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…s that sense of style and fashion, as well as Hanabie’s fun attitude. Dance-offs, make-overs, and sprawling bright colors might not scream metal from a traditional sense, but it’s also a reason why it’s drawn in so many fans, both in and outside the genre. The song is also amusingly titled ‘early summer edition.’ When I bring that to the group’s attention, there’s some immediate laughter. Might there be more Gal-time in the future for Hanabie? “Ma…
…s the listeners will take in musically for these nine tracks. A short, 80’s-oriented synth-horror “The Unseen Force” intro soon gives way to Oliver’s heads down speed riffs that burst forth during “Corpsewood Curse”, his playing injecting a mix of melodic runs against some progressive measures, while the rhythm section moves between steady metal grooves and speedy/blackened transitions. His lead skills are quite exemplary, intertwining a flurry of…
…ced package while keeping it brutal. It’s not sterile like much of the tech-death landscape currently, instead hurling head-rattling riffs into a primal and occasionally grind-y attack that assaults your senses while still stimulating them (yet not to the point of leaving your head mushy). It’s an incredibly balanced and refined effort that clearly took a lot of effort to arrange in such a way. That alone should warrant a few listens from much of…
…that feels both peaceful yet triumphant at the same time. On the more post-side of things, the folk-driven “Kikoku Enbu” is the longest, and one of the prettiest sounding songs of the bunch. Flutes and more traditional instrumentation make the song a vivid one at the start, and the soothing vocals (even as the music escalates) are the icing on the cake, as the latter half of the song embraces some very melodic guitar moments to make for a poignan…
…e. Many acts (though certainly not all) have settled for metaphors and well-crafted illusions to showcase depression, but Svalbard instead goes right to the heart of the matter with straight-forward simplicity. This is an utterly raw, and unflinchingly real look at what depression looks like, and as you might guess, it’s not pretty. There’s no subtlety to lines in “Faking It,” like, “It’s weird to know I wasn’t happy; That’s just how I made it see…
…mostly split between their latest release, Fear & Loathing, and their full-length effort, Silence & Violence, the band’s breakdown-friendly approach to hardcore (with a sprinkling of rap influence) slowly started to break the audience out of their chill, rain-soaked state. Plenty of heavy grooves for listeners to sink their teeth into, plus the aforementioned breakdowns led the crowd to eventually start in with the evenings circle pits. To be hon…
…rom all of them. Helena Kotina, the second guitarist, was in the band since 2021. Four months after we released Perpetual Chaos, I invited her to start the process with the next album. It was in my plan to have two guitarists – but after the second guitarist left the band because she could not move, we decided to be a trio because it was easier for logistics. It was in my plan already. I was never thinking about me being a singer. Helena and I sta…
…in riffs, the right accents for twin guitar harmony spots, and those larger-than-life choruses (given a boost through family supported choirs through Piet Sielck’s 17-year-old daughter Frida and her boyfriend) continual become retention factors through the first to successive passes. Battle-tested marching strains rhythmically carry “Demise of the Tyrant”, allowing Piet to mirror the atmosphere through tough as steel Teutonic-oriented vocal melodi…
…itely cause some damage. That’s no slight to the band though, as they track-by-track unveil different musical pathways while attempting to keep some sort of semblance of unity. The lengthy “Otus” lands firmly in proggy and rock-ish territory, with a certain melodic sense to it (that unfortunately goes just a little too long) – just don’t expect it to last over the album. “2054” follows it up with a number that’s much more lively and frenetic. Bits…
…ly Arima (ex-Ladybaby) joined the ranks following Yuna Imada’s departure in 2021, continues to see the band swirl around their hybrid mixture of metalcore, EDM, trance, jpop, and much more. While long time fans more or less know the drill by now, the band’s unique and pulsating sound continues to raise the flags high and it never ceases to bring copious amounts of energy. For those who haven’t heard the idol-esque metal act before, these four song…
