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…018, quickly followed by an EP Embraced by Darkness Mysts… and a debut full-length in Godslastering: Hymns of a Forlorn Peasantry. The latter solidified Hulder’s place in the black metal lexicon, reminding of early Darkthrone and Emperor, but without being a carbon copy. That’s what has endeared yours truly to Hulder most – a rare ability to take a classic, often mimicked sound, and create their own viewpoint within that somewhat narrow purview. T…
…meet my friends and play guitar, not spend my time on a mobile phone doing Instagram posts that are gone in a second. Dead Rhetoric: If you had the opportunity to teach a high school or college-level course about any subject matter outside of your expertise in music, what sort of subject would you teach and why do you think this area is important for people to learn about? Lenny B.: I would say social science and politics. Not in terms of parties…
…rd. It’s not that they are our friends, but they have really created an out-of-this-world record indeed. I’m also quite fond of Dutch musician Jurre Timmer’s acoustic folk solo project Thurnin. His first record Menhir grabbed my attention back when it was released in 2021, and his follow up Utiseta from last year is equally brilliant. Really soothing, evocative folk. And just to round up some of the things I’ve been listening to lately: Hexvessel,…
…etween softer passages to gritty measures with “In Death With Trust”, a mid-album highlight. Stunted guitar-work syncopated next to bright keyboard lines shifts next to distant melodies / clean accents for dynamic difference to the good on “1939” – the main drum parts very militant in a mid-tempo control that could easily command audience clapping throughout. The diversity from heads down heavy tracks to the occasional, thoughtful power ballad or…
…t float you off into space – swirling, but tempered by a few moments of ear-grabbing heaviness. Speaking of heavy, “Pandemonium” pulls in some almost synthwave-y electonics that color the song in neon, while the instrumentation gives it a visceral spark that is sure to move some bodies and heads, while “Unpredictable” sprawls between driving riffs, effective melodic hooks, and some endearing clean vocals into well, a few intriguing directions that…
…frantic riffing, and of course, four vocalists at the front of it all. “Wan-der” is their latest single, and it captures that same frenetic energy that the urgent chiptune-esque synths would have you believe. Drum battery, crunchy riffs, and a swirl of pleasing voices all fight for the landscape, and it all equates to a fantastic song that soars high. While other alt idols have this particular sound as well, there’s something special about how it…
…erse. From enormous riffs, transitioning to a pensive interlude, and a full-on flood of guitar-driven tremolo magic, this track tattoos itself into the ear canal. Taylor Young’s production work also needs another mention, as this sort of raw and gritty sound profile is exactly what Dead Mother Moon needed, as opposed to a slicker and cleaner feel. Young acts displaying such an affinity for this style of music is refreshing. Dead Mother Moon is an…
…c” stands the test of time. The duality cheerleader frontman next to an ear-shattering, multi-octave delivery allows the audience to easily accept Michael’s elite vocals, especially in the higher, upper note activities that take place in a potent anthem like “Bomb Food”, the militant, mechanical-oriented transition going down a storm with the festival audience. The setlist contains plenty of rebel rousing moments, encouraging crowd chants, stomps,…
…out some cool riffs and we will start working on a new album this year. So I hope for good shows and having a great time together. https://www.youtube.com/watch?v=NH8DWtig-Cw&pp=ygUGaGlyYWVz https://www.youtube.com/watch?v=PnFwBzDtpoc&pp=ygUGaGlyYWVz Hiraes on Facebook Hiraes on Instagram…
…here. The first time we really got to do something again, after 2019 was in 2022 when the first festivals started up again. There was a lot of trouble with touring, because every band was coming over here [to Germany]. Ticket sales were catastrophic. So we decided not to tour last year. 2023 was more of the same. We did a few festivals and really started to work on the new album. We actually played the festivals with our old setlist and one or two…
