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Sirenia – Making Things Simple

…little bit – he sends me some versions, I bring in some additional ideas, add comments. We work our way to the final result. I think he’s really good at portraying or putting ideas into life. He really has a great understanding of what we like and what we are aiming for so that’s become very smooth to make a cover together. Dead Rhetoric: Is it a challenge to come up with good lyrical content without repeating yourselves this deep into your caree…

Fires in the Distance – Pensive Elegance

…creating music, and how do you harness that inspiration into creating the complex compositions that make up Fires in the Distance’s music? Rippe: It’s hard to put into words, but personal experience is the well from which our creativity is drawn. Dead Rhetoric: What defines success in the music industry is certainly unique to the individual and what they want to do with their creative works. What defines success to you, and where do you aspire to…

Oryad – Artistic Authenticity

…hind things – I’m working on rhythms and orchestrating the drum parts. We had a lead guitar player who put all the guitar tracks down on the record, then decided to leave as he wanted to do his own thing – no animosity. He was ready to move on. Same thing with our original bass player Adam – he’s one of those guys who had a lot of stuff going on. He went off into his own sound design world. Things were really loose and ethereal for a little while…

Enforcer – Nostalgia (Nuclear Blast)

…heads down speed riffs, shrieking vocals, and racing twin guitar harmony/trade off lead axe parts will savor “Metal Supremacia” or “Coming Alive” – proving Enforcer hasn’t lost that youthful spirit to continually deliver those blitzkrieg tracks that elevated their status as a premiere metal act. On the other side, the title track is a reflective song featuring tranquil acoustic guitar parts that possess a classical touch, allowing Olof to stretch…

Finality – Overcoming Control

…ps, things like that because they’ve transitioned everything to being on a computer, online. Now we have a whole generation that will end up paying $300-$400 an hour for a plumber because there is no one to take his place. Anything that teaches you about how the government is screwing you, taxes. They don’t teach you about finances until you are blindsided by it in life. Dead Rhetoric: Battlecross recently announced that you would be going on an i…

Burning Witches – Beware the Blood Countess

…). I woke up, I’m going to get a coffee outside, and people were there. I had to comb my hair and put some makeup on. There were two guys that had a Venezuelan flag, and we didn’t even play there, but they were in front of the hotel. It’s something new that stood out to me. Dead Rhetoric: Does it amaze you the travel lengths that some fans will go to when they want to see the band play live? Guldemond: Yes. It always amazes me to see how many peop…

Enforced – Denial and Delusions

…the whole thing. Dead Rhetoric: Do you think as a result the songwriting becomes a more critical component because you want things to be focused, cutting out all the unnecessary parts? Colby: When I say no frills, there’s barely any fat on it. It’s super trimmed down, and we wanted to keep it that way. Kill Grid had some songs that were over four, five minutes – “Kill Grid” the song with all the samples and everything, is over seven-minutes. There…

Atavistia – Cosmic Warfare (Blood Blast Distribution)

…with the riffs. Drummer Max Sepulveda is a highlight, as his contributions help add much needed muscle to Atavistia’s sound, especially notable on “Divine Destruction,” where he sets the tone with a solo to begin the song, while relentlessly blasting away throughout Cosmic Warfare to this writer’s delight. Notable is the length of each entry, with the shortest at 7 minutes in length (not counting the intro track), and the longest is album closer “…

Sermon – Blurring Boundaries

…n? Him: Probably either “Golden” or “Departure” I would say. The chorus I had for “Golden” I had for months in my head, and when I first heard it back when I got the mixes, it gave me a shiver, because it was exactly how I wanted it to be. Whereas some of the other songs, I’m proud of all of them, my brain can’t help but nitpick and think I could have done things differently here. Dead Rhetoric: What can you tell us about the cover art and how it…

Magnus Karlsson’s Free Fall – The Flame Still Burns

…he singers, like Jake E and Kristian Fyhr, they wrote their own lyrics. I had help from the great lyric writer from England, Jane Gould, she wrote five or six of the lyrics too. I used to spend a lot of time on lyrics, but this time I worked on the melodies and would have them find something that fits to it. That was really great. I think I will work more with other people in this capacity, instead of writing everything on my own. I don’t have the…