…ty – similar to what we’ve heard on the early 90’s Death efforts going head-to-head with current Carcass. Let’s hope that Impii Hora is not a one-off outing for Asinhell. Sure, listeners may have to wait longer than normal to get a follow-up on the streets given Volbeat’s global status as a premiere heavy groove metal band – but when the quality songwriting and performances melt faces like this, you can’t help but want more servings. https://www.y…
…as a haunting appetizer for this main course. Whereas Succumb was a long 1-hour plus jaunt, including the 21-minute “Devorador de mundos,” Worst Case Scenario is a more compact 36 minutes and change. The reduced run time results in a more urgent and ultimately tighter album, allowing the sinisterness to engulf the senses more pointedly. “Enigma Signals” sets the tone with a creepy off kilter lead guitar to lure the unsuspecting into a haze, soon…
…wd seemed to be very much so in agreement. Having released their third full-length Witness in 2021, the band has continued to evolve since their first record with an ever changing sound that always keeps the listener guessing. Lead vocalist/guitarist Asger Mygind has said that Inmazes was written when he was struggling with finding happiness and really focused more on the djent sound, while Applause of a Distant Crowd was thankfully during a happi…
…or force of soaring vocals, twin-guitar harmony/riff action, plus the rock-solid bass/drum foundation to bring everything home. That’s what we have in newcomers Skull & Crossbones – forming out of the ashes of Stormwitch’s 2018 Bound to the Witch record, where four of the five musicians left that group. Arising with an addictive debut album in Sungazer, these gentlemen appear poised to make that climb up the ranks – developing killer melodies, ho…
…n. I never really understood about the founding of America. A sort of cross-cultural, historical understanding way. We use words like privilege all the time. The privilege of a working-class person in 1850 or 1900 was pretty grim, it was nonexistent. If you were to go back to the medieval period before the industrial revolution, that was a society of structural, inherited elitism. A poor person in 1800 was a poor person pretty much the world over,…
…ange in and out by the day – it’s hard to not resist the roller coaster mid-tempo to doom/groove monster “Drain You Empty” or the Slayer-esque overdrive “Frenzied Feeding” after numerous passes, the lead breaks in the latter from Rob Barrett and Erik Rutan occasionally reminiscent of the dive bomb, whammy-bar enhanced proclivities of the King/Hanneman team. Fortunate to also place trust in the production/mixing/mastering duties within the seasoned…
…o along with Buck can be heard with I the Unlord, guitarist Ben Guddorf (ex-Steel Death), bassist Lutz Lambert (ex-Neorite), and drummer Yannick Bussweiler (Ferndal). Violence commences immediately via “End of Orbit” and its stomping explosion of grueling guitars and gigantic snarling vocalizations that dial up the intensity with haste. “Interplanetary Portal” and “Constant Cosmic Failure” emit black metal tremolos mixed with a prominently grind s…
…sphere is one’s pleasure, “Hypogean Crypt” and “Gaze of the Seer” flow back-to-back with a thick mist of droning guitar work. The beginning of Evergloom especially highlights that grandiosity that was absent in Thorn’s previous works, and they’re much the better for finding it. Harkening back to the grindcore background of Westermeyer, there’s a relatively large bit of that chaotic quickness in “Wastelands Dimly Lit” and “Sapien Death Spiral,” sto…
…om 2021? Carvalho: The songs of our second studio album were written during 2022 and we finished the arrangements early in 2023 to start the recording sessions. I start the songs using my piano and then I get the ideas of the other members, we discuss some parts, redo some parts and when we feel the body of the song is done, we start arranging the song, mainly the orchestration and keyboard parts! There were some surprises and changes in the band…
…Stepping back to the independent ranks for the 2018 EP Five CC of Pure… and 2021 follow-up Devil and His Dog, we’ve now arrived at the sophomore album for Where To From Here?, a ten-song platter that showcases the trio in a power groove, thrash-oriented platform where the organic purity shines through, keeping the material very lean to launch easily from these studio cuts onto the stage. Simplification in terms of riffs, hooks, melodies, and tempo…
