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Death Scythe – Killing for Pleasure Forever (Self-Released)

…re is also some progressive / thrash injection to “Lost in Eternity” which comes from the Megadeth mold. By the time the Maiden-esque spider web-filled musical movements penetrate closer “The Death Scythe”, most listeners will leave battered and bruised at the vicious, aggressive nature that takes place next to these highly catchy riffs, swinging rhythm section mechanics, and impassioned scream/growl switch offs. Normally revisiting older material…

Fallujah – Embracing Oblivion

…Uber and stuff like that. It worked for us, and the pandemic happened. We had to adapt, some of that adapting led to us get new members. The old members tried new things with their lives, and it’s totally understandable. During that time, we had to get good at accessing people through the internet. We had done that through Facebook and Instagram, but now Twitch and that good stuff. All the bands that figured that out, they really are benefiting fr…

Toxik – Heavier Yet Still Cynical

…onsibilities of what a label does changed from your first go around with Roadracer/Roadrunner? Christian: Massacre was in our top three choices of who we wanted to sign with. When the bid came in, it was a no brainer. Having said that, the duty of what a record label does now compared to what it used to be is vastly different. I think everybody knows that. It’s not easy, there is not a lot of money in this, not a lot of meat on the bones. A lot of…

Farewell to Fear – Punching Through

…there weren’t a whole lot of bands doing that type of thing back then. It had become widely popular a year or two years after we did it, which was cool to see. It brought some relatability to a new crowd. At the same time, when we looked at doing another cover and putting something like that on an album, I’ve got to be honest when our producer recommended us trying “Diamonds”, I never even heard the song before. It was fun, I had no preconceived n…

Battering Ram – Old School in Our Hearts

…he time it works out really great. Dead Rhetoric: In another interview I read of yours online, you mention a love of Ronnie James Dio and that Rainbow Rising is your all-time favorite album. What songs or memories do you have relating to that album, and did you ever get the chance to witness Ronnie live either in his solo band or with Black Sabbath before his passing? Hallström: Yes. My first connection with the album Rainbow Rising I was eleven y…

Devil’s Train – Rock and Roll Family

…uy, and more of a jazz/rock guy. He liked Santana. I was sort of both – I had my lessons and then I would do my homework and be quite disciplined. Which is sort of that jazz, blues thing, fusion. In my time I had for myself, I would work on heavy music – which wasn’t so much his thing and which he couldn’t teach me so well. I was gravitating towards material by bands I enjoyed at the time, Maiden, Metallica, the classics to tricky stuff by progres…

Seven Kingdoms – Peak Perseverance

…t he manages: Unleash the Archers, Fleshgod Apocalypse, Carach Angren. We had become friends and work colleagues. He had his eye on this, especially after he saw what we were able to do with the Unleash the Archers fanbase, they really glued themselves to us. He saw us capitalize on that. He was interested in releasing this before we did the Kickstarter, he knows our story with Napalm. He has a very brass tax deal with us – he has a license on our…

Visions of Atlantis – Embracing Pirates

…uple of shows before the pandemic hit. It felt like we were gathering with comrades we already knew. Then we met with Seven Spires, who are really fun and super talented musicians, we had a great time with them. Then our European neighbors from Firewind, we had met at other festivals before. It felt like at the end of the tour that we could all hang out with each other pretty well. Dead Rhetoric: How did it feel to raise over $21,000 through a GoF…

Civil War – Power Through History

…ng, all the various conditions that you can face on the road. It made me road ready, and that was a big moment for me. Another funny moment for me is being in the band Darkology with Michael Harris and the Harris brothers. We recorded in the same studio where Damageplan and King Diamond had recorded. King had just finished tracking the Give Me Your Soul Please album. The engineer asked me if I was ready to do some vocals. He asked me if I wanted t…

Sadistic Ritual – Prepare for a Boundless Enigma

…rote the lyrics under the quarantine, police riots, all of that stuff. We had a lot of bad taste in our mouths based on the government, Big Brother. It’s very paranoid and we want everyone to look at themselves and see what a piece of shit they really are (laughs). Sweat: It’s hard to come out and say it. It’s a way to get the paranoia and fear out, living in this age. We feel like it’s some real shit instead of escapism or some fantasy, dopey lov…