Foretoken – Epic Mythological Tales

…g two primary members in the band make it easier or more difficult when it comes to composing new music? Cooley: It makes it easier in my opinion, because we’ve a very clear vision about what we’d like to do. We’ve also been writing music together since 2006, so we can adapt to what each other will write fairly well at this point. Dead Rhetoric: There was some usage of a few instruments that aren’t all that common in metal music on Triumphs. What…

As Everything Unfolds – Tinted in Ultraviolet

…d to kind of do different things, like what I was saying, with the synth leads vs guitar leads and focusing on the hooks and choruses – developing our songcraft. That’s what I am most proud of, personally. Lyrically, it is much less melancholy [laughs], which is nice, but it serves its purpose. But in general, we had this idea with this album that it needed to serve the song. That was the rule of thumb. Just because you want something to be there,…

Ashrain – Surrender to the Requiem

…guitarist Nozomu Wakai, and we have Ashrain. This debut album Requiem Reloaded combines influences across the 80’s melodic hard rock/power metal landscape, plus a bit of a modern progressive edge to the mix. We reached out to Peter to learn more about the origins of the group, the remote recordings that took place, discussion about videos/promotion in today’s industry versus the 80’s heydays of Accept, his outlook on bass, plus insight into futur…

Overkill – The Flame Still Burns

…d to see someone of that Hall of Fame stature, to be playing in Met Life Stadium. Dead Rhetoric: What’s the gameplan for Overkill after the album comes out for the rest of 2023 into early 2024? Blitz: The plan is business as usual. And it’s nice to be able to say that again. I remember when my biggest concern was hearing rumors of Phil Murphy the governor of New Jersey thinking of closing all the liquor stores during the pandemic. Now what am I go…

Haliphron – Hunting for Prey

…arsal room to exchange ideas – but how we arrived at that is 90% this time online. Dead Rhetoric: Are there any songs that stand out to you, or maybe were difficult to reach in a final conclusion from the initial demos? Wechgelaer: Most of the songs went through a fine tuning process, you can definitely hear some of the sophisticated layering of the music. Especially the orchestrations taking a bigger part in the music, making things very bombasti…

Kamelot – Drive the Flag into the Ground

…which it wasn’t. As an artist you are always eager to make sure it’s not bad. Everyone did their homework, the crowd reactions were really good. Once the new songs have time to settle, it’s going to be nice to go out on tour and perform these songs. Dead Rhetoric: How has your life changed now that you are married and living in Canada versus your time in Sweden? Any specific adjustments that you’ve had to make as far as the people, culture, lifes…

Powerwolf/Seven Kingdoms – February 23, 2023 – Palladium Times Square, New York, NY

…th an on sale date just 3 short days away, the high level of anticipation had already set in. Clearly the rest of the US felt similar, as New York sold out by October 12th, 2022 (Montreal sold out 2 days later). Fast forward to the day of the show and people are lining up as early as 7:30am! Myself and the gang did not line up until 3pm and the line was already around the corner and rapidly growing. Getting into the Palladium, it was a rush to get…

Dreams of Gray – Intertwining Sadness and Hope

…ht against the stage watching Opeth play – and Nevermore was touring for Dead Heart in a Dead World. I love that album; it was an amazing show. God Forbid opened, Angel Dust was second on the bill. At the time I was more of an Opeth fan – and at that show I made myself more of a Nevermore fan. That was my favorite concert memory – I went with my bandmates, we had just finished our Lament the Season EP for Abolisher, seeing such great bands in a cl…

Xandria – Behold the Wonders

…o a lot of underground metal back then – when you see these genres later becoming commercially exploited, it’s a little bit awkward. I would say anyway to really do what you have to say, what’s on your mind musically. Because if you stay true to yourself, you will not have any regrets later. Dead Rhetoric: What’s on the horizon for Xandria to support the record over the next twelve months? Are there hopefully plans in play for a return touring exp…

Twilight Force – Instill the Adventure

…o communicate with, and communication is key. Dead Rhetoric: You have an upcoming headlining European tour with Silver Bullet and Seven Spires as openers. What are your expectations for these shows, do you believe the fans are very excited about taking in these shows given the long break due the pandemic for regular touring activities? Blackwald: I hope so. We are very excited; it’s been a long time coming. Three years of catching up to do. Dawn o…

