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Amiensus – Paths to Reclamation
...albums that are technically the same album, since it’s a double? Surprisingly, they were like, yeah absolutely! So we got the ball rolling. So we had plans moving and got the project going. Dead Rhetoric: Reclamation was intended as one album then shifted into two parts. What ultimately made you decide to split the album up? Benson: Financials. It was two different things. We knew it would cost a shitload of money to press that much vinyl at once....
Nightmare – Blurring the Lines
...wn, and the first time I had to work with other people, actors. It was really logistically complicated to manage, but it was really cool. As you know, in art, you want to do something really big and perfect, and often it never comes out exactly the way that you want. We are happy about this video, it’s really original the idea, it’s strange a little bit. Dead Rhetoric: Discuss the process of re-recording “Eternal Winter (2023 version)” originally...
Ad Patres – Unbreathable (Non Serviam Records)
...ften align in more of a progressive, jazzy free flow platform, providing a bit of melodic smoothness before the next deadly pummeling takes place. Aspects of Decapitated, Hate, Krisiun come to mind the most, along with a sprinkling of technicality that may have some Gorod or Gorguts influence – the key always being that the main hooks and songwriting principles (as well as devious growls/screams from vocalist Axel Doussaud) remain firm in the deat...
AfterTime – Arcane Horizons (Self-Released)
...doesn’t disappoint. There’s a grandiose feeling to the scoring of it, nicely balancing the feeling of a climax of a film while still giving it moments of shining and visceral heaviness alongside excellent build-ups of mood. It’s a thrilling track that serves as a nice centerpiece that brings forward all of the elements that they have built up over the album without becoming a bloated piece that overstays its welcome. Arcane Horizons is a powerful...
Blynd – Unbeliever (Pitch Black Records)
...“Between Two Worlds” as key signature elements to their techniques. Probably a lot of the underground followers will find Blynd very new to them based on their long downtime between albums – but it shouldn’t stop you for owning Unbeliever. This is a quality European-oriented thrash/death outing that’s every bit as aggressive as it is razor sharp, seeking to appease those who love both genres while not seeking out commercial appeal in the slightes...
Holy Mother – Rise (Massacre Records)
...ramatic, proper satisfaction moment you want to hear to conclude things. Holy Mother probably still has its strongest following in mainland Europe due to the previous coverage and mostly European-type record deals on the table. But do not let Rise slip through the cracks, as this is a great mix of heavy / power metal with US influences that could garner the group a much younger following. https://www.youtube.com/watch?v=YbRKayk6nLM https://www.you...
Red Handed Denial – Digital Dystopia
...me, since COVID. We were kind of nervous but also really excited. It was a bit of a bittersweet tour, because our guitarist Chris [Mifsud] couldn’t come along, but he was there in spirit. We had Gerard Vachon fill in for him. So it made it a little bittersweet, but Chris was definitely there in spirit and we had him in mind at every show. But the tour went really well. Unprocessed is one of the nicest bands we have ever toured with. The comradery...
Rhapsody of Fire – Challenge the Wind (AFM Records)
...er of those early days, but he hasn’t stopped in his quest to deliver epic film score quality metal once again through this newest studio record Challenge the Wind. The 14th effort if you combine both acts studio discography, the material here again displays a tremendous depth of majestic splendor, straddling the edges of virtuoso neoclassical passages next to call to arms vocal melodies/harmonies in a way that few bands have ever been able to ach...
Supermodel Taxidermy – At What Cost (Punishment 18 Records)
...ng of the old school variety. Those who love odes to the audience, especially the female contingency will dig “Lipstick”, while “Kevlar” has a bit of that South of Heaven-period Slayer ambiance next to D.R.I. The band also pay tribute to Suicidal Tendencies by taking on “Subliminal”, the early favorite off their self-titled album of 1983 – perfect for Shawn’s Mike Muir-like moans next to the crossover shifts that kept this group relevant in the de...