Space Vacation – Still White Hot

…back. We brought in Kiyo right as we were recording Heart Attack, and (we had) a completely different rhythm section for Cosmic Vanguard, and again with Lost in the Black Divide. The full band had a lot of opportunity this time to contribute to the full writing process. I’d be remiss if I didn’t call out what a great addition Eli is to the writing process. Typically, when you work with drummers they are focused on their own thing, but Eli is a wel…

Evil Invaders – Breaking Down Barriers

ad Rhetoric: You mentioned in our previous talk the desire to have Evil Invaders become a Judas Priest size band when it comes to live shows, and to keep on improving on that front. What aspects do you believe would be important to develop to possibly achieve that level of a following – and if you had unlimited resources to develop a stage set/show of your choosing, what would you love to offer the fans? Joe: I don’t really know. I think you have…

Spirits of Fire – Enjoying the Roots of Metal

…Criss and I were very similar with our influences as rhythm players. I already had that technique in me, I was a schooled player in general for my age and what I could do as a player. Criss Oliva as a lead player, I sat back and absorbed those techniques. He taught me, when I went to play his music as he passed, I was the only person who knew exactly what he was doing. I watched a lot of people cover Savatage. He was my brother, and he was a teach…

Voivod – Anarchy Reigns

…or music in general, and if so what do you talk about? Away: I think if I had to give advice to a starting musician or band, it’s important to find your own signature and not copy too much the bands that you like. Even if you are a part of a movement, it’s important to try to make sure people will recognize you the first couple of bars of a song. That’s the main thing. If you try to copy too much, by the time you write the album and record it to p…

Kandia – A Fresh Start

…hen we started writing the album, it was the middle of the pandemic. I already had some idea of what I wanted it to be, but with the pandemic, it became important to write about these things like depression, anxiety, the climate, and the changing of relationships between people, and between people and the environment. That’s basically the concept the album, and one of the reasons why the album is called Quaternary. It’s about humans, how they rela…

Power Paladin – Riding the Quest for Steel

…for ideal merchandise possibilities… Porsteinsson: Atli found James’ stuff online. He had done a lot of fantasy artwork and commissions, and his style was perfect for what we wanted. If I remember correctly the only criteria we gave him was that it has to be huge, it had to have all the members of the band somewhere, and it had to have a dragon. Dead Rhetoric: What characteristics or traits do you believe are important to convey with the lyrics, m…

Eternity’s End – As Embers Fade

…d to have a power metal band – I have three albums with that band. I have had some commercial success with Obscura. This is also very cool. Artistically I have achieved what I wanted to, got a lot of positive feedback from fellow musicians. I like being recognized as an equal by peers. It’s very difficult to monetize when you are playing extreme music. I would like to make more money with the music, which would help me focus more on the writing. I…

Infected Rain and Heidi Shepherd – Emerging from Chaos

…could tell that all the bands were happy to be back out. Shepherd: We’re glad you had a nice time, that’s really important to us! Dead Rhetoric: I saw one of the online hangouts yesterday, and I have to ask: you did a workout for a portion of the hangout. What inspired you do to it that way? Shepherd: I think just doing something different. It’s important. Something that has always been prevalent in the rock and metal world is that, “Sex, drugs, a…

Temperance – Breaking the Rules

…share with others. It’s not always happening in Italy – and that is a bit sad. Dead Rhetoric: That is sad. I remember following Lacuna Coil from the early days and being happy of their US breakthrough – getting massive radio airplay and bigger tours. I don’t think I would be jealous of one band from Italy reaching new heights of popularity, because I would believe it would open doors from other bands from that country… Guaitoli: For instance this…

Unleashed – The Way of Life

…I don’t think it’s reasonable to have another goal right now. We are not a company, we are a band. Dead Rhetoric: How do you think as an older band you’ve been able to handle the changes in the promotional landscape with social media, streaming, and the internet compared to the older days of tape trading and physical fanzines? Hedlund: We’ve done what we could do, I guess. There’s always this feeling that you could do more with social media. There…

