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Mob Rules – Celebration Day – 30 Years of Mob Rules (Steamhammer/SPV)

…pons to achieve a full, dynamic sound – between two guitarists, keyboardist, bass, and drums it’s easier to provide an all encompassing atmosphere that can be vibrant, microscopic as well as intense or serene from song to song, encouraging Klaus Dirks as a vocalist to stretch his multi-octave pipes across the board in the rock, classical, or metal landscapes. Then we have a chance to look at the covers Mob Rules includes that range from normal met…

Violet Eternal – Reload the Violet (Rockshots Records)

…l charge – influences especially including the work of classic Stratovarius, Angra, and current favorites Beast in Black. Immaculate phrasing positions his guitar action in thrilling ways – right away “The Echoes of Time” hits all the right syncopated virtuoso elements one wants in a speedy main opener. The follow-up “Now and Forever” showcases Ivan’s thoughtful vocal melodies – uplifting and resolute in the chorus, hitting that siren eagle notes…

Togenashi Togeari – Togeari (Universal Music)

…It’s playful and bouncing all over the place, and it’s only at the soaring, powerful chorus that one’s attention isn’t drawn away from the impressive basswork. The way it weasles around the equally playful guitar melodies and drumming is one of the finest examples of how much detail is put into a single track, not to mention how much fun the song is to listen to. The album’s most recent track, “Underneath” has an almost punk-ish intensity to it,…

Vulture – The Sentinels March

…ome, yet their conviction cannot be denied. Embracing elements of the speed, thrash, and old school traditional metal landscape, their latest record Sentinels contains killer hooks, twin guitar action, and the masterful leather lung melodies/shrieks that send shivers down spines collectively. We reached out to guitarist Stefan Castevet to learn more about the special elements that contributed to the new record, their decision to go over multiple d…

Amiensus – Reclamation part 1 (M-Theory Audio)

…o shift a bit with each new album – occasionally leaning further into black, folk, or progressive metal, and never really returning to the same mixture. Yet they always find a way to make things seem so captivating. New album Reclamation, due to length, was broken into two parts so we are investigating only part 1 at the moment, with the second half set to be released this summer. We’ll just say that the band has lost none of their charm or depth…

The Ghost Inside – Searching for Solace (Epitaph)

…he Ghost Inside manage to push themselves further into new musical territory without losing sight of who they are, effectively bridging their frenetic sound with more melodic territory than ever. It’s full of both plenty of punch, and heart. https://www.youtube.com/watch?v=bG5gHjBTV_M&pp=ygUQdGhlIGdob3N0IGluc2lkZQ%3D%3D https://www.youtube.com/watch?v=UNlutrxYsGw&pp=ygUQdGhlIGdob3N0IGluc2lkZQ%3D%3D The Ghost Inside on Facebook The Ghost Inside on…

Tombstoner – Rot Stink Rip (Redefining Darkness Records)

…ary. East Coast hardcore boils in the blood, so that when intertwining OSDM, thrash, or doom-like parts, the results can be quite earth-shattering – the title track attests to that, the lead breaks quite Meshuggah/jazz-oriented for a dynamic contrast. The vocals seethe in this swirling cauldron of snarls, screams, and militant barking – if you aren’t swept up by the mid-tempo riffs or double-kick inducing windmill tempos, the total picture pushed…

Necrot – Conquer Without Division

…confront one another and talk to each other. But I feel like the people in power, they just want us to fight about everything. They want us to blame one group of people or another to some degree about something. They want you to feel ashamed for how you feel or who you are. I’m all about freedom, that’s the most important thing that we have, we should be free to express ourselves, we should be free to go out in the streets feeling how you want, sa…

Accept – Humanoid (Napalm Records)

…pease the faithful followers. Humanoid as such continues the mix of anthems, steady rockers, and occasional ballad-esque offering that intertwine the larger-than-life Teutonic choruses, fluid/thoughtful lead breaks, as well as bluesy / classical-oriented nuances to keep the platform sturdy as ever. With an Egyptian-style intro that harkens back to the Metal Heart days, “Diving Into Sin” opens the record in heads down anthem form – the riffs powerf…

Disbelief – Killing Karma (Listenable Records)

…Killing Karma from Disbelief is one you should definitely add to your collection if the death/thrash side crushes the sonic palate. Standout Tracks: “With Deep Regret”, “Condemnation “, “Flash of Inspiration” https://www.youtube.com/watch?v=y5MrHUWz-ng Disbelief on Facebook…

