Search Results For: %F0%9F%96%A4%E2%9C%9E Homework helpline alabama %E2%86%A3 %E2%98%91%26nbsp%3Bwww.ESSAYforCASH.com%26nbsp%3B%F0%9F%90%95 %3C. Hire Top Essay Helpers%F0%9F%8C%AD%E2%99%A5%E2%9B%B0%3A homework help online hotline%2CFree homework helpline%2C math homework helpline

Outergods – Enter the Catacombs of Madness

…lentine and so forth. I started learning an instrument again thanks to my dad. He helped me to play the bass – I actually started with piano first, then the bass, and then I decided to try the guitar. The heavier stuff, that was through another one of my brothers. He’s three years older than me. It started off with hard rock stuff and then nu-metal, Linkin Park, Korn, and then some more slightly experimental stuff like Pitchshifter. Then I went to…

Ronnie Romero – Lies, Masters, and Shadows

…stablish yourself professionally as a musician? Were there times that you had to overcome self-doubt or defeat that you would be able to develop a full-time career in the rock/metal world? Romero: Not really. I was lucky on that also. In my short career, it’s a continual episode to me of being lucky and also hard work. You need to work really hard to get the things that I was able to do. Also, I was lucky enough to be at the right place on some mo…

Silent Skies – Radically Honest

…eativity, it’s always fast. Making it work, that can take a long time. The added complication for some of these things on the hardware end is that they don’t always cooperate in a normal way. When it comes time to make Silent Skies music and we have to put everything together, the jigsaw pieces have to fit into place. Sometimes the unpredictability can be a little bit of a nuisance. You really have to chisel things distinctly to make it work. To g…

Heads For the Dead – In the Absence of Faith (Pulverised Records)

…aterial through the vocals of Ralf Hauber, drummer Jon Rudin, as well as lead guitar help courtesy of Sentient Horror’s Matt Moliti. The use of keyboards weaves a haunting aural tapestry around the growls and screams Ralf employs as the guitars chug at a low mid-tempo to slightly faster pace during early highlight “Taste of Terror”. The melodic moments and narrative aspects appear in dynamic spots – while the charging rhythm section/ riff parade c…

After Earth – The Rarity of Reason (Independent)

…xecution and a high level of songwriting. There are a few tracks that very well would have been bonafide classics if made back in the style’s heyday, and the album as a whole is a crisp homage that also boasts an uncommon compositional instinct. The Rarity of Reason is one of the best melodic death offerings thus far in 2023 that will bring back old memories and hopefully help form new ones. After Earth on Facebook…

Exmortus – Dance with the Dead

…that there was interest – okay, cool! (laughs). Let’s just go for it! We had to read the contract and everything at first, do it the right way. It was a standard approach for the contract, it will be awesome. We are really happy with how everyone is treating us there. We are stoked about this, it’s a step up from the Prosthetic Records days. Regardless, it was an interesting journey along the way, because of that we decided to push this album Nec…

The Unity – Join the Hellish Joyride

…“Something Good”. On the three studio albums we’ve done before we’ve only had one ballad (laughs). This was really something different. The good thing is, as soon as we record our parts as musicians, it still sounds like The Unity. For the people who listen to the album, maybe it’s not that big of a change, for us it was. We have two different ballad-esque tracks, speed metal too. The COVID thing – the decision to release a live album was because…

Spirit Adrift – Spontaneous Inspiration

…e’s a die-hard believer. They are both fans, actual fans of the band, that helps a lot. Dead Rhetoric: Last year was the most prolific for the band in terms of live performances. Where do you see the major differences between the studio work and the stage – and what do you hope to get across to the audiences through your live shows, either in the club settings or at the bigger festivals? Garrett: One big difference, we are working on a live record…

Eleine – The Legion Remains

…t, and it will feel good. If you do what doesn’t feel right, it will feel bad. Dead Rhetoric: What are your thoughts on the state of symphonic metal in mainland Europe versus other parts of the world? Do you believe there is enough diversity and strength in numbers between the older artists and new, up and coming artists to keep the scene healthy/vibrant for years to come? Ekberg: I believe that people should create music that feels right to them…