Elusion – Shifting in Paradox

…ot into its first form. Dead Rhetoric: The second album The Fundamental Paradox comes four years after your debut album for Art Gates Records Singularity. Tell us about the songwriting and recording sessions for the latest effort – where do you see the major differences between the two records? Van Mieghem: The new album is different from our debut album on several levels. First of all, The Fundamental Paradox was written during the COVID pandemic…

Screamer – All Hail the Kingmaker

…though, they want them to sound like the first album. At least online. I read comments. They did something cool here, why do you not like that? The reception from people, it may be nostalgia, but people want to hear the same thing on every album. I for one do not want that. Dead Rhetoric: How has a failure set you up for a later success when it comes to Screamer? And when it comes to your own personal setbacks or failures, what types of things do…

Serenity – Elevate Memoria

…irst World War and the second World War. He fought in two world wars, and had complete hyper-inflation, two times. The whole economic situation was completely flipped down, compared to now. Everybody is telling me we are in a crisis. It’s not a crisis what we have now, it’s peanuts in comparison to what they had back then. For all the people who are not having a real war in front of their house, like in the Ukraine, we just have to say thanks for…

Edge of Haze – Validation in Diversity

…hings – in a sense it feels that this album in question is the way we’ve become adults with the music. We’ve reached the point where we can take ourselves a bit more seriously now. Eero Maijala: It was a huge growing experience, for sure. A maturation process. Dead Rhetoric: What qualities do you believe are important to get across in each and every composition of the band? Playing in a progressive-oriented form of metal, is there a balance that n…

Dragonland – A Celestial Journey

…oking at songs like “Celestial Squadron”, we knew where to place them. We had a broad sense of the fast songs, taking it down, finding a good balance because we knew we needed some pauses there in the middle. That was the process. Jonas wrote all the lyrics this time, and at the end Olof came in and wrote a forward to the tracks which you can read in the booklet to flesh out the story. That was basically the process. Dead Rhetoric: And when it com

Kill Division – Peace in the Court of Public Opinion

…s I do, why I feel the things I do, and there are medical reasons for it, made it help me not feel crazy. It helped me accept myself. That was my path. There is no cure, no one is going to ever say Gus Rios is a ball of sunshine. But I’m okay with who I am, and I don’t want to be dead anymore – and that’s a huge win. I completely did it with therapy. The takeaway would be, if you are one of those people that’s like ‘I’m not going to talk to a ther…

Splintered Throne – Beware of the Reaper

…t metal scene, and future hopes to take this show on the road here and abroad. Dead Rhetoric: You came into Splintered Throne in 2020 – already establishing yourself in other bands and projects over the years. How did you end up joining the band – and did you have any concerns regarding your approach that obviously differs from Brian Garrison’s? Lisa Mann: I actually joined the band in 2019 – so it was before the pandemic. I was a fan of the band….

Purpendicular – Stepping Out of the Shadows

…o be up front. One night I was doing a cover gig, we were covering Queen, Bad Company, all these bands. We had a new singer, but we didn’t know he had lit a joint. During the break, he took a drag too much, he couldn’t get up off his seat. Everybody knew I could sing, so they asked me to sing a bit – I was like not these songs. I can only just remember what I heard from the records. I could see people sitting in the chairs- and if I did anything b…

Asylum – Eliminate the Tyrant

…g got serious in 2020 when Covid-19 hit, and we couldn’t play gigs. We already had songs like “Eternal Violence”, “Victim Complex” and “Tyrannicide” that we were playing live back then. Covid hit and it gave us the time we needed to write the rest of the album. The songs came together quite quickly. However, we did hit quite a big obstacle when we had to part ways with our old front man Jimmy. He’d been in the band since 2012 but we realized thing…

Death Scythe – Killing for Pleasure Forever (Self-Released)

…re is also some progressive / thrash injection to “Lost in Eternity” which comes from the Megadeth mold. By the time the Maiden-esque spider web-filled musical movements penetrate closer “The Death Scythe”, most listeners will leave battered and bruised at the vicious, aggressive nature that takes place next to these highly catchy riffs, swinging rhythm section mechanics, and impassioned scream/growl switch offs. Normally revisiting older material…

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