly leaders) is the sixth studio release from the group – another ten-song platter focused on steel-laden riffs, supportive battering tempos, as well as the necessary soaring vocal melodies beyond rock-oriented choi…
…c, theatrical brand of symphonic metal, prepare to launch a massive undertaking that leaves no stone unturned in any department. With inspiration coming from literature, philosophy, the world itself, as well as numerous musical genre styles (across the broad metal spectrum to beyond the borders), Lost in Grey is a seven-piece act from Finland who have released three previous full lengths since their inception a decade ago. After being with Reaper…
…uent crunchy, half-time pit moving Nevermore-ish angle, and you have the makings of a certain Dialith staple for years to come. Returning to Andy LaRocque (King Diamond) for mixing/mastering duties as well as a continuance on the art front for Marta Sokolowska (together since their 2019 Extinction Six record), Dialith excels in providing the greatest value for final product even as a self-released act – which speaks to the quality of what they sta…
…call ‘radio friendly-ish’ but then we have a few more [heavier]. I was talking to my wife earlier, and all of my favorite songs on the album are not the singles. I think that’s a good problem to have. We landed on about 23-24 songs and we had a few listening sessions of what to put on the album. Everyone had their favorites and it was a real battle to decide what made it. I think it’s a nicely rounded album. I love an album too as a music listene…
…his most thoughtful vocal melodies that reach deep into your soul. When looking at the three-piece on the first batch of material, the current lineup feels comfortable mixing things up between that speed/thrash energy line sitting in tandem with the melodic, classic Teutonic power riffs, tempos, and melodies that have been a staple since the inception of the band. Whether it’s the hard charger “End of Illusions”, crunchy modern anthem “Dead Man’s…
…ice that the band aim to triumph with warriors searching for the light, seeking victory no matter what the cost. A nod to gone but never forgotten metal/hard rock legends appears in a talk sequence for “Rock & Roll City” – where Ronnie James Dio and Phil Lynott get name dropped during this sinister bass / guitar tradeoff as the drum tempo shuffle engages those devil horns salutes. What traditional outing wouldn’t be complete without the reflective…
…its title – an eleven-track obliteration for those who love the work of Municipal Waste, S.O.D., and a touch of early Slayer, Destruction or Metallica when called for. Tomcat Fat Freddy adorns as a mascot for the rat-infested front cover – which extends into many of the themes / song titles that also mirror the feline thread, as “New Claw Order”, “Strike of the Claw”, and “Blood Spill Claw Kill” illustrate. Superior bass play signals thick head bo…
…de ample evidence that despite the modern push, there’s plenty of fiery musicianship going on. Couple that with powerful riffing and being unafraid of pulling the trigger on some earned breakdowns (“Oblivion”) and you can further notice the more abrasive structure of the band in its base. Layered on top of that base though, is where the modern elements and catchiness comes in. Even a more riff-forward song like “Cravings” is able to dip into some…
…l your art due to a global crisis, the results can pay huge dividends in making an indelible first impression. Case in point, German power metal outfit Fatal Fire – aligning as a group in 2020, the quintet spent a few years on their songwriting plus playing about twenty shows/festivals when venues finally opened back up in 2022-23. Which makes this debut album Arson even more seasoned than most first full-lengths – road testing can tighten up part…
…rganic production values reward listeners as well – almost as if you are taking in the group live off the floor peaking into a white hot band session. The cover art gives plenty of little nuggets to behold – while the lyrical content explores themes relating to personal introspection, human resilience, and the enigmatic nature of reality. Wheel of Illusion offers ardent followers of The Quill another landmark release that fits the ‘all killer/no f…
…of that band’s faces, most notably that of vocalist Nicoletta Rosellini. Taking the spirit of that band’s power metal fantasies, Alterium brings forth a more nuanced and larger than life sound that easily brings the act into their own sonic space. Their debut album, Of War and Flames, features potent vocals and lyrics from Rosellini, bombastic and fantasy-driven atmosphere, and plenty of fist-to-the-sky riffing that is sure to rally fans of the ge…
…secret how much I love black metal. So as a result, I get a ton of this music in my mailbox. There simply isn’t enough time to listen, let alone digest it all. But when I listened to Meister Leonhardt’s second album Thanatopoeia I was very intrigued by this Russian act. The things that make this music desirable for me were all there: raspy, tortured vocals, and an overall sense of evil. I was just drawn in from the first listen and continue to be….