Astralborne – Climb Aboard the Fun Train

…It was great to have it get a second life. Give it another chance to a broader audience, in a broader spectrum. The staff have been great, like-minded. We all have the same goals. With Astralborne being a studio project, we can’t tour. We don’t have a whole lot to give back outside of the music. It’s a risk I’d imagine for a record label, we are not a hot commodity. We make music and they help us put it out, and both parties are happy. They’ve be…

Crypta – Process of Pain

…ing well for us – otherwise it would take so much longer for us to move ahead. Dead Rhetoric: How would you say you’ve changed as a musician and drummer from your initial times working with Nervosa into your playing and performances with Crypta? Dametto: I have gotten so much better. I hope in the future I will get so much better than I am now. When I first got into Nervosa, I used to just play in local bands in my local area. When I got into Nerv…

Demolizer – Delivering Capital Punishment

…with some skulls. We went with Andrej because he reminds me of old school comics. Dead Rhetoric: Where did you want to come across for the lyrical content on this record? Radtleff: Usually I’m just very pissed at someone. We have a couple of songs that are really political, but those are also just me being mad at the world because a lot of us are still idiots for shooting each other, and we talk about it. It’s very barbaric, and then I was pretty…

Girlschool – It Is What It Is

…your solos for the record? Chambers: Sometimes, yeah. A couple of songs I had ideas ahead of time for, this time. I often want to try to make certain solos a little more melodic, instead of twiddling. Sometimes I’ll just play, see what happens, and then string it together. It can work in different ways on different songs, really. Dead Rhetoric: Can you tell us about the guest spots with Joe Stump on “Are You Ready” and Biff Byford, Phil Campbell,…

Lockjaw – Making Massive Connections

…ius. We signed a deal with Sony/The Orchard to distribute our release, we had already put out some singles, but they really wanted us to put out an album, as it was going to solidify ourselves, get more press, maximize our catalog. I think it’s valuable for a developing artist to stay in constant forward motion in terms of promotion. I follow a guy on YouTube called Jesse Cannon. The more you can put out, the better. Content, content, content. So…

Tailgunner – Guns for Hire (Fireflash Records)

…tion Scream” or slightly faster in Riot/Enforcer-ish atmosphere with “Warhead”, the layers of hooks come at you fast, furious, with no surrender. Many will think of classic late 80’s Iron Maiden during some of the more advanced instrumental passages of “Crashdive”, where bassist Thomas Hewson forms a triad harmony prism with the twin axe attack. And when you need an epic closer to seal the deal for setting off on a journey to another world, look n…

Bloodbound – Powerhouse Tales

…Sweden. Rainer and his friend came from Germany to shoot those videos. He had made the script; he knew what he wanted. We shot those videos, and we did what he told us with his vision. We met him before and talked about some ideas, what we could do. I think it turned out really great. Everything, the music together with the visuals, create something. You need a whole package. The cover art, artwork for the album, and videos are really important. I…

Eleine – We Shall Remain (Atomic Fire Records)

…nice example of this, with grooving riffs that embed themselves in your head, accompanied by (not overpowered by) orchestral energy that helps to augment their epic approach. You can feel those riffs, and that in and of itself is quite a cause for praise for an act that can have the symphonic stamp applied to it. Despite having an excellent vocalist in Madeleine Liljestam, they don’t rely on her (or Rikard Ekberg’s menacing growls) to carry the m…

Vexed – Music is Nonbinary

…e way in.” I am really glad I did it, because it’s been really healing and helped me come to terms with a lot of things. I have had some really lovely messages from people who have heard the full album who said they have had similar experiences. It was nice to see that other people have gone through it, in a strange sort of way. I’m glad I did it, but making the jump was really scary. I had to put the blinkers on and just trust that everything wil…

Nita Strauss – The Call of the Void (Sumerian Records)

…re effort The Call of the Void, she brought in a slew of outside talent to help grab some added ears – a veritable who’s who of the modern rock/metal scene – and it certainly paid off. Admittedly, sometimes when a guitarist brings in a ton of different vocalists for a solo album, it can lead to it sounding disjointed. You lose the instrumentalist in bringing the vocal talent in. Rest assured, this is not what happens on The Call of the Void. Most…

A Dark Halo – Elements of Unreality

…of our listeners. More the exception than it is the rule, as it was in the 90’s. Dead Rhetoric: Because you are so spread out across the country, does this mean that live shows will be sporadic, taken on a case-by-case basis? Lowmiller: We’ve been working on figuring that out. We want to take the show live again. We used to play live frequently when we were based out in Phoenix. We prioritized getting the right talent over getting necessarily peo…

