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Serpent Corpse – Blood Sabbath (Temple of Mystery Records)
...as you’ll succumb to a sound and style familiar to those who loved the early to mid-90’s development of this scene – especially of the UK/Swedish variety, with some North American attitude / groove thrown in for good measure. The low-tuned guitar work and pounding rhythm section foundation allows the distant growls to possess more earth-shattering force – all working in unison for that pummeling, penetrating atmosphere that brings to mind aspects...
A Dark Halo – Elements of Unreality
...sts can give us tools to monitor and promote that, social media has obviously been really huge. Talking to journalists like yourself to get the word out – it’s a big deal for us. Dead Rhetoric: What do you think of the modern music industry model now? What do you enjoy about it, and are there changes you would make (if any) regarding how things are going today compared to the older business model of the 80’s and 90’s? Lowmiller: I think it’s weird...
Benthic Realm – Open the Vessel
...forward. We were writing some good stuff after that – it came together fairly quickly. I’d write some riffs, bring them down, we would turn it into a song. It all gelled quickly. Dead Rhetoric: This was the first time you had worked at Sonic Titan Studios with Anthony of Graviton – he has a lot of seasoning as a musician, how did things work out with him? Dan Blomquist: He’s great. We’ve all had different walks through life and through music. Each...
Oxblood Forge – Cult of Oblivion (Self-Released)
...ed Room in Attleboro, MA with James Gazerro) presents Oxblood Forge with a bit livelier, in the raw overtone – capturing more of what you would expect when taking in a live performance. Cult of Oblivion should keep the interest abuzz for Oxblood Forge not only in New England, but all points beyond. Those who love 70’s/80’s influenced heavy metal with nods to doom, stoner, even classic rock or thrash nuances, get ready for some solid, crushing mate...
Before the Dawn – Stormbringers (Napalm Records)
...department – but losing some of my favorite bands in the process? That was bittersweet, especially when it comes to Before the Dawn. One of the most unique interpretations of the melodic death metal genre, seemingly gone forever – seemingly being the key word. As stated in our very own interview with Tuomas, a series of events led to the ultimate reformation of Before the Dawn, the most out of the ordinary of which being now singer Paavo Laapotti...
Vexed – Negative Energy (Napalm)
...arating. But most importantly, it’s barbs hit in tune with today’s society lyrically, in a scathing attack that is as poetic as it is piercing. It’s hard to separate the downright venomous lyrics from their equally savage musicianship. Vocalist Megan Targett spews eloquently caustic lyrics from start to finish, with songs like the punishingly brutal “Extremist,” groovy and hypnotic “Nepotism,” and hooky yet visceral “X My <3 (Hope to Die)” all del...
Pyramaze – Object Permanence
...their lyrics about? And then he was like, ‘write a Pyramaze song’, and the lyrics were actually good. He told the program to make the lyrics darker, and it did that. It’s just terrifying, I couldn’t even believe it. Dead Rhetoric: Recently you played the Copenhagen Nordic Noise Festival – how do you think the performance went, and what was it like getting out there to play a show after some years on the sidelines due to the pandemic? Do you think...
Wonders – Beyond the Mirage (Limb Music)
...dies, songs such as “One Million Miles” and “Coming Home” breathe comfortably in that spirit which pushed early Sonata Arctica, Edguy or Return to Heaven Denied-period Labyrinth into the hearts of ardent metalheads. Pietro’s thoughtful guitar layers navigate with varied, colorful textures – intriguing in a more AOR meets progressive prism on “Breaking the Chains”, while showcasing emotive restraint in clean to heavy momentum building for the tende...
Avarice – Lurking in the Trenches
...he visual medium in promoting the brand of the band? Rasmussen: It was really fun to film a video first and foremost. It’s very important to have some visual material, so that people can see you and you promote yourself. It’s getting more and more important, if you look back to the MTV days it was very important. We did that video in a castle basement, and we wanted the coloring to be similar to our album cover. Having it in the concept like the c...