…the crowd. It’s a thrilling, melodeath anthem that’s as heavy as it is full-on hook-laden. The level of playfulness is through the roof, and all without having to lean towards much of any poppier elements the genre began to embrace towards the early/mid-2000s. Really, it’s one of the strongest cuts this scribe has found in quite some time, and definitely deserved it’s showcase as a single. The album does some occasional shifts in tone after this,…
…mainframe thrash or death styles. The mini-drum solo break next to the four-on-the-floor foundational locomotive riffs for “Unnecessary Consuming” revels in its classic Motörhead-ish glory, while the alluring gallop next to some alternative chugging, low-tuned picking puts “A Waste of Human Being” into another potent highlight, Felipe’s fervent bark mirroring the jackhammer atmosphere to the max almost like Prong careening headfirst into Sepultura…
…was done with my studies, a psychologist, I was going to turn into a grown-up, have a full-time job, and if I’m going to have any flexible time it’s now while I’m writing my master’s thesis. I just knew I wanted to do something that was more akin to the international bands than what I was used to here. There are some progressive bands but most of us listen to stuff like Opeth, Tool, and I wanted that kind of dynamic where it’s still dark and heav…
…ely reminds of Gravesend, whose latest Gowanus Death Stomp has a similar to-the-point feel, though Resin Tomb isn’t as grind-oriented. Vermin Womb is another apt comparison overall, along with the likes of black/death merchants Ruin Lust. The massacre commences with the tightly wound “Dysphoria” and its meticulous riffs, black metal inspired lead work, and the percussive explosion that is Perry Vedelago. His drum work is the spine of Ruin Lust’s i…
…yriad of directions: not limited to the usual rock and metal, but some post-hardcore and pop-punk stylings can be found across the 5-track debut EP, appropriately titled Prologue: Burn it Down. Be that as it may, Nextanative should find plenty of support from the alt idol sources with the strength of this offering, and those seeking a heavy yet catchy time. With four ‘true’ songs and a brief instrumental introduction (“Prologue”), Nextanative show…
…rations and influences in that regard? Leduc: I’ve always been a fan of sci-fi. I’m wearing a Ghost in a Shell t-shirt right now (laughs). I’m still studying at the university, social sciences, so I’ve always been into both our thinking through and theorizing our collective knowledge when it comes to technology. That was always something I think about in an academic capacity, and now I brought music into it. With this new project I’m working on, w…
…. The plodding grooves of “Outer Worlds” and the chorus is a definite ‘sing-a-long,’ though admittedly “In My Dreams” takes the award for the strongest ‘sing-a-long’ with it’s ballad-y approach and potent use of Erica Ohlsson’s charismatic vocals. Those interested in the high-energy driving tempo showcases the band is known for should be quite happy as well. “Cyberdome” is an all-out romp of energy and fun, from it’s big synth section to the stomp…
…on to discuss the major differences between the two albums to date, his war-themed lyrical content, his development as a musician through the work of Psycroptic and this outfit, his views on the current state of death metal, a pivotal moment in his musical development, plus future plans including some other black metal-oriented work to look forward to. Dead Rhetoric: The second Domination Campaign album is A Storm of Steel. Tell us about the recor…
…adbangable chorus that’s sure to get your feet moving too. The playful “Lie-and-Black-and-White” builds itself up with some colorful riffing to match the vocal trade-offs and occasional screams that lead into a later explosive outburst and eventual breakdown. Then there’s “Odd Eye” that builds hooks with some snarled screaming and ear-catching but heavy riffing until it veers into more trippy, electronically-laced material with an almost post-meta…
…s complimentary breezy vocal harmonies hard to resist. When you need a show-stopping closer full of Clarkin’s tasteful axe skills next to a steady, mid-tempo backbeat and thoughtful vocal melodies/harmonies, look no further than the 6:24 “Borderline”, the mood shifts shimmering all the way into the tranquil, Rick Benton-fueled keyboard finale. British illustrator Rodney Matthews delivers another vibrant cover, much like he has over the years for t…
