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…ropean branches that put this style on the map for the early 90s. Astute abilities in shifting speeds or modes from thrash to blasting death beyond the left field fills or supreme bass line runs ensures no boredom in this album song to song. Check out the scatter shot, progressive tremolo / tempo madness that sends your body into convulsive mode for “Correlated Embolism”, Mike injecting savage, rhythmic growls plus the occasional sadistic scream t…
…an amazing guitar player in his own right. He played, and then I hate tracking drums. I let him take care of that with one of his guys out there in Italy do that. For bass, my bass player in Santa Cruz for Durbin for live sessions Mike Roberts, he wrote the bass lines and he performed those. I had a bunch of guest guitar players again provide solos – which I think is a fun thing. Last year I appeared on Magnus Karlsson’s Free Fall album, on a son…
…f acts like Labyrinth and Rhapsody Of Fire alone. The next generation is taking ahold, shaping things with a mix of the old staple aspects while injecting some modern touches to the formula. Elettra Storm bursts upon the scene through this debut album Powerlords – the quintet featuring SinHeresy keyboardist Davide Sportiello (also doubling on bass) as well as female model Crystal Emiliani in the lineup. Expect nine tracks that float through a mix…
…it’s hard not to state that those who listen to and enjoy Amaranthe are looking for something that’s fun to listen to. That’s what The Catalyst delivers, and on a scale that seems a bit more mature than some previous works. There’s no track that pushes the boundaries in ways that some might call ‘cringe’ even if this scribe enjoyed them (see Manifest‘s “Boom!1” or Maximalism‘s “That Song”), so instead we just get a solid, bloodpumping succession o…
…guitarist/vocalist Dave Gregor to learn more behind the latest effort, working with Chris Wisco, the special way they acquired artwork for this album, plenty of special memories surrounding Nuclear Assault, Autopsy, Immolation, Bolt Thrower, and Memoriam, as well as a great Ozzy concert story and future touring plans. Dead Rhetoric: Creation Undone is the latest Morta Skuld album – and the first in four years for the band. How did the songwriting…
…mesmerize as solid earworms, Vince Votta’s additional propulsive drums kicking things up a notch for the latter. Government warnings in narrative form is the starting point for “Vilified”, a semi-ballad that is an early highlight featuring creative circular guitar parts, momentum building drum work, as well as a killer dazzling lead break finish. Next to the metal and groove hard rock components, there is one ear sitting into the contemporary app…
…n occur in one track – keeping your brain on edge without sensing the transitions push the landscape of credibility. The alternative clean melodies next to some sick metalcore / death screams from Alex allow the musical components to churn in wild directions – conjuring everything from Slipknot to Orbit Culture, Carnifex to Whitechapel, as well as some melodic death metal nuances through the tasty guitar riffs of Oscar and Ashton. The use of synth…
…e more melodic ones. Yeah, the usual diversity is key line but it doesn’t diminish the point. That galloping melodic death/thrash energy that Scandinavian is/was famous for, is something that Darkest Hour always used to their benefit. “Societal Bile” and “Love is Fear” are absolutely frenetic scorchers that hit the adrenaline hard and leave nothing but fury in their wake – though never at the expense of blurring the track. It’s a calculated level…
…sequel song to “Sorrow of War” from the previous album with “Sorrow of War II” on 24/7 Hate? Albert: It’s cool that you are asking about this. It wasn’t planned, when we wrote the first demo for “Sorrow of War II” it has a bit of an influence from the first part. It was the oldest song that we recorded back in the day. I thought to myself, I really would like to write a song with lyrics that are similar to the first part, because it has an interes…
…n atmosphere for back half highlight “Beyond the Night” (kudos to Mike sneaking in a subtle yet very effective bass solo). Clichés abound when it comes to the lyrical content – its meant to be over the top, praising the conventions of metal, taking fantasy into a powerful new reality where you can overcome any challenge that seems insurmountable. Colorful cover art, ideal songwriting, exhilarating performances top to bottom – Durbin once again ill…