NorthTale – An Eternal Warning

…I run to your side of the stage, you run to mine. These are things that become common sense over the years, but it takes time to develop in a new band. You watch a new band, if people are too loud, stepping in front of one another, you know those guys don’t have a lot of experience. Because I’ve always been a position to play and shut the fuck up, I’m always told what to do. You stand here, you dress like this, you play like this. Some artists ar…

Beast In Black – A Cyberpunk Connection

…d as far as where you want to be in your career? Or do you believe you’ve made steady, incremental improvements at the right pace for an ideal worldwide following? Kabanen: First of all, we have to keep things interesting for ourselves. And like all the rest of the bands in the world, we do the same thing: touring, and then an album. Touring, album – that’s how it goes. With each cycle, we hope that the band grows as quickly as possible into a big…

Fathom Farewell – Beware of Kraken

…ned to that a lot and still to this day. A lot of classic rock is what my dad had me listening to. A Bob Seger Greatest Hits tape. In terms of songwriting, singing, presentation. Mer de Noms from A Perfect Circle. That and Meteora by Linkin Park, those two were very important for heavier music. They were the bridge to eventually like stuff that is a lot heavier. When I started going to concerts, I was playing in bands. I was in a town in the booni…

Catalyst Crime – Catalyst for Change

…and there is number we have to stop at. Dead Rhetoric: I saw the post you had made earlier about something similar and as an interviewer I like to read other people’s chats to see what questions I can come up with. It’s really embarrassing sometimes the things that people ask female vocalists. Federoff: It’s extremely embarrassing. It can stop now. We have been telling people for like 10-15 years at this point. I remember watching interviews with…

Paradox – Power Through Heresy

…celebrating the music. Today, I see too (often) people who write too many bad comments about bands on the internet. I don’t know if these people had the same thoughts in the 80’s but didn’t talk about it. We must all be a big family. It is our music, and heavy metal music shouldn’t be destroyed. When we talk bad about other bands – if you don’t like a band, just listen to other bands that you like. The tastes of everyone (are) different. You can’t…

Malison – Reborn for Metal

…k negative. A lot of it was the mixing and mastering that was delayed. We had to communicate more of what we wanted over the phone instead of being in there in the studio. It’s tougher to do that way when you want certain elements turned up. We were super happy with the way things came out. The first and second records, we feel like we ended up getting a better sounding record this time. Dead Rhetoric: How did the cover art come about for this rec…

The Agonist – Fragile Extremity

…irection – metal has a very finicky side to it. Especially when looking at online comments. Psarakis: Oh for sure. I learned a long time ago to just ignore the comments. 9 out of 10 times they are off-base. They are just someone’s initial impression. It’s totally normal. I don’t expect someone to watch our video for the first time or listen to our song for the first time, and totally understand it. Our music is not cookie-cutter, radio-friendly. I…

Infected Rain – Tour Mantras

…ou in someone’s tour bus that were posted. It looks like there is a lot of comradery on this tour. Scissorhands: You have to be extremely professional and work, work, work, although we become friends with the bands that we tour with normally. But here, we have been friends with Butcher Babies since long before the tour. We became friends with Stitched Up Heart during the tour. Dead Rhetoric: These are some of the first few shows since COVID. Do yo…

Infex – Exile of the Wicked

…d a half years. The songs had been written for some time, and we recently had recruited a new lead guitarist Aaron McCoy, and he came in and did the solos on this. The material was pretty much already written and recorded even. From that, that kicked off our time in the band with him from 2015 to 2017 where we blossomed, I think. On a live perspective we got to go out on tour with D.R.I., that was a big deal for us. We played some significant show…

Seven Spires – Silver Linings Over Black Clouds

…e machine and cranking out song after song, piece after piece, essay after essay. Dead Rhetoric: Has it been important then to have the support of family and friends that aren’t necessarily in your life that aren’t as connected with your music and what you do to balance things out? Kosto: Yes. Even if you do have friends that are into the same thing, it’s really nice to know that you have people that know when not to talk about work. And to talk a…

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