Evile – Venture into the Unknown

…as great. I might have mentioned getting some blue colors in there, as we hadn’t had that on our previous albums. Dead Rhetoric: Will that also apply maybe to different merchandise/image options for this album? Drake: We are working on that at the moment. I’m toying with the idea of having just the art of the album on the front and the logo of the band on the back. You don’t see many shirts like that. I think there will be a few different options,…

Before the Dawn – Back From the Dark

…ner circle of the band back in the day, asking if this was a crazy idea I had in my head, check out the song. Everyone agreed it sounded like Before the Dawn, and we should ask him to be the vocalist. That’s how accidental the whole comeback was. We wrote the song before we even knew it would be for Before the Dawn. Dead Rhetoric: And then how did the work go behind the scenes for the new album? Saukkonen: It started, we wanted to do the song “Dow…

Pyramaze – Object Permanence

…ce Tom the vocalist, he is just as awesome live as he is on the records. Dead Rhetoric: Did the pandemic help or hurt your side hustle work ethic when it comes to being a musician? How did you handle things from a mental health perspective to stay motivated when everyone was essentially stuck in home, lockdown mode for so long? Weingarten: 2020 was my most productive year as a session musician, because other bands had so much downtime, so they spe…

Jag Panzer – Beware of The Hallowed

…on? Briody: We’ve got some good bands here. Cephalic Carnage, Havok, new upcoming traditional metal band Chamber Mage. Colorado is different, we are not really near any of the traditional entertainment centers like NY, Los Angeles. We have a lot of inspiration here from the mountains, it’s very clean, you can go for a hike. I find it very inspiring, and musicians work very hard here. People like to play instruments here, and I play less than every…

ScreaMachine – Loyalty to the Roots of Metal

…boy… Back in the 90’s in Italy there was a huge movement. In the US metal had faded out and grunge was more popular. The really good bands were coming to Europe. I had been to Wacken, I got to see Motörhead with the Bomber set, and Saxon with the airplane. I remember a very good show of Metallica on the Gods of Metal Festival back in 1999, when King Diamond was dueting with James Hetfield on “Evil”. It was really impressive for me. I remember Sava…

Legion of the Damned – Strike of the Chalice

…u’d like to talk about? Verweij: Every song, actually (laughs). Well, “Beheading of the Godhead”, is the first track we got in the mix, we were blown away by it. It’s not a typical Legion of the Damned song. And “Progressive Destructor” is also one of our favorites. Dead Rhetoric: How did the process work for the cover art this time – and where do you see the importance of this medium in metal to portray the right impression for the listeners befo…

Heir to Madness – Journey Through Nightflyers

…way that I couldn’t understand at that age. I broke down sobbing with the sadness of it. It was sad and yet beautiful. To this day, I love sad music. The next was when I was a little older and a friend’s family invited me to go somewhere with them. The dad was an older ‘rocker’ dude and he put on some music in the car. I don’t remember was the band or song was, but I remember that I’d never heard anything like it before and again I was enthralled…

Saint Deamon – Rise of the Serpent

…: Yes, I believe that Oscar sometimes is the fifth member in the band. We had a lot of help from him. In an earlier period, around 2011 for a couple of years, he actually played drums in Saint Deamon. We didn’t have as many gigs back then, so he decided to quit and spend his time on his studio. It has done very well for him. He played a big part in the drum sound, and even the vocal sounds he was a big part of. He worked with Alfred, our drummer,…

Sirenia – Making Things Simple

…little bit – he sends me some versions, I bring in some additional ideas, add comments. We work our way to the final result. I think he’s really good at portraying or putting ideas into life. He really has a great understanding of what we like and what we are aiming for so that’s become very smooth to make a cover together. Dead Rhetoric: Is it a challenge to come up with good lyrical content without repeating yourselves this deep into your caree…

Fires in the Distance – Pensive Elegance

…creating music, and how do you harness that inspiration into creating the complex compositions that make up Fires in the Distance’s music? Rippe: It’s hard to put into words, but personal experience is the well from which our creativity is drawn. Dead Rhetoric: What defines success in the music industry is certainly unique to the individual and what they want to do with their creative works. What defines success to you, and where do you aspire to…

1 4 5 6 7 8 17