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Hyperia – Beware of Silhouettes
...e an outside the box track and make it metal rather than going with a tried-and-true staple… Scott DeGruyter: Basically, we decided as a team to do ABBA. It’s a fun song that we anticipate would be crazy live for people to scream their lungs out to. Everyone knows that song, plus we added the speedy section to make it even more metal than you can even imagine (laughs). Colin: It was probably alcohol influenced. It’s funny, ABBA when you break down...
Serious Black – Vengeance Is Personal
...verything proper. You find out during the holidays, you need money for self-employment, I did everything out of love. I was working to the limit. This was really strange, and I broke down after she left. You know the movie, Forrest Gump? He was running and running, and I did it in another way, writing and writing. I did a lot of lyrics, it was a kind of medicine to write lyrics, write songs about this. When you are listening to the song “Out of th...
Memory Garden – Distrust of the Messenger
...lot of heart and soul into their work. They put out Forever the first mini-CD and Tides the first full-length album. Albums number two and three were on Metal Blade. I’m really happy they gave us a chance there, we were such a small band on their big label. We are not a touring band, we’ve never been, we don’t draw a lot of money into a label. I’m very grateful they took us on there and put our albums out, I understand we are too small for them....
Manimal – All About Honesty
...to the wait times with the manufacturing plants. Do you believe this built-up anticipation with the fans for your release – and do you still enjoy the process of making videos and gaining feedback for your work? Nyman: It was very unfortunate that the release had to be pushed back one time. And then we had to push back the vinyl release once more. Obviously, I think we gained on releasing all those singles as we did. The main idea was to release...
Victory – Cutting Right to the Bone
...ing, we were in the COVID-19 scenario, so we worked together with Zoom and Skype. He had some fantastic songs already, and he just showed me and told me to follow some of the vocal lines, but also write lyrics and if I had some ideas for different songs to do the vocal lines on my own. It was 50/50 for him having great ideas for the vocals and me having great ideas for the vocals. The lyrics, I did most of the lyrics. It was hard work, it’s not ea...
NorthTale – An Eternal Warning
...atmosphere and keeping the interest of your listeners through an eleven-and-a-half-minute track? Hudson: Oh yes. “Nature’s Revenge” is the first long song I’ve ever written. I have always had the vision for one. Long songs can get really boring really fast. Especially if there is a lot of orchestration, they can be hard to listen to. I never had anything to talk about, so that’s why I never wrote a long song. This is about the pandemic. When the p...
Beast In Black – A Cyberpunk Connection
...tone was important. In 2018 I already knew this album was going to be a sci-fi/cyber punk-oriented, and it needed the cover art that shows visually that it can relate to the topics of the lyrics. There’s the beast that is in front of the woman, it represents the connection between a living creature and an artificial creature. It’s there in the artwork as well as the lyrics, so they support each other. He did a good job with that. Dead Rhetoric: Yo...
Bonded – March into Blackness
...re. At the moment it’s a big problem, (the fans) are not willing to buy pre-sale tickets for festivals because of COVID-19. After all, the thrash scene, especially in our whole area of Dortmund, the best thrash metal bands came from this area like Sodom, Kreator, there is a big scene. We have the full support from the people. Playing shows or planning festivals is complicated, people are afraid. We thought with the first festivals when they start,...
U.D.O. – The Tank Rolls On
...s a new generation with more modern ideas. It’s important for me to be open-minded, and I am definitely open-minded. Dead Rhetoric: How do you feel about the work of AFM Records as your label that you’ve been with 2004 with Thunderball? What makes them the perfect partner to work with after all these years? Dirkschneider: It’s more like a family to me. You can talk to each other, what we have to do, where we have to put more power on. Everybody kn...