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Ad Patres – Unbreathable (Non Serviam Records)

0
...ften align in more of a progressive, jazzy free flow platform, providing a bit of melodic smoothness before the next deadly pummeling takes place. Aspects of Decapitated, Hate, Krisiun come to mind the most, along with a sprinkling of technicality that may have some Gorod or Gorguts influence – the key always being that the main hooks and songwriting principles (as well as devious growls/screams from vocalist Axel Doussaud) remain firm in the deat...

Blynd – Unbeliever (Pitch Black Records)

0
...“Between Two Worlds” as key signature elements to their techniques. Probably a lot of the underground followers will find Blynd very new to them based on their long downtime between albums – but it shouldn’t stop you for owning Unbeliever. This is a quality European-oriented thrash/death outing that’s every bit as aggressive as it is razor sharp, seeking to appease those who love both genres while not seeking out commercial appeal in the slightes...

Red Handed Denial – Digital Dystopia

0
...me, since COVID. We were kind of nervous but also really excited. It was a bit of a bittersweet tour, because our guitarist Chris [Mifsud] couldn’t come along, but he was there in spirit. We had Gerard Vachon fill in for him. So it made it a little bittersweet, but Chris was definitely there in spirit and we had him in mind at every show. But the tour went really well. Unprocessed is one of the nicest bands we have ever toured with. The comradery...

Supermodel Taxidermy – At What Cost (Punishment 18 Records)

0
...ng of the old school variety. Those who love odes to the audience, especially the female contingency will dig “Lipstick”, while “Kevlar” has a bit of that South of Heaven-period Slayer ambiance next to D.R.I. The band also pay tribute to Suicidal Tendencies by taking on “Subliminal”, the early favorite off their self-titled album of 1983 – perfect for Shawn’s Mike Muir-like moans next to the crossover shifts that kept this group relevant in the de...

Selected Singles – April/May 2024

0
...cement just yet, but “Butterfly” showcases that they are back and firing on all cylinders. That old school metal meets gothic meets new wave vibe that the band captured feels just as strong and fresh as it ever has, and it certainly helps that the song is just absurdly catchy. The chorus really personifies the music that Unto Others have been putting out since the beginning, and it bodes well for whatever else the group has coming down the pipelin...

Vicolo Inferno – Circles (Rockshots Records)

0
...the caliber of Layne Staley or Chris Cornell. Leaning more towards the commercial side of alternative, post-grunge hard rock/groove metal, Vicolo Inferno deliver a competent record for Circles – but won’t be something that really stands the test of time. Especially when you compare this effort to the greats during the 1990’s-2000’s in this style, it won’t measure up to the classics. https://www.youtube.com/watch?v=C02NcNt2cCc Vicolo Inferno on Fa...

Idol Throne – A Clarion’s Call (Stormspell Records)

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...g falsetto notes (“Covenant of the Immortal” a prime example) or you get a bit more of a marching/ battle call atmosphere to the musical movement which sweeps you away in the harmony-fueled title track. Those listeners who love mighty music that just makes you want to raise fists to the sky, tempered with that delicate infusion of tasteful, melodic elegance, rest assured there’s plenty of songs that fit those ideals to a tee. Tremendous rhythm sec...

Shrapnel – In Gravity (Candlelight Records)

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...d around monstrous riffs of the Machine Head/Gojira-like category can quickly mutate into addictive melodic thrash or power parts – assuring the listeners a multi-layered appeal as they take in these tracks consistently. UK metalcore kings Bleed From Within vocalist Scott Kennedy delivers a key assist on the title track – but the most surprising song takes place near the back third of the record in the six-minute plus “Absolution”. A mysterious ba...

Unleash the Archers – Giving Your All

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...to your music and put themselves in a position whatever is going on musically, lyrically, within the character or scenario that is going on within their lives. We try to do both, and it was especially difficult on this record because there is only one way to say the word computer, how do you tell the part where she is turning herself from code into the bot/ android without saying that? How do you veil that into this fantastical, escapist theme? It...