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…sourgos, where we cover everything from the new album, Ed Repka artwork, making censored/ uncensored videos, special touring/ festival memories, the need to end wars globally for humanity’s well-being, and discussion about finally playing shows in North America. Dead Rhetoric: Profane Prayer is the latest Suicidal Angels album – coming out around four and a half years after your previous record Years of Aggression. Did the extra downtime away from…
…scended to the Obituary, Morbid Angel, Cannibal Corpse class in terms of making a living at this. They would dissolve in 1998, coming back together in 2012 to eventually release the Serving Two Masters EP in 2014 before signing again with Peaceville Records for the fifth album Wounds Deeper Than Time. Currently only vocalist/ guitarist Dave Gregor remains from the original days – but he has a great group of younger musicians rounding out the quart…
…ut this one just clicks for me. The record features a boatload of guest musicians well respected in the industry, including Mark Jensen of Epica, Timo Somers (ex-Delain), Sander Zoer (Delain), and produced by Oliver Philipps of Everon and Phantasma. The vocals are not at all overdone, a pitfall of much of this genre, and the guitars are quite fiery at times. That much is evident with the album opener “Archangel”. The intro to “Unshakable” gives wa…
…ropean branches that put this style on the map for the early 90s. Astute abilities in shifting speeds or modes from thrash to blasting death beyond the left field fills or supreme bass line runs ensures no boredom in this album song to song. Check out the scatter shot, progressive tremolo / tempo madness that sends your body into convulsive mode for “Correlated Embolism”, Mike injecting savage, rhythmic growls plus the occasional sadistic scream t…
…an amazing guitar player in his own right. He played, and then I hate tracking drums. I let him take care of that with one of his guys out there in Italy do that. For bass, my bass player in Santa Cruz for Durbin for live sessions Mike Roberts, he wrote the bass lines and he performed those. I had a bunch of guest guitar players again provide solos – which I think is a fun thing. Last year I appeared on Magnus Karlsson’s Free Fall album, on a son…
…guitarist/vocalist Dave Gregor to learn more behind the latest effort, working with Chris Wisco, the special way they acquired artwork for this album, plenty of special memories surrounding Nuclear Assault, Autopsy, Immolation, Bolt Thrower, and Memoriam, as well as a great Ozzy concert story and future touring plans. Dead Rhetoric: Creation Undone is the latest Morta Skuld album – and the first in four years for the band. How did the songwriting…
…nt modern metal scene. But it’s not something that happened over night. Working independently over the course of three album, and now with three albums for Napalm Records under their belt, they continue to showcase that hard work is one of the pillars of their gradual rise through the scene. Time, their newest album, is a reflection of that feeling – capturing the strongest parts of their sound and pulling in new ones to enhance themselves. We spo…
…were just going for it, it was all about the band. We were living and thinking about gig to gig. Suddenly, reality happened as we lost the first bass player Bene. M. back in 2020, and we did a European tour in 2020 with another bass player. Right after that tour, the pandemic hit. Suddenly these young kids going from just caring about the band, and being on the road, we were now stuck at home with a break. That was a game changer for us. I wouldn…
…. Layers of stunted, rhythm-led guitars allow the double bass barrage for “King Terror” to be a perfect closer, Tom’s sadistic melodies adding that fierce edge to an already stellar arrangement. Many listeners will prefer the more conventional tones on display – beneficial in the bass/drum department for certain to lodge these songs deeper into brains on a fairly swift clip. Clean segments give chase to a larger cavalcade of progressive riffs to m…
…torm’s story thus far is one of perseverance, being true to oneself, and making music that blends many elements that come together to form something wholly distinct. A Giant Bound to Fall is the resultant, representing a triumphant work that is not only the band’s best yet, but a benchmark for engaging, emotive, and visceral heavy music. We recently had the opportunity to have a chat with Daniel Maganto, Jaime Torres, and Danny R. Flys, to speak a…