…ing for 2022’s Slave Driver, the eight tracks showcase more of their versatility in terms of additional classic heavy metal or death angles, yet never wavering in the commitment to the thrash purity that has been everlasting since day one for the group. Veterans at this style, the necessary diversity when it comes to various tempo shifts track to track maintains a level of headbanging consistency, where even at mid-tempo pacing songs such as “Cave…
…record for the band – at the time recorded as a trio, Jörg ‘Mo’ Naneder taking on the bulk of responsibilities as vocalist, bassist, piano, keyboards, and acoustic guitarist, while Patrick Rogalski tackled lead/rhythm guitars and Nils Kruel performed on drums. A conceptual effort about a boy aiming to save his imaginary world from destruction and violence occurring in his real life, the questionable / inhuman healing methods (plus surgeries) take…
…metal material, lately you would be hard pressed to not be smiling when taking in the discography of Lords of Black. Since starting in 2014, they’ve now released their sixth studio record with Mechanics of Predacity – encompassing ten tracks and close to an hour of new music that takes command, never letting go until the final note is played. Some songs make you think of classic Dio or Accept – other songs traversing Fates Warning to Dream Theate…
…f technical and brutal death metal, and along with a knack for forward thinking songwriting, have resulted in forming a sound that few have been able to match. Four albums and an EP later, they’re of the most respected bands in their most beloved styling. With the recent trend mentioned earlier of a few dreadfully tiresome acts gaining notoriety for making Wish.com versions of classic death metal, it has made waters more difficult to navigate for…
…another classic staple to appease the faithful while garnering praise sticking to what makes them special. Everything makes sense, even in the chaotic sequences where Mercyful Fate-ish guitar work or high falsettos sit side by side with furious blackened blasts on the drums. Or doom riffs with exquisite lead breaks unfolding next to multi-octave low to upper register vocals in the best King Diamond-esque tradition for standout track “The Thief’s…
…g due to COVID, this is the band’s first release since 2020 with The Last Viking. No strangers to the Viking and Celtic themes over the years, this time as the name states, Leaves’ Eyes dive into some Viking and Eastern European myths as their lyrical fodder as the bombastic and grandiose sounds of their brand of symphonic metal ring just as clear as ever. In short, the band delivers on everything that their legacy so far would lead you to believe…
…ge to be as a bad ass as any man could be. Dead Rhetoric: Did you end up taking any formal lessons at the drums when you got to the states, or did you just pick up stuff by ear and learn through self-taught methods? Perez: I took a couple of lessons in Columbia when I first started. I didn’t really take lessons from anyone after that, I’m a very curious person. If I see someone doing something cool, I’m going to ask them about it. I’m very good at…
…aiden, Running Wild, and Blind Guardian catalogs when you take in their picking techniques, circular/cultural runs, as well as excitement in twin harmony/lead break passages through songs such as “Berceau De L’Enfer” and “Reaper”. Personal experiences in different aspects of death, from loss to redemption, make the word content engaging, allowing the listener to submerge themselves with relatable thoughts to process time and again. The main vocal…
…70s/80s influences for this debut album Reborn. The results are quite inspiring, especially for those who seek broader horizons for the musicians that they love and cherish over the years. A reflective nature sweeps over the atmosphere of these thirteen songs – a melodic sensibility where the guitar lines and keyboards take on an AOR, classic rock angle when artists like Journey, Toto, Billy Joel, and Bon Jovi were dominating the radio airwaves….
…ngth Nova. This EP doesn’t come close to the heavier side of Sylvaine, providing reworked Norwegian folk songs and some of her own design into a mixture that’s equal parts mysterious, ethereal, and reflective. With a release like Eg Er Framand, it feels more important to discuss the feelings and takeaways from the music itself than to dissect down the particular songs. As mentioned above, this is a purely folk experience not touching the metallic…
…tacks combined with the ability to provide some necessary slowdowns with memorable riffing that’s both heavy and melodically retainable, all without sacrificing the all-important aggression, is sure to grab some listeners looking to blow off a little steam. https://www.youtube.com/watch?v=nz56BcscyU0&pp=ygURYnJhdCBzb2NpYWwgZ3JhY2U%3D https://www.youtube.com/watch?v=l5YqrJfPvB8&pp=ygURYnJhdCBzb2NpYWwgZ3JhY2U%3D Brat on Facebook Brat on Instagram…
