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Power Paladin – Riding the Quest for Steel
...gning with Atomic Fire, their surprising appeal in the black metal scene locally, and a bit of their affinity for video games. Dead Rhetoric: What are some of your earliest memories surrounding music growing up? How did you make the progression into heavy metal music – and when did you start to get the urge to pick up an instrument and perform in bands? Krilli Porsteinsson: When I was a toddler, I would stand by the CD player and listen to the sta...
Kaligula – Doctrination of Atisamdha (Brutal Mind)
...first things about death metal bands hailing from Indonesia (or eastern local*]}*es in general), the thought immediately goes into slamming or uber brutal death metal. There’s a ton of it in that vicinity, and some of the better acts in the style do originate in that area. But Kaligula is different in that they are more of a straight-up death metal entity. No bells or whistles, nor hyper-extremity, just a gut-punch of death metal. Kaligula frequently...
Jet Jaguar – Endless Nights (Pride & Joy Music)
...Jaguar formula. The twin opening salvo of “Jet Ranger” and “Mr. Lee” showcases both sides of the group – the opener a power burst filled with Maiden/Priest-like twists in terms of ear-piercing moments plus riffs and lead breaks that align with the best heavy metal money can buy, while the latter has more of that slinky down to earth mid-tempo anthem template, gang chorus support and a riff that befits classic The Scorpions against Hammerfall. Ther...
Entera – Hate Factory (Self-Released)
...ociated with Running Wild and Iron Angel) and been very sporadic with releases – often issuing shorter EP’s to lessen the gap between full offerings. You’ll get pretty quickly that this group prefer a shout-a-long style of vocals plus catchy riffing and bass lines that are upfront and equally important in sonic prominence – making this twelve-track outing fairly easy to process. There’s a familiarity to a lot of the bass/guitar parts that dance ag...
December 2018 Rapid Fires
...for 2018, this month finds us sorting through some relatively strong releases. In a perfect world, the DR staff would be able to devote space to each and every metal (or hard rock) release, but that’s just not feasible. What is, however, is us taking a stab at the following: Ashes Collide, Beaten to Death, Deadborn (pictured), Diplegia, Fearrage, Full House Brew Crew, Geist of Trinity, Johnny Gioeli, Hate Squad, InStorm, Mourn the Light, Scarlet...
Samael – Ruling the Industrial Metal Landscape
...were already almost old songs. It was easier to point out where the weaknesses were, and try to consolidate the songs. Xy also added some more orchestration with the keyboards, probably due to him having this project. Maybe that helped. We also had a line-up change – Mas left the band and we got Drop. He used to be the guitar player for Sybreed. So everything was kind of happening at the right moment for us. [Drop] knew us for a long time; he knew...
Persefone – Spiritual Evolution
...o grow and evolve with each release, Persefone weave progressive and technically-pleasing material into their atmospheric and emotive melodic death framework. In this regard, Aathma is the pinnacle of what the band has achieved to date – multi-layered depth, sweeping melodies, and at times mind-bending progressive rhythms pulling together to create an album that is both ear-pleasing and emotionally resonant. We were able to have a chat with the ba...
February 2016 Rapid Fires
...ll-speed ahead. A number of singles, live albums, and under the radar releases to satiate those looking for new material below. This month we investigate Axevyper, Barús, Collision, Doro, Iron Mask, Kaos Reign, Löbo, Onslaught, Revenience, Sanktuary (pictured above), Spheron, Temisto, Vargafrost, The Wakedead Gathering, and War Inside. Axevyper – Into the Serpent’s Den (Iron Shield Records) Brandishing axes of yesteryear on their logo, Italy’s Axe...
Beaten to Death – Unplugged (Mas-Kina Recordings)
...humorous song titles. “Home of Phobia” is great; so is “Don’t You Dare to Call Us Heavy Metal,” which may eventually emerge as sort of an ironic rallying cry for the band. Point being, the comedic, lighthearted element that propelled Beaten to Death’s last two albums is in full force here, perhaps moreso given how gnashing a song like “Don’t You Dare to Call Us Heavy Metal” is. Elsewhere, the mammoth lift-off supplied by gravity blast beats snaps...