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Nestor – Still Rebellious
...is from the age and you can hear it. So there’s the authenticity, definitely. Especially when we recorded this album. We used stuff from that era. We recorded it with analog live synths instead of doing it with the software. It’s not just because we wanted to, but it’s more of a feeling. I think back in the day, when you recorded or produced a song, it was really big thing. You rehearsed it for months and tried different things out. In the end, w...
Embryonic Autopsy – Origins of the Deformed (Massacre Records)
...t some whispering moments in the former track, James Murphy (ex-Death, ex-Obituary) adding a delightful, emotive neoclassical break to enhance the exotic atmosphere. The record ends on a bit of a reflective, somber note as “The Curse of Madame Pele” is a two-minute and change instrumental with electric guitar bends and movie soundtrack-ish clean lines – almost a reprieve next to the limb severing aural adventure that you get on the other nine song...
Teramaze – The Dance of Emotions
...ent. I have everything I need in my studio, so I get things done very quickly and present it to the band. For me personally, I write music because I love it. The band is in a good position I suppose. The pandemic locked us in our houses like mice. I couldn’t deal with that, my way of dealing with that is doing what I’m best at which is writing music. I just kept writing and went through the motions of releasing an album and had enough for another...
Amiensus – Paths to Reclamation
...albums that are technically the same album, since it’s a double? Surprisingly, they were like, yeah absolutely! So we got the ball rolling. So we had plans moving and got the project going. Dead Rhetoric: Reclamation was intended as one album then shifted into two parts. What ultimately made you decide to split the album up? Benson: Financials. It was two different things. We knew it would cost a shitload of money to press that much vinyl at once....
Nightmare – Blurring the Lines
...wn, and the first time I had to work with other people, actors. It was really logistically complicated to manage, but it was really cool. As you know, in art, you want to do something really big and perfect, and often it never comes out exactly the way that you want. We are happy about this video, it’s really original the idea, it’s strange a little bit. Dead Rhetoric: Discuss the process of re-recording “Eternal Winter (2023 version)” originally...
Ad Patres – Unbreathable (Non Serviam Records)
...ften align in more of a progressive, jazzy free flow platform, providing a bit of melodic smoothness before the next deadly pummeling takes place. Aspects of Decapitated, Hate, Krisiun come to mind the most, along with a sprinkling of technicality that may have some Gorod or Gorguts influence – the key always being that the main hooks and songwriting principles (as well as devious growls/screams from vocalist Axel Doussaud) remain firm in the deat...
Blynd – Unbeliever (Pitch Black Records)
...“Between Two Worlds” as key signature elements to their techniques. Probably a lot of the underground followers will find Blynd very new to them based on their long downtime between albums – but it shouldn’t stop you for owning Unbeliever. This is a quality European-oriented thrash/death outing that’s every bit as aggressive as it is razor sharp, seeking to appease those who love both genres while not seeking out commercial appeal in the slightes...
Red Handed Denial – Digital Dystopia
...me, since COVID. We were kind of nervous but also really excited. It was a bit of a bittersweet tour, because our guitarist Chris [Mifsud] couldn’t come along, but he was there in spirit. We had Gerard Vachon fill in for him. So it made it a little bittersweet, but Chris was definitely there in spirit and we had him in mind at every show. But the tour went really well. Unprocessed is one of the nicest bands we have ever toured with. The comradery...
Supermodel Taxidermy – At What Cost (Punishment 18 Records)
...ng of the old school variety. Those who love odes to the audience, especially the female contingency will dig “Lipstick”, while “Kevlar” has a bit of that South of Heaven-period Slayer ambiance next to D.R.I. The band also pay tribute to Suicidal Tendencies by taking on “Subliminal”, the early favorite off their self-titled album of 1983 – perfect for Shawn’s Mike Muir-like moans next to the crossover shifts that kept this group relevant in the de...