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Illdisposed – There is Light (But It’s Not for Me) (Massacre Records)

…more prevalent than ever before. Their use is almost completely done in a background atmospheric sense, with occasionally taking front center. This is far from a negative, as the more pronounced usage of keys adds more dynamic to the songs and overall enhances what the band is trying to accomplish. The heavy use of keys is obvious straight away in the album opener “Your Own Best Companion.” But, as mentioned previous, it’s maintained in the backg…

Nachtblut – Antik (Napalm Records)

…“Kreuzigung.” The prevailing notion that comes from this pairing is that Nachtblut is making a concerted effort to not sound like their countrymen, but by doing so, might have pushed the uniqueness meter a little too far. With a limited appeal and low ceiling, Nachtblut might need to tinker with their formula if they want to many any headway in the cruel game that is European Goth metal. While it’s a safe assumption they’re not one of the dime-a-…

Equilibrium – Rekreatur (Nuclear Blast Records)

…nslates to “Fart wind” in German – great, very classy) would be their best bet. Of course, by doing this they’re instantly going to be attached to Korpiklaani, who have the “happy, dumb-ass” folk market cornered. It’s a lose-lose. With Sagas, it appeared Equilibrium were too late to the folk metal party; with Rekreatur, they’re akin to the unwelcome guest who has no clue how to fit in, thus resorting to childish jokes (i.e. fart jokes) to fit in….

Hatesphere – To the Nines (Napalm Records)

…s re-establishes Hatesphere as one of the preeminent European thrash metal acts. Central to Hatesphere’s sound has always been the riffing and band leader/guitarist Pepe Lyse has more than a handful riff-burners that instantly dig-in and go for broke. The opening riff salvo of “Cloaked In Shit” immediately comes to mind, where a punchy triplet interval kicks off the otherwise groove-laden number in brutal fashion. “To the Nines” is configured the…