…start gravitating to harder and heavier forms of music – and eventually picking up an instrument to perform in bands? Fredrik Johansson: I have been spoon-fed because of my dad’s old Deep Purple and Rainbow records, Dio I listened to a lot. I remember my first favorite bands when I was five or six years old were Yngwie Malmsteen’s band Rising Force and Electric Boys as well. My dad had some heavier stuff, no death metal, but some Metallica, Anthra…
…se within the metal scene. With their groovy, alternative/nu metal sound taking inspiration from across the genre spectrum it’s not hard to see why they’ve become such a buzzworthy act since getting the worldwide spotlight thrust upon them after 2019’s Endorphin. 2022’s Ecdysis continued their outward expansion of sound, and if Time has anything to say for itself, Infected Rain don’t intend to slow down their search to explore more creative musica…
…Sunday to see if there is any mold growing…just as a precaution. But I’m making progress! Thanks for asking! Dead Rhetoric: Coming out of COVID, how did getting the band out into the live scene help with writing Dormant? Lukas Kerk: Yeah, definitely! It was really an advantage for us to be out on the road and be together in the tour bus or van and have the opportunity to talk about the songs together. When we wrote and recorded Solitary, we were a…
…w-tuned deadly riffs, fueled by double kick passion or tremolo-oriented picking spots, the slower transition elevating the arrangement to brutality measures. Most of the songs sit comfortably in that four to five-minute sweet spot – leaving the epic twists or blitzkrieg, progressive-oriented musicianship for the almost seven-minute closer “Fleshrend”, the instrumental sequences altering between the best aspects of 90’s-era Death, Monstrosity, and…
…ay” and closer “Hearts of Steel”. Know what I kinda dug on this record? No ballads!! Now don’t get me wrong – I usually love them, but sometimes it’s nice to hear a band just plug in and kick some teeth in, ya know? So all told I definitely enjoyed my first encounter with The Rods and will be checking out past entries in their storied body of work. In the meantime, you can pick up Rattle the Cage where you normally buy your music, crack a beer, po…
Steadily making a name for themselves as a force in Japan since their debut in 2019, and hot off of their first US run early last year, Nemophila returns for their third full-length album, Evolve. Initially grabbing some international eyes and ears due to guitarist Saki ‘s (ex-Mary’s Blood, Amahiru) prominence in the scene, the act have truly made a name for themselves in their ability to pull off an eclectic mix of influences reaching between me…
…her stunning ten track platter that keeps the riffs pumping, the tempos rocking, and the vocals in high octane mode. We were able to speak once again to vocalist Biff Byford about the new record, working with co-producer Andy Sneap, how things are with latest guitarist Brian Tatler, upcoming tour hopes with Uriah Heep, what it will take for the younger bands to elevate themselves to bigger arena headline status, a few underrated Saxon albums in th…
…for his front of house work at live shows and running an international booking agency Ferroda Booking. Rounding out the lineup are drummer Pedro Pablo Puente (of thrash act Conflicted) and guitarist Sebastián Puente (veteran of thrash group Nuclear) – releasing a demo Desktop Genocide in the fall of 2022 as they prepared to write/record this debut album entitled Born, Suffering, Death. The ten tracks serve up volatile, groove-oriented death ‘n’ r…
…l as a killer Ulcerate live concert experience, his laidback passion for making liquid bread/beer, and what will be on the horizon for his many different outfits. Dead Rhetoric: What are some of your earliest memories surrounding music growing up during childhood? Where did you make the progression into heavier forms of music, and eventually wanting to pick up an instrument and perform in bands? Claude Leduc: The earliest memory I have really asso…
…death metal album that still brought plenty of aggression and melodies. Looking forward three years, the band has delivered a new taste of material in a 4-song EP Death is But a Door, the first offering since Sarcoma. For fans of said album, this EP will be a must-hear, and serves as a nice initiation for those who may have missed the band’s earlier efforts as it effectively pushes each direction to the next level. Given that there’s only four son…
