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Eternal Storm – A Rising Tide

0
...e time as well, but unfortunately, I’m a bit slow with it. Flys: I personally really enjoy practicing yoga and martial arts – I recently got into Brazilian Jiu-jitsu and I’m loving it – reading fantasy novels, playing video games (I’m mostly into Souls-like games and shooters) and simply spending time with my family and loved ones. Dead Rhetoric: What kind of music have you been enjoying as of late? Anything under the radar that you think folks sh...

Dymytry – Five Angry Men (AFM Records)

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...ith no letdown across its swift 40-minute playback. The record cover probably will spark a bit of conversation (or controversy) given the anti-hero holding weapons with animals poking out in the background – yet the musical contents showcase Dymytry as an impressive quintet for those that love commercial-oriented modern metal. Five Angry Men isn’t necessary breaking the mold – more so keeping in line with a sound that may have developed stateside...

Upon Stone – Dead Mother Moon (Century Media)

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...ows Fall’s Brian Fair lends his pipes to the expeditious “Paradise Failed” – a track that unironically draws a level of influence from the guest’s early works. Dead Mother Moon ends with “The Lantern”; the longest track on offer, and also the most diverse. From enormous riffs, transitioning to a pensive interlude, and a full-on flood of guitar-driven tremolo magic, this track tattoos itself into the ear canal. Taylor Young’s production work also n...

Nemophila – Evolve (Masterworks)

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...ompelling core. Something that the justly named Evolve capitalizes on greatly. Really and truly, diversity is the name of Nemophila’s music, and it’s on full display here. There are some absolutely frantic tracks and pull you in with visceral fury and aggression, some that tow a more mid-tempo and branch into their own subset of categories, and even some ballad-y material to gracefully expand their boundaries. To dive into the hard and heavy first...

Hiraes – Dormant (Napalm)

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...rds much of any poppier elements the genre began to embrace towards the early/mid-2000s. Really, it’s one of the strongest cuts this scribe has found in quite some time, and definitely deserved it’s showcase as a single. The album does some occasional shifts in tone after this, which aids in giving it a more dynamic feel. “Undercurrent” ushers in some melodic moments and melancholy to the mix (and even a few brief clean vocals), and later cut “Oce...

Dissimulator – A Lower Form of Resistance

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...ape your outlook on the genre? And what’s the best concert memory you have – purely attending a show as a member of the audience – plus what made this show so special/memorable to you? Leduc: Oh boy, that’s tough – because there’s way more than three to five! (laughs). With regards to Dissimulator – Meshuggah’s Destroy, Erase, Improve is a big one. I wanted to write a cyber punk album with Dissimulator – wait, it’s already been done by Meshuggah....

Domination Campaign – Launching the Storm of Steel

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...have any concerns about AI and its evolutionary use in the performing arts – especially for the music industry? Does there have to be a delicate balance between human creativity and technology to achieve the best results? Peppiatt: I absolutely fucking hate AI, especially within the arts. I feel that if we start handing over creative expression to computers then we are kind of fucked as a species. Art is something that has been such a massive part...

Not Secured, Loose Ends – Ouroarboros (codomomental inc)

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...that go all the way back to 2015 within the Japanese alt idol scene. In early 2021, yurushirezutsurezure disbanded but the group was resurrected in fall 2023 with only Mei Yui Mei remaining from the previous line-up along with three new members. This first resurrected outing in Ouroarboros is an interesting one, taking old songs and giving them not only English lyrics but entirely reworking them. The songs are still recognizable, but this far from...

Alluvial – Death is But a Door (Nuclear Blast)

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...arkly dreamy feeling), which really closes the EP in the best possible way – a little bit of a breather so that you can jump right back into the fray once more. Alluvial continue to prove they should be considered among death metal’s upper echelon. Death is But a Door is short but oh so sweet in delivering plenty of bludgeoning riffs, visceral blasts, and a potent dose of atmospheric bliss. You really can’t go wrong with what they are putting out...