Dialith – An Altered Transformation

…llen has Cemetery Moon, which is a black metal band, but as far as Alasdair, Mark, and I we do not have any side projects. I did some guest vocals for Adamantis for their song “House Carpenter (The Daemon’s Lover)” on their 2022 EP release – we recorded that back in 2021. I did do vocals for a project on a song called “Shadowbound”, someone doing a solo project that reached out to me. That is on YouTube. If somebody wanted to reach out to me to do…

High On Fire – Cometh the Storm (MNRK Heavy)

…ng drummer of 21 years Desmond Kensel leave the band, Coady Willis (Melvins, Big Business, Murder City Devils) assumes the throne and delivers punishing thunder. Which is good news for a band that’s still going strong for 26 years and counting. Matt Pike still has a lot to say, and a fuckton of riffs to drive home the point. “Lambsbread” storms out of the gate with Coady’s propulsive drumming and Pike’s gravelly roar as he wields his sonic axe, ke…

Darkness – Blood on Canvas (Massacre Records)

…ash scene, Germany had its premiere breakthrough acts (Kreator, Destruction, Sodom, and Tankard) as well as the second/third tier artists who released albums to make modest inroads in the underground yet never quite hit that next level ceiling. Darkness typifies the latter category – although since their reactivation a decade ago seem motivated to make the most of their second creative burst of energy. Blood on Canvas is the group’s sixth studio a…

Stormborn – Zenith (Rockshots Records)

…ars, vocalist Christopher Simmons elevating his melodies in a multi-octave power, his calling channels the best of Rob Halford and Bruce Dickinson through his scooping of the notes, especially in those higher falsetto / scream areas. The atmosphere bounces between that neoclassical meets traditional terrain – where the musicians sprinkle tasty progressive interplay aspects against proper earworm hooks and catchy vocals mandating audience fervor. F…

Venues – Modern Evolution

…I wanted to say. You tell someone that you play in a band and they are like, “yeah, that’s nice.” But then you say that you played Wacken and they are like, “Oh yeah! You are in a band!” So that’s really nice! I would never have imagined that I would play that festival one day. It makes me really proud. Dead Rhetoric: What are your plans for the rest of this year? Gruber: First of all, we have our second release show in our home town so we are loo…

Tygers of Pan Tang – Live Blood (Mighty Music)

…rt Live Blood. Recorded in the summer of 2023 at The Patriot venue in Wales, UK, listeners can expect a great eighteen song, 85-minute plus set that spans the MCA first edition years as well as highlighting the more recent offerings – to keep the blazing spirit of heavy metal alive and kicking. Smartly mixing the setlist between the past and present provides vitality as the quintet delivers guitar-driven, melodic material with plenty of energy, ca…

Deicide – Banished by Sin (RPM)

…debut, and that’s meant in the best way possible. Urgent riffing and solos, menacing barks, and blasting drums swirl around with just the right amount of aggression mixed in with memorable, punchy moments. It’s a great start. “Doomed to Die” continues this same sentiment with a fiery solo to start, and then more of that classic, mid-tempo ‘evil’ feeling that the band has always excelled at. The songs sit conveniently around the 3-min mark, never…

Replicant – Infinite Mortality (Transcending Obscurity)

…plica of anything, being a truly avant-garde outfit that diverges technical, brutal, and old school stylings amongst wildly varying song structures. Having been a band for a decade now, they’ve released three full-lengths thus far, arriving at their latest, Infinite Mortality. Predecessor Malignant Reality was an enjoyable thrashing, with plenty for any death metal connoisseur to nod in approval to, while also having room for growth. Grow these ge…

Accept – Musical Outlaws

…be dead serious. At first glance, it’s aggressive, we talk about the devil, hell, and all this (negative) stuff, but from my experience, hardly anybody takes it for face value. There may be some freaky bands out there that say they are going to talk to the devil, but it’s a bit of tongue in cheek, isn’t it? Once you understand that, this ends up losing a little bit of fear that parents initially had. Dead Rhetoric: When looking at your life, what…

Praying Mantis – Defiance (Frontiers Music)

…or an act that still has plenty left to say creatively for those who love the melodic, AOR-side of heavy metal. https://www.youtube.com/watch?v=PyXf7YBNEto https://www.youtube.com/watch?v=NoxYnawQ_-s Praying Mantis on Facebook…

Full of Hell – Coagulated Bliss (Closed Casket Activities)