…long break between full lengths, while also discussing everything from working with deathcore producer Josh Schroeder to saxophone guest spots, video making to band/music business advice, as well as some deep hair metal talk. Dead Rhetoric: It’s been six years between albums – which may seem like an eternity to some between releasing albums, but it’s not as if Striker has been idle while coming out of the pandemic. Can you discuss the strategy yo…
…ut into play ensures numerous highlight moments – much like you’d expect taking in the discography of Powerwolf, Sabaton, or Battle Beast. Most will find it hard to resist the steady mid-tempo power groove or choir-like chorus on hand for “Patient Zero”, which then shifts into more of a cinematic, drama-filled playfulness in a semi-ballad format during the follow-up “We All Taste the Same”, the lyrical content tongue in cheek as humans are ‘caught…
…r, they’ve been really cool. They have way more contacts than me and are taking a huge load off my back as far as trying to push the record to publications goes. Cheers to Curtis and Cori! Dead Rhetoric: You recently released the video for “Dream Chasm” – that was a DIY effort as well shot/edited by the band. How do you feel the video shoot went, any interesting stories to tell about the process? Bell: It went about as well as it could for us havi…
…smaller packages (EPs, singles), it seemed like the right idea to start looking at ways to cover those releases as well. Particularly when some of those singles are particularly strong and end up being stand alone, never reaching an album. So with that in mind, this is the inaugural edition of what hopefully will be a regular addition to the usual coverage here at DR. This month we take a look at Axelight, Beyond the Black, Dragonforce, I Legion,…
…ments Dissolution has to offer. Walls of distorted fury launch “The Maniac King” into the stratosphere of chilling apprehension, with Artur Filenko’s fiery, throaty screams and snarls never being more vicious. “Morgion” gives the listener further disquieting fright, especially with the low-register spoken word pieces that close out the song, with dreary lead guitars and a pulsating bass line that may give a chill up the spine. Finally, we have the…
…oks razor sharp. Larynx evisceration from the throat of Steve DC takes “Basking in Paradise” to another level, the cultural melodic death inflections next to the savage aggressive nature of the vocals a tandem sure to infiltrate the recesses of most listeners. Beyond the nine originals, Strigampire tackles a 70’s hard rock classic from the Bon Scott-period of AC/DC, the staple “TNT” – beefing up the guitars, vocal approach, and keeping the steady…
…enstar arrives strong as ever for their eighth studio platter for Chapter VIII. The quartet lives for a European melodic power metal style that helped launch the careers of Helloween, Sonata Arctica, Rhapsody, and Stratovarius among others – as listeners enjoy uplifting melodies, speedy riffs, and catchy hooks abound in a variety of tempos. Reaching out once again to bassist/vocalist Magnus Winterwild, he brought us up to speed on the new record,…
…periods, interspersed with some touring that we were doing. I had been working on the album and then paused that to work on the live set. We had to be in the right condition for the gigs. This would happen in March of this year – I was 75-80% done with the vocals on the album when I had to say I couldn’t work on this anymore, I had to spend my time prepping for these gigs. We were doing 75 minutes a gig on these shows – which is for us a lot. It…
…new way of writing. I think before Sea Savage was out, we even started working on songs for this record. Philly: We had done a demo. We’ve been very lucky with these last two records that we’ve been very prolific. We wrote a huge amount of music – about two and a half albums worth of music – but obviously not all of it would make it on the record. That started very quickly after Sea Savage. Generally speaking, we worked on demos. It was a steady…
…to come across bands who have a burning passion for the music, and are working tirelessly to create. Firmly entrenched in the old school Swedish HM-2 buzzsaw ferocity, up and coming Italian death metal dealers Kaivs dropped their debut EP Horrend earlier this year to much positive acclaim. It’s a fine example of a band with overflowing potential, whose trajectory is only upward via their convincingly crushing brand of death metal. We got the chan…