…o their previous releases and discography (previous album Clarity is an all-out must). From a personal standpoint, Strive opened the floodgates to a new Japanese music scene due to some extra freetime courtesy of COVID-19. While there was an awareness of idols and idol culture due to following anime like Love Live and Zombie Land Saga, outside of Babymetal there wasn’t much that really merged the two sounds together that I had found. Enter PassCod…
…um for Dolorem Records As Cold As a Stranger Sunset came out in the fall of 2021 – setting things up with Portuguese label Gruesome Records with Beyond Frozen Heights. A tidy five-track offering that creates a swirling storm of chaos in just over fourteen minutes, you can expect stunning energy from top to bottom, these musicians pushing the parameters of their abilities as artists, incorporating the best of 90’s/early 2000’s influences in the mel…
…Maybe have some more additional layers as well. People who like our debut will be sure to like the next one we’ve got. https://www.youtube.com/watch?v=-g3G-MDSnIw https://www.youtube.com/watch?v=Hb2smP8DKyA Outergods on Facebook…
…these areas in 2023, and Fossilization certainly have put their best grime-ridden foot forward. Truth be told, Fossilization isn’t changing the game with Leprous Daylight, and they don’t have an overwhelming need to. What they’ve manufactured is a crushing, well-written, and memorable debut album that hits just right in all of the important moments. From the suffocating Dead Congregation inspired forcefulness, to the downtrodden doom aesthetic th…
…ades of inspiration pour into these eight tracks to showcase a very forward-thinking outlook that can develop stellar musicianship passages as well as counterbalance hooks, melodies, and harmonization qualities. Between the multiple layers of vocals (with three-part or more harmonies), dual guitar action, and stunning rhythm section work that navigates across the progressive rock, doom, or metal genres to service the atmosphere/needs of the song,…
…song on the record and it was actually not that hard to write. It’s a riff-fest and the vibe was there from the get-go so the process was pretty flawless. “Frenetic Standstill”, on the other hand, was written by the other guitarist, Morten, who provided the full riff structure and ideas, and then we just expanded on that and added some more details before I wrote some lyrics I thought complimented the sound and drive from the song. So, I know I j…
…otable – the uplifting chord progressions and positive melodies for the mid-tempo title cut, the Helloween-esque anthem template a la “Future World” or “I Want Out” with “Always Two Ways to Play”, and the speed metal thunder that traverses old Teutonic/US pastures for “Saints and Sinners”. Between guitarists Henjo Richter/ Stefan Ellerhorst and keyboardist Sascha Onnen there’s plenty of heroic opportunity to display virtuoso skill sets while execu…
…hing “the INVISIBLE.” While it has taken a long time to get a proper follow-up, Conquer Divide shatter any notions about needing to stay in some sort of safe, metalcore-driven box with Slow Burn. They capitalize on a heavier sound, but one that nurtures and knows how to properly integrate some potent emotional resonance that also draws from rock and pop, to create an album that hits hard on many levels. Conquer Divide have crafted their own versio…
…ath metal, and having fun. Dead Rhetoric: You’ve arrived at the second full-length album Deities of Deathlike Sleep. What were the songwriting and recording sessions like – did you keep things very spontaneous and quick as far as tones and sounds, and where do you see this record compared to your debut album Into the Maw of Death from 2021? Stjernfeldt: I think that once again as with Into the Maw of Death we never said that we should do another a…
…ans have proven to have all of the tools and songwriting chops to stand toe-to-toe with their contemporaries, while constructing immaculate sounds that are all their own. The hard hitting black metal foundation, the constantly in motion song structures, and the poignant crust rawness combine take one on a thumping journey that is gripping as it is perilous. One won’t tame the beast that is Richtfeuer, so best to simply embrace the acrimony. Rană o…