…ylan Walker explored this time around (as opposed to the usual ‘fantastical, metaphorical shit’), this is Full of Hell taking people’s expectations and twisting them around. The new LP is their best record so far and that’s saying a lot, given that the band hasn’t lost their touch in any way. “Half Life of Changelings” opens up with an almost catchy pop hook until the song bares its’ fangs to devour the listener with grinding hellfire. “Doors to M…

Ravage – Beware of the Spider

…proliferation. Dead Rhetoric: Do you believe that the traditional, classic, power, and thrash movements seem to be on a decent upswing as far as popularity not only in mainland spots like Europe, South America, and the Far East, but here in the United States as well? Especially given the interest in the latest records from artists like Saxon, Bruce Dickinson, and Judas Priest… Ravage: It’s hard to say. Traditional metal, classic metal, melodic me…

Kickin Valentina – Star Spangled Fist Fight (Mighty Music)

…ckcherry to name a few. Aligning with producer Andy Reilly (Bruce Dickinson, UFO, Cradle of Filth), this is a ten-song affair that’s unapologetic in its energetic presence – authentic, kick in the teeth material that should go down a storm with a multitude of hard rock or metal followers. Angst drives the full throttle punk/sleaze-oriented “Fire Back”, where vocalist D.K. Revelle spits forth his venomous taunts to the haters or snakes in the grass…

A Neverending John’s Dream – Coming Back to Paradise (Pride & Joy Music)

…er cuts on here marrying the best of 90s period Savatage with acts like GTR, FM, and other well established AOR-oriented bands from the 80s. With future live gigs planned in Spain, A Neverending John’s Dream through Coming Back to Paradise have established a debut effort rich in melodic hard rock/metal tradition, delivering catchy songs that stay in your brain for quite a while. An act to watch if you enjoy this style that may be cult-like in appe…

Inter Arma – New Heaven (Relapse)

…nant guitar parts that make sense when you approach it the way one takes on, say, a Keiji Haino record. Piledriver double bass, Mikr Paparo’s stentorian boom and banshee wails in one track makes this an instant classic in their armory. Next comes “Violet Seizures”, which is a perfect argument for having TJ Childers included in every discussion of “Great Drummers”. Guitars sharp as sawblades, vocals sounding like an elder god’s cries from below and…

Suldusk – Pushing Through Musical Boundaries

…misrepresent the album anymore so it was really important to have a drummer, bass, and the tremolo guitars. It also allowed for me to do my vocals a little bit more powerfully. It’s hard to produce those screams acoustically. I wanted the audience to feel them a bit more. It’s not as subdued. I love acoustic – I’m a sucker for folk music. Dark folk is my sweet spot, I love that. I will always go back to that. But it’s good to release the demons [l…

Bloody Falls – Amartia (Art Gates Records)

…e band lives in an extreme meets groove metal platform, where melodic death, black, and modern groove elements factor into the final mix. Amartia is the third full-length, hot on the heels of last year’s Dying Is Easy EP release, unleashing eight more potent cuts sure to smash skulls, pulverize bodies, and hopefully launch the quintet even further into bigger audience appreciation due to some quality songwriting plus convincing execution. The dead…

Necrot – Lifeless Birth (Tankcrimes)

…ittle bow, making you want to go back for more spins. The record Lifeless Birth is out now via Tankcrimes, so pick yours up wherever you buy your music. Standout Tracks: “The Closer”, “Superior”, “Drill the Skull” https://www.youtube.com/watch?v=5W09tedr1KI https://www.youtube.com/watch?v=kUNMbmrcNW8 Necrot on Facebook…

Loch Vostok – Opus Ferox II -Mark of the Beast (ViciSolum Productions)

…roceedings. First track “Distant Assistance” unleashes a progressive guitar, bass, and drum barrage not unlike Meshuggah meets Fear Factory/ Strapping Young Lad before the rollercoaster unfurls, 48 minutes or so later intense in its density as well as quality, thoughtful pace and tempo / mood variety. A sequel should always be able to take the strongest elements of its original presentation to amplify those aspects further. That’s what Loch Vostok…

SETYØURSAILS – Overcoming Demons

…iscuss the importance of the lyrics to her and the band, musical boundaries, emotions, and mental health in this equally personal interview. Dead Rhetoric: “Best of Me” led the charge towards new material with SETYØURSAILS. How do you feel that you’ve expanded the boundaries of the band with Bad Blood? Jules Mitch: That’s pretty much what we did. I feel like everytime that I sit down and write a new song, I never think about specific genres or dir…

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