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…the last quarter of 2019 on Rockshots Records. Although satisfying on a critical (and personal) level, the band obviously could not support the record as they had hoped through the COVID-19 crisis. All is not lost, as the quintet dug deep into their well of creativity and passion to unleash this latest effort Laudanum (definition: an alcoholic solution containing morphine, prepared from opium and formerly used as a narcotic painkiller). Incorpora…
…its with her as the synths delightfully swirl around them. There’s no mistaking the impressively high amount of energy in this track, it will make you move (which can be confirmed to all but ooze out in the live setting). “Myth” serves as the most melodic of the four cuts, with a driving chorus and effective melodic break later in the track with the four vocalists injecting an almost soothing feeling into the track. Though it rarely slows it’s tem…
…hat we said to him we are influenced by. At the same time, we are still working with what we want to add in, those blackened elements, and some symphonic elements. We really wanted his leads on there. Where it falls into the lineup. We’ve continued to add elements that we like and are influenced from before that we probably didn’t add (in), but still being influenced by things that come out now that we all individually like and all together vibe o…
…nta, Georgia. We write concept albums; we’ve got another one that we’re working on that’s got more connections to this first one, but that’s a whole other problem. I’m the guitarist and vocalist and also the founder, but we all do a little bit of everything. Matthew Boatwright (keyboards/vocals): I’m Boaty, or at least that’s what everyone calls me. I’m the keyboard player and the vocalist in the band. I am the second member now based on our curre…
…ts of At the Gates, Nightrage, and early In Flames crop up the most when taking in this material. Most of the arrangements are of the epic variety giving Daniel plenty of space to develop his circular harmonies, driving main riffs, as well as a multitude of melodic/shred lead breaks while his vicious, raspy main singing duties mirror the best of early Anders Fridén. When choosing to be a bit softer in atmosphere, you get tranquil contrasts in the…
…to fill out the lineup, the results coming to life in this debut album Impii Hora. Long-time producer Jacob Hansen was the missing piece on bass beyond providing his veteran behind the board skills, while The Arcane Order guitarist Flemming C. Lund laid down the lead parts. The combination of players paying homage to late 80’s to mid-90’s style death metal has a slightly different spirit than most OSDM acts coming out of the woodwork these days….
…ika shouting/screaming in this diverse, raspy delivery that is equally as militant as the musical proceedings showcase. The axe play throughout contains thoughtful rhythms full of melodic meets aggressive hooks – Helena and Prika challenging each other to up their game on the motorcycle-oriented title cut plus early Metallica-esque “Kill or Die” with a flurry of tasty lead breaks, slamming main riffs, or point/counterpoint transitions sure to elev…
…n, and passionate aggression through all facets of the quartet’s style – making the material memorable through each successive pass. Expect layers of guitar/bass action that compels intense, deep dives as much as it will cause vicious pit action or stage diving – plus the caustic roar and savage screams from vocalist/guitarist Alon Karnieli that keeps the proceedings faithful to a crossover/underground audience. The flow of the record moves betwee…
…them? Kipp: That’s very difficult to answer. I spend all of my free time making music (laughs). Because we all have normal jobs, families, and the free time I used to play in another cover band. But that was for fun. Dead Rhetoric: What would you say are three of most important heavy metal albums that helped shape your outlook as a musician on the genre – and what’s the best concert you’ve attended purely as a fan in the audience (metal or otherwi…
…ient to the strange times that we live in today that we seem to be sleepwalking into. It’s a sort of a warning from the present day to the future – we are not really a say what you see kind of band. Certainly, most of the thematic revolves the concepts of that. Dead Rhetoric: Were there certain tracks on this record that came easier to develop than others – or ones that may have been more challenging to work through? Nemtheanga: There’s always som…
…bal Corpse didn’t neglect the time away from the stage when locked away working on their previous record Violence Unimagined from 2021. Instead, they got down to business writing and recording Chaos Horrific – their sixteenth studio album as the band celebrates thirty-five years as a unit. Most people should respect the work ethic and commitment to the cause, and as such these ten tracks of pounding brutality contain the right balance as far as me…
…chorus complete with chugging riffs and Celtic accompanies the ending. “Spirit of Forgetfulness” follows, which showcases some of the most massive orchestrations that the band has done – the chorus sounds entirely unreal as it builds into this massive, soaring theatrical piece that is also bound to stick in your head. The track gave out some well-earned chills with just the upbeat, wall-of-sound atmosphere – it’s a powerful accomplishment that ju…
…world. Now that you have some background, let’s dive into ProgPower USA XXII. We are a glutton for punishment (and cheap) so we got up at 5 a.m. to start our drive to Atlanta. After hours on the road, we got to our hotel, checked in and headed right back out to start the fun. As usual, the process for picking up our Gold Badges was simple and seamless. I even got a badge with a sticker meaning I got to pick a CD from the box and happily found Ava…
…o have grown accustomed to the band’s somewhat divisive sound, or those seeking out something far off the beaten path, Whitewater Park serves as a strong example of what can be accomplished outside of the box. Opening track “Rising Sun” is as good as any to give a proper dissection to in order to lay bare the wild and off-kilter swerves in sound that Broken By the Scream not only pull off convincingly, but to the point where the tracks will earwor…
…ring true to the old school vibe they get across – while the cover art strikingly matches what listeners can expect when pressing play on these proceedings. Naturally musicians develop numerous musical ideas as well as the desire to express/channel those thoughts into proper vehicles. Kerrigan is a welcome sight for all traditional metal followers – Bloodmoon containing the requisite passion, talent, and abilities to execute songwriting in anthem…