…moments and the chunky, atmospheric guitarwork is nothing short of breathtaking as the chorus elevates things into beautiful territory with Erni’s vocals laid on top. “Into the Darkness” is a soaring and inspired bit of power metal fantasy with a scorching modern edge. The chorus here is pretty, but still wants to make you raise a fist in the air and sing along with it. “Cloudreader” carries a more playful tone as it slowly builds itself up with s…
…rium Romanum about Ancient Rome topics – while this follow-up Land of the Rising Sun Part 1 starts an expanded journey into Japanese culture. The sextet contains players who have worked in acts like Ensiferum, Dreamtale, Kiuas and Everfrost, gaining latest vocalist Aitor Arrastia of Spain last year. The template of laying out eight songs from compact to epic arrangements allows this forty-five-minute record to unfold in adequate mannerisms – where…
…live. Dead Rhetoric: It’s interesting, because just the other day I was talking to a different band, and they were going in the opposite direction. They were saying that with the way people consume things now, it’s better for them to release a song or two and keep the momentum going rather than put out an album. For me, I’d rather hear the full thing, which is what you guys are shooting more towards. Schleibaum: People have been telling me, as an…
…lines without missing a gap in the transitional passages. There’s no mistaking the style on hand when you look purely at “Liver Ripper” or closer “Satan In the Hall” as album titles – the former containing some more creepy, clean vocals during the verses to amp up the eerie proceedings. Attention to the smaller details remains key to connection for this record – as speedy as it can be in certain parts, the band always balance things out with mid-…
…s I am a fan of the Mark I edition of the group, the prospect of this Mark II lineup is beyond exciting! And that really jumped out at me with “Will I See You Again”! Not surprisingly, this was my favorite. This is one I keep going back to. Elsewhere there is greatness afoot with “Show Me Your Light”, the high octane “Save All That Remains”, and opener “Against the Winds.” The bottom line is this: Revolution Saints are here to stay, and let’s hope…
…nt modern metal scene. But it’s not something that happened over night. Working independently over the course of three album, and now with three albums for Napalm Records under their belt, they continue to showcase that hard work is one of the pillars of their gradual rise through the scene. Time, their newest album, is a reflection of that feeling – capturing the strongest parts of their sound and pulling in new ones to enhance themselves. We spo…
…e years through the underground for their 1990 album Spectrum of Death – taking elements of thrash into a deadlier direction a la other bands of that time period like Dark Angel or Demolition Hammer. Resurrecting themselves in 2010, three-fifths of that original core lineup still exists in this latest incarnation (the rhythm section now includes bassist Bob Zabel and drummer DJ Bagemehl). Third studio album Swallowed by Hell came together under re…
…were just going for it, it was all about the band. We were living and thinking about gig to gig. Suddenly, reality happened as we lost the first bass player Bene. M. back in 2020, and we did a European tour in 2020 with another bass player. Right after that tour, the pandemic hit. Suddenly these young kids going from just caring about the band, and being on the road, we were now stuck at home with a break. That was a game changer for us. I wouldn…
…ctrum, yet that’s what you’ll hear from Petrification. Five years in the making, this second album Sever Sacred Light embraces the cold, dank mist and fog that can appear from this northwestern city – matching that environment to integrate dark riffs of death, doom, and punk origin, the tones and primal production values mirror the eight savage songs on display. The foreboding nature to the material conveys a deep heaviness that appeared in a lot…
…. Layers of stunted, rhythm-led guitars allow the double bass barrage for “King Terror” to be a perfect closer, Tom’s sadistic melodies adding that fierce edge to an already stellar arrangement. Many listeners will prefer the more conventional tones on display – beneficial in the bass/drum department for certain to lodge these songs deeper into brains on a fairly swift clip. Clean segments give chase to a larger cavalcade of progressive riffs to m…