…d about the band is that you have all of this stuff that you compact into 3-4 minutes, rather than stretching it out over 8-9 minutes. It’s always nice for me, at this point in my life, that you can take those big, epic sounds and condense them into something more digestible and easy to listen to by fusing that pop side too. Premberg: That’s the cinematic, epic feel of it. It’s hard to write music in 3-4 minutes because you have so many things you…
…ou, Crust – and our subject here, Bull of Apis Bull of Bronze. The Colorado-based trio first arrived with Offerings of Flesh and Gold in 2019, serving as an eye-opening introduction to a band willing to not only push boundaries, but obliterate them entirely. Their singular morph of avant-garde black metal and ambient music was a breath of fresh air to those who found it, and admittedly, this scribe only caught wind of them a few years after said d…
…r flashy melodic death metal riffage and a soaring chorus that urges a sing-a-long. The songs with Matthew Heafy in the mix offer more of a change-up as well, particularly standout “The Rainbow Song,” which jettisons harsh vocals entirely, shifting more into a glorious, jovial power metal track that oozes positivity while still staying true to the core of the Ryujin sound. Some other highlights include the cover of the Attack on Titan opening song…
…ms” being co-written by La Torraca, and it stands out for it’s power ballad-esque energy and poignant feelings. While “Run” heads in more of a fun, folk-y direction, “Hold Back Your Fear” seems to take all of the positives associated with symphonic metal and crank them up to 11 – especially the extremely potent chorus. The covers themselves offer just as much entertainment. The aforementioned “It’s a Sin” probably stands the tallest to this writer…
Debuting in 2017 with an album of pop-turned-metal covers in Rhapsodies in Black, and composed of all-star vocalists from the symphonic and modern metal scenes, Exit Eden hit the ground running. But when you have 4 very busy vocalists in their own right, it might take a bit of time for a second round to come through. But low and behold, here we sit eight years later with Femmes Fatales, their second full-length. Now composed of three members, and…
…a new flavor via Vast Reaches Unclaimed – a rifftastic work that stands toe-to-toe with giants. 1. Night in Gales – The Black Stream This statement has been made by yours truly multiple times over the years, and it still rings true: the most underrated band in this long and storied history of melodic death metal is Night in Gales. A band who has not only been an innovator since their 1995 debut EP Sylphlike, but have had the best career renaissanc…
…case some massive growls and screams as the band stomps through mostly high-tempo riff-fest that still manages to keep enough hooks in to grab your ear, particularly when they slow it down to a crawling breakdown at the end. The title track closes the album, and switches gears yet again to show how striking the band can sound when they move further into the atmospheric and melodic side. Muller uses some clean-ish vocals when necessary, the the ins…
…I remember Tim discussing in a previous interview your abilities as a multi-media specialist for the band. Has it been a long-running interest, do you have any special degrees or training in the field? Also, what are your thoughts on the tools of AI that could help or hinder what is done in this field? Cleary: Not unlike me being a singer, it’s sort of a necessity. I decided to try it, I have always been interested in music videos. When I was a ki…
…ne is that At the Plates is far more than a gag offering. Do you enjoy well-written, all-around solid death metal? Because Omnivore is stuffed to the gills with it. Catchy, worm it’s way into your ears type of stuff. Opener “With Their Cutlets” kicks off things with plenty of blasting energy and a barrage of frantic riffing to the point where your ‘gimmick mindset’ is going to drop off immediately. The riffs hit hard, whether they are more speedy…
…two? Do you diversify your listening habits between metal releases and non-metal fare? Laderoute: I listen to bands like Tristania and Unleash the Archers, but the majority of my listening is non-Metal. I love horror punk like Calabrese and pop like The Orion Experience. Bell: I’ve been listening to the Behind the Bastards podcast a lot. I found out about it a few weeks ago and I’ve been HOOKED. Also, I checked out By Fire And Sword the other day…