…ams – Architect of Lies), with in-between Metamorphosis being solid but definitely saw them reshaping the band after some notable departures. Given the Darkest Days‘ strengths, the hunger for new material was immense, and the band seemed to toss little nuggets that they were in the midst of writing and/or recording new material for a while. But nothing much seemed to surface until 2020 with a single in “From the Ashes of the Fallen,” and then “Whe…
…tely titled Purged and Forgotten as they probably seem like an outside, looking in underground act when it comes to the global thrash scene. Their fourth album since starting in 1998, they’ve been on domestic labels for their previous three records so gaining a boost through German label Dying Victims Productions should at least allow the band a bit more of a broader spectrum of consumers across domestic European countries. Prepare yourselves for…
…singing that much more impactful. The record ends with Never Obey Again taking on “Zombie” from The Cranberries – putting it into a bit more of an electronic-enhanced twist without sacrificing the militant lyrics or heavy guitar work that made this a staple of the alternative rock scene in the mid-1990’s. Quite a potent debut album for Never Obey Again here – those who love modern metal with plenty of hooks, melodies, and momentum should be quite…
…of modern metal, melodic death, power, traditional heavy metal, and more poking through the seams, but it’s well-controlled. Therefore demonstrating a wealth of ideas that adds to their diversity. One of the lead-off singles, “The Integument” fires off ’80s metal guitar bravado in the best of ways, producing some energetic and fun riffing opportunities for Cataraga to both sing and scream over – it’s easy to label the track a standout anthem that’…
…other stuff, it was rewarding creatively to be in a band, but we weren’t making a living from it. That set us on this direction. None of us wanted to quit the band. That was never on the table. We had to find a new way forward, and none of us knew how to approach it. I guess if we had known it would take ten years to write and release an album, maybe we would have given up. Just because the whole notion is absurd, it’s on the level of Chinese Demo…
…se Records should not diminish the impact of this hard-hitting effort – packing a massive wallop in its eleven tracks that barely clip past the thirty-minute mark. The eight main vocal-led tracks are spread out against the three brief instrumental offerings – “From Ashes…” giving off a darker synthwave atmosphere to sort of ease the listener into the gallop-oriented progressive riff volleys/blasting to mid-tempo slamming drum measures for “Push ou…
…what you may initially consider to be something more one-dimensional and making it, well, otherworldly in design. What comes across initially with Almost Human is precisely what the album title implies: it’s a decidedly brutal album that feels much more human in tone than the majority of tech-crazed releases that end up feeling cold and soulless. Sure, there’s some cold sci-fi feelings to it, but Wormhole are able to also effectively draw out some…
…rvalho to discuss his early memories surrounding Rush in childhood plus picking up the keyboard as an instrument, the work behind Reasons For Change plus the lineup shifts, why it tends to be a challenge to break out as a band from Brazil into the global marketplace, worries about the homeless and politicians, as well as what people can expect from the band over the next few years. Dead Rhetoric: What are some of your earliest memories surrounding…
…keeps things very entertaining over the course of the four tracks. When looking into the guitar play of Doc Lopez and Brandon Barker, the duo infuses a classic hard rock, guitar hero aspect into their speedy riffs or twin harmony abilities that fill the aural landscape with tasty treats of heavy treasures. Check out some of the natural melodic runs against the conventional heavy rhythms during the 8:39 “Scorpio”, and you’ll feel a mix of Metallica…
…flowing). Twenty years together as a group, Mortal Factor isn’t going to reach top tier groove metal/thrash status through Where To From Here? – which is probably neither here nor there to its long-term appeal. It’s a working-class, blue-collar outing that could garner modest attention with the right crew of people. https://www.youtube.com/watch?v=9-3Lf1SJ56Q https://www.youtube.com/watch?v=L4BQUdrlebQ Mortal Factor official website…
…sy with the two The Book of Suffering EPs and touring, but even since Tome II it has been 5 years. So the announcement of As Gomorrah Burns was nothing to take lightly, especially since it also marked the band’s partnership with Nuclear Blast, after a period of independence that has lasted since 2008’s The Unspoken King. The previous two EPs and the callbacks to Whisper Supremacy with the cover gave the band some extra credit from a personal stand…
…d. First up, you were able to go in and see their soundcheck (2 songs – “Taking You Out” and a cover of Bring Me the Horizon’s “Mantra”). A nice treat given the size of the VIP – while everyone was up close and personal to the band, there was no thoughts of moshing around, which made it nice to view the band’s synchronized dancing without any fear of being tossed around as collateral damage. Sound was very much on point for the soundcheck – the vo…
…ures lush keyboard orchestration plus vibrant classical acoustic guitar picking – setting the stage for the thunderous, speedy riffs and savage vocals of the follow-up “Torturer’s Creed”. Most will be impressed by the upstroke/downstroke tremolo action as well as the circular twin guitar melodies from rhythm guitarist UMP (Umberto Poncina) as well as guest lead player Tommaso Pellegrini (Human), the tempo shifting from colder, blackened measures t…
…me genre-wise flies right in the thrash category – possessing a bit of traditional, power, and crossover aspects when necessary to diversify the proceedings, but very familiar to those who love a lot of the older Bay Area-oriented bands with a little European finesse. Wasting no time getting into the energetic title cut opener, listeners will enjoy the speedy, precise riffing, turn on a dime groove-oriented transition, plus killer drumming that fe…
…f chaos as the band’s tempo goes from 0 to 250 is nothing short of breathtaking. “Zygomatic” keeps the tension at full-tilt with wild riff schemes and just some occasional slowdown as vocalist Jon Chang manically screams in a way that’s as caustic and unhinged as the music surrounding him. But for all of this chaos, the sound of which grind was lovingly built upon, there’s these melodic bits tossed in to keep you guessing and grab your attention….