…Swedish four-piece F.K.Ü. originally hit the streets in the late 80’s – taking a ten-year break before reforming in 1997 to chug along at a steady pace. The Horror and the Metal is the group’s sixth studio album, a quick hitting ten-track affair that keeps the horror/humor angles on point next to the fierce thrash presentation. Expect salvos of mosh-worthy rhythms, shifting tempos of a fast paced to slightly moderate groove pacing, plus plenty of…
…torm’s story thus far is one of perseverance, being true to oneself, and making music that blends many elements that come together to form something wholly distinct. A Giant Bound to Fall is the resultant, representing a triumphant work that is not only the band’s best yet, but a benchmark for engaging, emotive, and visceral heavy music. We recently had the opportunity to have a chat with Daniel Maganto, Jaime Torres, and Danny R. Flys, to speak a…
…sation (or controversy) given the anti-hero holding weapons with animals poking out in the background – yet the musical contents showcase Dymytry as an impressive quintet for those that love commercial-oriented modern metal. Five Angry Men isn’t necessary breaking the mold – more so keeping in line with a sound that may have developed stateside but is gaining traction into a worldwide buzz. https://www.youtube.com/watch?v=ufCnj0alDf8 https://www.y…
…reason that you can expect a solid understanding of the direction these musicians wish to take. The record starts off on an energetic note with the one/two positions for “Story of a Lie” and “For the Fallen”. The former features crunchy, heads down rhythms with a bit of a menacing angle, the quick twin harmony lines an added hook touch next to some thrash-oriented rhythm section mechanics – while the latter leans into Iron Maiden meets Blind Guard…
…start gravitating to harder and heavier forms of music – and eventually picking up an instrument to perform in bands? Fredrik Johansson: I have been spoon-fed because of my dad’s old Deep Purple and Rainbow records, Dio I listened to a lot. I remember my first favorite bands when I was five or six years old were Yngwie Malmsteen’s band Rising Force and Electric Boys as well. My dad had some heavier stuff, no death metal, but some Metallica, Anthra…
…songwriting into tight windows of explosive madness. In the end, it’s a wonderful sound that hopefully means the next effort will be a couple of years down the road instead of making us wait ten. https://www.youtube.com/watch?v=Ni-1QOLniKU https://www.youtube.com/watch?v=4Jx_5i3lG7s Night Fever on Facebook…
Often referenced in childhood days as the opportunity to showcase a specific talent or object of prominence to your fellow classmates, this Show N Tell comes from a true heavy metal background straight out of Phoenix, Arizona. From 2019 guitarist/vocalist Dave Rodriquez started the group, assembling members to record a debut three song demo, receiving acclaim across the global underground. Five years later, the four-piece issues The Ritual Has Be…
…se within the metal scene. With their groovy, alternative/nu metal sound taking inspiration from across the genre spectrum it’s not hard to see why they’ve become such a buzzworthy act since getting the worldwide spotlight thrust upon them after 2019’s Endorphin. 2022’s Ecdysis continued their outward expansion of sound, and if Time has anything to say for itself, Infected Rain don’t intend to slow down their search to explore more creative musica…
…uts, “Worth Believing” showcases all of Kaleido’s best aspects. Namely speaking, Christina Chriss’ soaring vocals, grooving riffs and earworming guitar melodies, and a catchy rhythm section all swirled together into a monstrous hard rock mix. There’s even a dose of heavier material with a punchy breakdown and some screamed vocals, for those seeking some of the band’s more aggressive side. We’ve covered Kaleido a bit over the years and they are one…
…eed riffs, as well as injecting melodic runs/refrains in the best spots position Michael Stützer and Kraen Meier in the must-hear category for thrash axe players – their work within songs like “The Challenge” or epic, latter-half mainstay “Khomaniac” stands the test of time. The duality cheerleader frontman next to an ear-shattering, multi-octave delivery allows the audience to easily accept Michael’s elite vocals, especially in the higher, upper…